The March Family Trilogy, Complete

W >> William Dean Howells >> The March Family Trilogy, Complete


"Oh! that's tragical," said March.

"Mr. Fulkerson," Mrs. March began, with change of subject in her voice,
"who is Mrs. Mandel?"

"Who? What do you think of her?" he rejoined. "I'll tell you about her
when we get in the cars. Look at that thing! Ain't it beautiful?"

They leaned over the track and looked up at the next station, where the
train, just starting, throbbed out the flame-shot steam into the white
moonlight.

"The most beautiful thing in New York--the one always and certainly
beautiful thing here," said March; and his wife sighed, "Yes, yes." She
clung to him, and remained rapt by the sight till the train drew near,
and then pulled him back in a panic.

"Well, there ain't really much to tell about her," Fulkerson resumed when
they were seated in the car. "She's an invention of mine."

"Of yours?" cried Mrs. March.

"Of course!" exclaimed her husband.

"Yes--at least in her present capacity. She sent me a story for the
syndicate, back in July some time, along about the time I first met old
Dryfoos here. It was a little too long for my purpose, and I thought I
could explain better how I wanted it cut in a call than I could in a
letter. She gave a Brooklyn address, and I went to see her. I found her,"
said Fulkerson, with a vague defiance, "a perfect lady. She was living
with an aunt over there; and she had seen better days, when she was a
girl, and worse ones afterward. I don't mean to say her husband was a bad
fellow; I guess he was pretty good; he was her music-teacher; she met him
in Germany, and they got married there, and got through her property
before they came over here. Well, she didn't strike me like a person that
could make much headway in literature. Her story was well enough, but it
hadn't much sand in it; kind of-well, academic, you know. I told her so,
and she understood, and cried a little; but she did the best she could
with the thing, and I took it and syndicated it. She kind of stuck in my
mind, and the first time I went to see the Dryfooses they were stopping
at a sort of family hotel then till they could find a house--" Fulkerson
broke off altogether, and said, "I don't know as I know just how the
Dryfooses struck you, Mrs. March?"

"Can't you imagine?" she answered, with a kindly, smile.

"Yes; but I don't believe I could guess how they would have struck you
last summer when I first saw them. My! oh my! there was the native earth
for you. Mely is a pretty wild colt now, but you ought to have seen her
before she was broken to harness.

"And Christine? Ever see that black leopard they got up there in the
Central Park? That was Christine. Well, I saw what they wanted. They all
saw it--nobody is a fool in all directions, and the Dryfooses are in
their right senses a good deal of the time. Well, to cut a long story
short, I got Mrs. Mandel to take 'em in hand--the old lady as well as the
girls. She was a born lady, and always lived like one till she saw
Mandel; and that something academic that killed her for a writer was just
the very thing for them. She knows the world well enough to know just how
much polish they can take on, and she don't try to put on a bit more.
See?"

"Yes, I can see," said Mrs. March.

"Well, she took hold at once, as ready as a hospital-trained nurse; and
there ain't anything readier on this planet. She runs the whole concern,
socially and economically, takes all the care of housekeeping off the old
lady's hands, and goes round with the girls. By-the-bye, I'm going to
take my meals at your widow's, March, and Conrad's going to have his
lunch there. I'm sick of browsing about."

"Mr. March's widow?" said his wife, looking at him with provisional
severity.

"I have no widow, Isabel," he said, "and never expect to have, till I
leave you in the enjoyment of my life-insurance. I suppose Fulkerson
means the lady with the daughter who wanted to take us to board."

"Oh yes. How are they getting on, I do wonder?" Mrs. March asked of
Fulkerson.

"Well, they've got one family to board; but it's a small one. I guess
they'll pull through. They didn't want to take any day boarders at first,
the widow said; I guess they have had to come to it."

"Poor things!" sighed Mrs. March. "I hope they'll go back to the
country."

"Well, I don't know. When you've once tasted New York--You wouldn't go
back to Boston, would you?"

"Instantly."

Fulkerson laughed out a tolerant incredulity.




