The Complete PG Works of Oliver Wendell Holmes, Sr.
O >> Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist) >> The Complete PG Works of Oliver Wendell Holmes, Sr.
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[I don't doubt there may be some monster-elm or other, vegetating
green, but inglorious, in some remote New England village, which
only wants a sacred singer to make it celebrated. Send us your
measurements,--(certified by the postmaster, to avoid possible
imposition,)--circumference five feet from soil, length of line
from bough-end to bough-end, and we will see what can be done for
you.]
--I wish somebody would get us up the following work:-
SYLVA NOVANGLICA.
Photographs of New England Elms and other Trees, taken upon the
Same Scale of Magnitude. With Letter-Press Descriptions, by a
Distinguished Literary Gentleman. Boston & Co. 185..
The same camera should be used,--so far as possible,--at a fixed
distance. Our friend, who has given us so many interesting figures
in his "Trees of America," must not think this Prospectus invades
his province; a dozen portraits, with lively descriptions, would be
a pretty complement to his large work, which, so far as published,
I find excellent. If my plan were carried out, and another series
of a dozen English trees photographed on the same scale the
comparison would be charming.
It has always been a favorite idea of mine to bring the life of the
Old and the New World face to face, by an accurate comparison of
their various types of organization. We should begin with man, of
course; institute a large and exact comparison between the
development of la pianta umana, as Alfieri called it, in different
sections of each country, in the different callings, at different
ages, estimating height, weigh, force by the dynamometer and the
spirometer, and finishing off with a series of typical photographs,
giving the principal national physiognomies. Mr. Hutchinson has
given us some excellent English data to begin with.
Then I would follow this up by contrasting the various parallel
forms of life in the two continents. Our naturalists have often
referred to this incidentally or expressly; but the animus of
Nature in the two half globes of the planet is so momentous a point
of interest to our race, that it should be made a subject of
express and elaborate study. Go out with me into that walk which
we call THE MALL, and look at the English and American elms. The
American elm is tall, graceful, slender-sprayed, and drooping as if
from languor. The English elm is compact, robust, holds its
branches up, and carries its leaves for weeks longer than our own
native tree.
Is this typical of the creative force on the two sides of the
ocean, or not? Nothing but a careful comparison through the whole
realm of life can answer this question.
There is a parallelism without identity in the animal and vegetable
life of the two continents, which favors the task of comparison in
an extraordinary manner. Just as we have two trees alike in many
ways, yet not the same, both elms, yet easily distinguishable, just
so we have a complete flora and a fauna, which, parting from the
same ideal, embody it with various modifications. Inventive power
is the only quality of which the Creative Intelligence seems to be
economical; just as with our largest human minds, that is the
divinest of faculties, and the one that most exhausts the mind
which exercises it. As the same patterns have very commonly been
followed, we can see which is worked out in the largest spirit, and
determine the exact limitations under which the Creator places the
movement of life in all its manifestations in either locality. We
should find ourselves in a very false position, if it should prove
that Anglo-Saxons can't live here, but die out, if not kept up by
fresh supplies, as Dr. Knox and other more or less wise persons
have maintained. It may turn out the other way, as I have heard
one of our literary celebrities argue,--and though I took the other
side, I liked his best,--that the American is the Englishman
reinforced.
--Will you walk out and look at those elms with me after
breakfast?--I said to the schoolmistress.
[I am not going to tell lies about it, and say that she blushed,
--as I suppose she ought to have done, at such a tremendous piece of
gallantry as that was for our boarding-house. On the contrary, she
turned a little pale,--but smiled brightly and said,--Yes, with
pleasure, but she must walk towards her school.--She went for her
bonnet.--The old gentleman opposite followed her with his eyes, and
said he wished he was a young fellow. Presently she came down,
looking very pretty in her half-mourning bonnet, and carrying a
school-book in her hand.]
MY FIRST WALK WITH THE SCHOOLMISTRESS.
This is the shortest way,--she said, as we came to a corner.--Then
we won't take it,--said I.--The schoolmistress laughed a little,
and said she was ten minutes early, so she could go round.