X

Beaton lit his pipe when he found himself in his room, and sat down
before the dull fire in his grate to think. It struck him there was a
dull fire in his heart a great deal like it; and he worked out a fanciful
analogy with the coals, still alive, and the ashes creeping over them,
and the dead clay and cinders. He felt sick of himself, sick of his life
and of all his works. He was angry with Fulkerson for having got him into
that art department of his, for having bought him up; and he was bitter
at fate because he had been obliged to use the money to pay some pressing
debts, and had not been able to return the check his father had sent him.
He pitied his poor old father; he ached with compassion for him; and he
set his teeth and snarled with contempt through them for his own
baseness. This was the kind of world it was; but he washed his hands of
it. The fault was in human nature, and he reflected with pride that he
had at least not invented human nature; he had not sunk so low as that
yet. The notion amused him; he thought he might get a Satanic epigram out
of it some way. But in the mean time that girl, that wild animal, she
kept visibly, tangibly before him; if he put out his hand he might touch
hers, he might pass his arm round her waist. In Paris, in a set he knew
there, what an effect she would be with that look of hers, and that
beauty, all out of drawing! They would recognize the flame quality in
her. He imagined a joke about her being a fiery spirit, or nymph, naiad,
whatever, from one of her native gas-wells. He began to sketch on a bit
of paper from the table at his elbow vague lines that veiled and revealed
a level, dismal landscape, and a vast flame against an empty sky, and a
shape out of the flame that took on a likeness and floated detached from
it. The sketch ran up the left side of the sheet and stretched across it.
Beaton laughed out. Pretty good to let Fulkerson have that for the cover
of his first number! In black and red it would be effective; it would
catch the eye from the news-stands. He made a motion to throw it on the
fire, but held it back and slid it into the table-drawer, and smoked on.
He saw the dummy with the other sketch in the open drawer which he had
brought away from Fulkerson's in the morning and slipped in there, and he
took it out and looked at it. He made some criticisms in line with his
pencil on it, correcting the drawing here and there, and then he
respected it a little more, though he still smiled at the feminine
quality--a young lady quality.

In spite of his experience the night he called upon the Leightons, Beaton
could not believe that Alma no longer cared for him. She played at having
forgotten him admirably, but he knew that a few months before she had
been very mindful of him. He knew he had neglected them since they came
to New York, where he had led them to expect interest, if not attention;
but he was used to neglecting people, and he was somewhat less used to
being punished for it--punished and forgiven. He felt that Alma had
punished him so thoroughly that she ought to have been satisfied with her
work and to have forgiven him in her heart afterward. He bore no
resentment after the first tingling moments were-past; he rather admired
her for it; and he would have been ready to go back half an hour later
and accept pardon and be on the footing of last summer again. Even now he
debated with himself whether it was too late to call; but, decidedly, a
quarter to ten seemed late. The next day he determined never to call upon
the Leightons again; but he had no reason for this; it merely came into a
transitory scheme of conduct, of retirement from the society of women
altogether; and after dinner he went round to see them.

He asked for the ladies, and they all three received him, Alma not
without a surprise that intimated itself to him, and her mother with no
appreciable relenting; Miss Woodburn, with the needlework which she found
easier to be voluble over than a book, expressed in her welcome a
neutrality both cordial to Beaton and loyal to Alma.

"Is it snowing outdo's?" she asked, briskly, after the greetings were
transacted. "Mah goodness!" she said, in answer to his apparent surprise
at the question. "Ah mahght as well have stayed in the Soath, for all the
winter Ah have seen in New York yet."

"We don't often have snow much before New-Year's," said Beaton.

"Miss Woodburn is wild for a real Northern winter," Mrs. Leighton
explained.

"The othah naght Ah woke up and looked oat of the window and saw all the
roofs covered with snow, and it turned oat to be nothing but moonlaght.
Ah was never so disappointed in mah lahfe," said Miss Woodburn.

"If you'll come to St. Barnaby next summer, you shall have all the winter
you want," said Alma.

"I can't let you slander St. Barnaby in that way," said Beaton, with the
air of wishing to be understood as meaning more than he said.

"Yes?" returned Alma, coolly. "I didn't know you were so fond of the
climate."

"I never think of it as a climate. It's a landscape. It doesn't matter
whether it's hot or cold."

"With the thermometer twenty below, you'd find that it mattered," Alma
persisted.

"Is that the way you feel about St. Barnaby, too, Mrs. Leighton?" Beaton
asked, with affected desolation.

"I shall be glad enough to go back in the summer," Mrs. Leighton
conceded.

"And I should be glad to go now," said Beaton, looking at Alma. He had
the dummy of 'Every Other Week' in his hand, and he saw Alma's eyes
wandering toward it whenever he glanced at her. "I should be glad to go
anywhere to get out of a job I've undertaken," he continued, to Mrs.
Leighton. "They're going to start some sort of a new illustrated
magazine, and they've got me in for their art department. I'm not fit for
it; I'd like to run away. Don't you want to advise me a little, Mrs.
Leighton? You know how much I value your taste, and I'd like to have you
look at the design for the cover of the first number: they're going to
have a different one for every number. I don't know whether you'll agree
with me, but I think this is rather nice."