We walked under Mr. Paddock's row of English elms. The gray
squirrels were out looking for their breakfasts, and one of them
came toward us in light, soft, intermittent leaps, until he was
close to the rail of the burial-ground. He was on a grave with a
broad blue-slate-stone at its head, and a shrub growing on it. The
stone said this was the grave of a young man who was the son of an
Honorable gentleman, and who died a hundred years ago and more.
--Oh, yes, DIED,--with a small triangular mark in one breast, and
another smaller opposite, in his back, where another young man's
rapier had slid through his body; and so he lay down out there on
the Common, and was found cold the next morning, with the
night-dews and the death-dews mingled on his forehead.
Let us have one look at poor Benjamin's grave,--said I.--His bones
lie where his body was laid so long ago, and where the stone says
they lie,--which is more than can be said of most of the tenants of
this and several other burial-grounds.
[The most accursed act of Vandalism ever committed within my
knowledge was the uprooting of the ancient gravestones in three at
least of our city burialgrounds, and one at least just outside the
city, and planting them in rows to suit the taste for symmetry of
the perpetrators. Many years ago, when this disgraceful process
was going on under my eyes, I addressed an indignant remonstrance
to a leading journal. I suppose it was deficient in literary
elegance, or too warm in its language; for no notice was taken of
it, and the hyena-horror was allowed to complete itself in the face
of daylight. I have never got over it. The bones of my own
ancestors, being entombed, lie beneath their own tablet; but the
upright stones have been shuffled about like chessmen, and nothing
short of the Day of Judgment will tell whose dust lies beneath any
of those records, meant by affection to mark one small spot as
sacred to some cherished memory. Shame! shame! shame!--that is all
I can say. It was on public thoroughfares, under the eye of
authority, that this infamy was enacted. The red Indians would
have known better; the selectmen of an African kraal-village would
have had more respect for their ancestors. I should like to see
the gravestones which have been disturbed all removed, and the
ground levelled, leaving the flat tombstones; epitaphs were never
famous for truth, but the old reproach of "Here LIES" never had
such a wholesale illustration as in these outraged burial-places,
where the stone does lie above, and the bones do not lie beneath.]
Stop before we turn away, and breathe a woman's sigh over poor
Benjamin's dust. Love killed him, I think. Twenty years old, and
out there fighting another young fellow on the Common, in the cool
of that old July evening;--yes, there must have been love at the
bottom of it.
The schoolmistress dropped a rosebud she had in her hand, through
the rails, upon the grave of Benjamin Woodbridge. That was all her
comment upon what I told her.--How women love Love! said I;--but
she did not speak.
We came opposite the head of a place or court running eastward from
the main street.--Look down there,--I said,--My friend the
Professor lived in that house at the left hand, next the further
corner, for years and years. He died out of it, the other day.
--Died?--said the schoolmistress.--Certainly,--said I.--We die out of
houses, just as we die out of our bodies. A commercial smash kills
a hundred men's houses for them, as a railroad crash kills their
mortal frames and drives out the immortal tenants. Men sicken of
houses until at last they quit them, as the soul leaves its body
when it is tired of its infirmities. The body has been called "the
house we live in"; the house is quite as much the body we live in.
Shall I tell you some things the Professor said the other day?
--Do!--said the schoolmistress.
A man's body,--said the Professor,--is whatever is occupied by his
will and his sensibility. The small room down there, where I wrote
those papers you remember reading, was much more a portion of my
body than a paralytic's senseless and motionless arm or leg is of
his.
The soul of a man has a series of concentric envelopes round it,
like the core of an onion, or the innermost of a nest of boxes.
First, he has his natural garment of flesh and blood. Then, his
artificial integuments, with their true skin of solid stuffs, their
cuticle of lighter tissues, and their variously-tinted pigments.
Thirdly, his domicile, be it a single chamber or a stately mansion.
And then, the whole visible world, in which Time buttons him up as
in a loose outside wrapper.
You shall observe,--the Professor said,--for, like Mr. John Hunter
and other great men, he brings in that SHALL with great effect
sometimes,--you shall observe that a man's clothing or series of
envelopes does after a certain time mould itself upon his
individual nature. We know this of our hats, and are always
reminded of it when we happen to put them on wrong side foremost.