He faced the dummy round, and then laid it on the table before Mrs.
Leighton, pushing some of her work aside to make room for it and standing
over her while she bent forward to look at it.

Alma kept her place, away from the table.

"Mah goodness! Ho' exciting!" said Miss Woodburn. "May anybody look?"

"Everybody," said Beaton.

"Well, isn't it perfectly choming!" Miss Woodburn exclaimed. "Come and
look at this, Miss Leighton," she called to Alma, who reluctantly
approached.

"What lines are these?" Mrs. Leighton asked, pointing to Beaton's pencil
scratches.

"They're suggestions of modifications," he replied.

"I don't think they improve it much. What do you think, Alma?"

"Oh, I don't know," said the girl, constraining her voice to an effect of
indifference and glancing carelessly down at the sketch. "The design
might be improved; but I don't think those suggestions would do it."

"They're mine," said Beaton, fixing his eyes upon her with a beautiful
sad dreaminess that he knew he could put into them; he spoke with a
dreamy remoteness of tone--his wind-harp stop, Wetmore called it.

"I supposed so," said Alma, calmly.

"Oh, mah goodness!" cried Miss Woodburn. "Is that the way you awtusts
talk to each othah? Well, Ah'm glad Ah'm not an awtust--unless I could do
all the talking."

"Artists cannot tell a fib," Alma said, "or even act one," and she
laughed in Beaton's upturned face.

He did not unbend his dreamy gaze. "You're quite right. The suggestions
are stupid."

Alma turned to Miss Woodburn: "You hear? Even when we speak of our own
work."

"Ah nevah hoad anything lahke it!"

"And the design itself?" Beaton persisted.

"Oh, I'm not an art editor," Alma answered, with a laugh of exultant
evasion.

A tall, dark, grave-looking man of fifty, with a swarthy face and
iron-gray mustache and imperial and goatee, entered the room. Beaton knew
the type; he had been through Virginia sketching for one of the
illustrated papers, and he had seen such men in Richmond. Miss Woodburn
hardly needed to say, "May Ah introduce you to mah fathaw, Co'nel
Woodburn, Mr. Beaton?"

The men shook hands, and Colonel Woodburn said, in that soft, gentle,
slow Southern voice without our Northern contractions: "I am very glad to
meet you, sir; happy to make yo' acquaintance. Do not move, madam," he
said to Mrs. Leighton, who made a deprecatory motion to let him pass to
the chair beyond her; "I can find my way." He bowed a bulk that did not
lend itself readily to the devotion, and picked up the ball of yarn she
had let drop out of her lap in half rising. "Yo' worsteds, madam."

"Yarn, yarn, Colonel Woodburn!" Alma shouted. "You're quite incorrigible.
A spade is a spade!"

"But sometimes it is a trump, my dear young lady," said the Colonel, with
unabated gallantry; "and when yo' mothah uses yarn, it is worsteds. But I
respect worsteds even under the name of yarn: our ladies--my own mothah
and sistahs--had to knit the socks we wore--all we could get in the woe."

"Yes, and aftah the woe," his daughter put in. "The knitting has not
stopped yet in some places. Have you been much in the Soath, Mr. Beaton?"

Beaton explained just how much.

"Well, sir," said the Colonel, "then you have seen a country making
gigantic struggles to retrieve its losses, sir. The South is advancing
with enormous strides, sir."

"Too fast for some of us to keep up," said Miss Woodburn, in an audible
aside. "The pace in Charlottesboag is pofectly killing, and we had to
drop oat into a slow place like New York."

"The progress in the South is material now," said the Colonel; "and those
of us whose interests are in another direction find ourselves--isolated
--isolated, sir. The intellectual centres are still in the No'th, sir;
the great cities draw the mental activity of the country to them, sir.
Necessarily New York is the metropolis."

"Oh, everything comes here," said Beaton, impatient of the elder's
ponderosity. Another sort of man would have sympathized with the
Southerner's willingness to talk of himself, and led him on to speak of
his plans and ideals. But the sort of man that Beaton was could not do
this; he put up the dummy into the wrapper he had let drop on the floor
beside him, and tied it round with string while Colonel Woodburn was
talking. He got to his feet with the words he spoke and offered Mrs.
Leighton his hand.

"Must you go?" she asked, in surprise.

"I am on my way to a reception," he said. She had noticed that he was in
evening dress; and now she felt the vague hurt that people invited
nowhere feel in the presence of those who are going somewhere. She did
not feel it for herself, but for her daughter; and she knew Alma would
not have let her feel it if she could have prevented it. But Alma had
left the room for a moment, and she tacitly indulged this sense of injury
in her behalf.

"Please say good-night to Miss Leighton for me," Beaton continued. He
bowed to Miss Woodburn, "Goodnight, Miss Woodburn," and to her father,
bluntly, "Goodnight."

"Good-night, sir," said the Colonel, with a sort of severe suavity.

"Oh, isn't he choming!" Miss Woodburn whispered to Mrs. Leighton when
Beaton left the room.

Alma spoke to him in the hall without. "You knew that was my design, Mr.
Beaton. Why did you bring it?"

"Why?" He looked at her in gloomy hesitation.

Then he said: "You know why. I wished to talk it over with you, to serve
you, please you, get back your good opinion. But I've done neither the
one nor the other; I've made a mess of the whole thing."

Alma interrupted him. "Has it been accepted?"

"It will be accepted, if you will let it."

"Let it?" she laughed. "I shall be delighted." She saw him swayed a
little toward her. "It's a matter of business, isn't it?"

"Purely. Good-night."

When Alma returned to the room, Colonel Woodburn was saying to Mrs.
Leighton: "I do not contend that it is impossible, madam, but it is very
difficult in a thoroughly commercialized society, like yours, to have the
feelings of a gentleman. How can a business man, whose prosperity, whose
earthly salvation, necessarily lies in the adversity of some one else, be
delicate and chivalrous, or even honest? If we could have had time to
perfect our system at the South, to eliminate what was evil and develop
what was good in it, we should have had a perfect system. But the virus
of commercialism was in us, too; it forbade us to make the best of a
divine institution, and tempted us to make the worst. Now the curse is on
the whole country; the dollar is the measure of every value, the stamp of
every success. What does not sell is a failure; and what sells succeeds."

"The hobby is oat, mah deah," said Miss Woodburn, in an audible aside to
Alma.

"Were you speaking of me, Colonel Woodburn?" Alma asked.

"Surely not, my dear young lady."

"But he's been saying that awtusts are just as greedy aboat money as
anybody," said his daughter.

"The law of commercialism is on everything in a commercial society," the
Colonel explained, softening the tone in which his convictions were
presented. "The final reward of art is money, and not the pleasure of
creating."

"Perhaps they would be willing to take it all oat in that if othah people
would let them pay their bills in the pleasure of creating," his daughter
teased.

"They are helpless, like all the rest," said her father, with the same
deference to her as to other women. "I do not blame them."

"Oh, mah goodness! Didn't you say, sir, that Mr. Beaton had bad manners?"

Alma relieved a confusion which he seemed to feel in reference to her.
"Bad manners? He has no manners! That is, when he's himself. He has
pretty good ones when he's somebody else."

Miss Woodburn began, "Oh, mah-" and then stopped herself. Alma's mother
looked at her with distressed question, but the girl seemed perfectly
cool and contented; and she gave her mind provisionally to a point
suggested by Colonel Woodburn's talk.

"Still, I can't believe it was right to hold people in slavery, to whip
them and sell them. It never did seem right to me," she added, in apology
for her extreme sentiments to the gentleness of her adversary.

"I quite agree with you, madam," said the Colonel. "Those were the abuses
of the institution. But if we had not been vitiated on the one hand and
threatened on the other by the spirit of commercialism from the
North--and from Europe, too--those abuses could have been eliminated, and
the institution developed in the direction of the mild patriarchalism of
the divine intention." The Colonel hitched his chair, which figured a
hobby careering upon its hind legs, a little toward Mrs. Leighton and the
girls approached their heads and began to whisper; they fell
deferentially silent when the Colonel paused in his argument, and went on
again when he went on.

At last they heard Mrs. Leighton saying, "And have you heard from the
publishers about your book yet?"

Then Miss Woodburn cut in, before her father could answer: "The coase of
commercialism is on that, too. They are trahing to fahnd oat whethah it
will pay."

"And they are right-quite right," said the Colonel. "There is no longer
any other criterion; and even a work that attacks the system must be
submitted to the tests of the system."

"The system won't accept destruction on any othah tomes," said Miss
Woodburn, demurely.




XI.

At the reception, where two men in livery stood aside to let him pass up
the outside steps of the house, and two more helped him off with his
overcoat indoors, and a fifth miscalled his name into the drawing-room,
the Syracuse stone-cutter's son met the niece of Mrs. Horn, and began at
once to tell her about his evening at the Dryfooses'. He was in very good
spirits, for so far as he could have been elated or depressed by his
parting with Alma Leighton he had been elated; she had not treated his
impudence with the contempt that he felt it deserved; she must still be
fond of him; and the warm sense of this, by operation of an obscure but
well-recognized law of the masculine being, disposed him to be rather
fond of Miss Vance. She was a slender girl, whose semi-aesthetic dress
flowed about her with an accentuation of her long forms, and redeemed
them from censure by the very frankness with which it confessed them;
nobody could have said that Margaret Vance was too tall. Her pretty
little head, which she had an effect of choosing to have little in the
same spirit of judicious defiance, had a good deal of reading in it; she
was proud to know literary and artistic fashions as well as society
fashions. She liked being singled out by an exterior distinction so
obvious as Beaton's, and she listened with sympathetic interest to his
account of those people. He gave their natural history reality by drawing
upon his own; he reconstructed their plebeian past from the experiences
of his childhood and his youth of the pre-Parisian period; and he had a
pang of suicidal joy in insulting their ignorance of the world.

"What different kinds of people you meet!" said the girl at last, with an
envious sigh. Her reading had enlarged the bounds of her imagination, if
not her knowledge; the novels nowadays dealt so much with very common
people, and made them seem so very much more worth while than the people
one met.

She said something like this to Beaton. He answered: "You can meet the
people I'm talking of very easily, if you want to take the trouble. It's
what they came to New York for. I fancy it's the great ambition of their
lives to be met."

"Oh yes," said Miss Vance, fashionably, and looked down; then she looked
up and said, intellectually: "Don't you think it's a great pity? How much
better for them to have stayed where they were and what they were!"

"Then you could never have had any chance of meeting them," said Beaton.
"I don't suppose you intend to go out to the gas country?"

"No," said Miss Vance, amused. "Not that I shouldn't like to go."

"What a daring spirit! You ought to be on the staff of 'Every Other
Week,'" said Beaton.

"The staff-Every Other Week? What is it?"

"The missing link; the long-felt want of a tie between the Arts and the
Dollars." Beaton gave her a very picturesque, a very dramatic sketch of
the theory, the purpose, and the personnel of the new enterprise.

Miss Vance understood too little about business of any kind to know how
it differed from other enterprises of its sort. She thought it was
delightful; she thought Beaton must be glad to be part of it, though he
had represented himself so bored, so injured, by Fulkerson's insisting
upon having him. "And is it a secret? Is it a thing not to be spoken of?"

"'Tutt' altro'! Fulkerson will be enraptured to have it spoken of in
society. He would pay any reasonable bill for the advertisement."

"What a delightful creature! Tell him it shall all be spent in charity."

"He would like that. He would get two paragraphs out of the fact, and
your name would go into the 'Literary Notes' of all the newspapers."

"Oh, but I shouldn't want my name used!" cried the girl, half horrified
into fancying the situation real.

"Then you'd better not say anything about 'Every Other Week'. Fulkerson
is preternaturally unscrupulous."

March began to think so too, at times. He was perpetually suggesting
changes in the make-up of the first number, with a view to its greater
vividness of effect. One day he came and said: "This thing isn't going to
have any sort of get up and howl about it, unless you have a paper in the
first number going for Bevans's novels. Better get Maxwell to do it."

"Why, I thought you liked Bevans's novels?"

"So I did; but where the good of 'Every Other Week' is concerned I am a
Roman father. The popular gag is to abuse Bevans, and Maxwell is the man
to do it. There hasn't been a new magazine started for the last three
years that hasn't had an article from Maxwell in its first number cutting
Bevans all to pieces. If people don't see it, they'll think 'Every Other
Week' is some old thing."

March did not know whether Fulkerson was joking or not. He suggested,
"Perhaps they'll think it's an old thing if they do see it."

"Well, get somebody else, then; or else get Maxwell to write under an
assumed name. Or--I forgot! He'll be anonymous under our system, anyway.
Now there ain't a more popular racket for us to work in that first number
than a good, swinging attack on Bevans. People read his books and quarrel
over 'em, and the critics are all against him, and a regular flaying,
with salt and vinegar rubbed in afterward, will tell more with people who
like good old-fashioned fiction than anything else. I like Bevans's
things, but, dad burn it! when it comes to that first number, I'd offer
up anybody."