We soon find that the beaver is a hollow cast of the skull, with
all its irregular bumps and depressions. Just so all that clothes
a man, even to the blue sky which caps his head,--a little
loosely,--shapes itself to fit each particular being beneath it.
Farmers, sailors, astronomers, poets, lovers, condemned criminals,
all find it different, according to the eyes with which they
severally look.
But our houses shape themselves palpably on our inner and outer
natures. See a householder breaking up and you will be sure of it.
There is a shell-fish which builds all manner of smaller shells
into the walls of its own. A house is never a home until we have
crusted it with the spoils of a hundred lives besides those of our
own past. See what these are and you can tell what the occupant
is.
I had no idea,--said the Professor,--until I pulled up my domestic
establishment the other day, what an enormous quantity of roots I
had been making during the years I was planted there. Why, there
wasn't a nook or a corner that some fibre had not worked its way
into; and when I gave the last wrench, each of them seemed to
shriek like a mandrake, as it broke its hold and came away.
There is nothing that happens, you know, which must not inevitably,
and which does not actually, photograph itself in every conceivable
aspect and in all dimensions. The infinite galleries of the Past
await but one brief process and all their pictures will be called
out and fixed forever. We had a curious illustration of the great
fact on a very humble scale. When a certain bookcase, long
standing in one place, for which it was built, was removed, there
was the exact image on the wall of the whole, and of many of its
portions. But in the midst of this picture was another,--the
precise outline of a map which had hung on the wall before the
bookcase was built. We had all forgotten everything about the map
until we saw its photograph on the wall. Then we remembered it, as
some day or other we may remember a sin which has been built over
and covered up, when this lower universe is pulled away from before
the wall of Infinity, where the wrong-doing stands self-recorded.
The Professor lived in that house a long time,--not twenty years,
but pretty near it. When he entered that door, two shadows glided
over the threshold; five lingered in the doorway when he passed
through it for the last time,--and one of the shadows was claimed
by its owner to be longer than his own. What changes he saw in
that quiet place! Death rained through every roof but his;
children came into life, grew to maturity, wedded, faded away,
threw themselves away; the whole drama of life was played in that
stock-company's theatre of a dozen houses, one of which was his,
and no deep sorrow or severe calamity ever entered his dwelling.
Peace be to those walls, forever,--the Professor said,--for the
many pleasant years he has passed within them!
The Professor has a friend, now living at a distance, who has been
with him in many of his changes of place, and who follows him in
imagination with tender interest wherever he goes.--In that little
court, where he lived in gay loneliness so long,--
--in his autumnal sojourn by the Connecticut, where it comes
loitering down from its mountain fastnesses like a great lord,
swallowing up the small proprietary rivulets very quietly as it
goes, until it gets proud and swollen and wantons in huge luxurious
oxbows about the fair Northampton meadows, and at last overflows
the oldest inhabitant's memory in profligate freshets at Hartford
and all along its lower shores,--up in that caravansary on the
banks of the stream where Ledyard launched his log canoe, and the
jovial old Colonel used to lead the Commencement processions,
--where blue Ascutney looked down from the far distance, and the
hills of Beulah, as the Professor always called them, rolled up the
opposite horizon in soft climbing masses, so suggestive of the
Pilgrim's Heavenward Path that he used to look through his old
"Dollond" to see if the Shining Ones were not within range of
sight,--sweet visions, sweetest in those Sunday walks which carried
them by the peaceful common, through the solemn village lying in
cataleptic stillness under the shadow of the rod of Moses, to the
terminus of their harmless stroll,--the patulous fage, in the
Professor's classic dialect,--the spreading beech, in more familiar
phrase,--[stop and breathe here a moment, for the sentence is not
done yet, and we have another long journey before us,]--
--and again once more up among those other hills that shut in the
amber-flowing Housatonic,--dark stream, but clear, like the lucid
orbs that shine beneath the lids of auburn-haired, sherry-wine-eyed
demi-blondes,--in the home overlooking the winding stream and the
smooth, flat meadow; looked down upon by wild hills, where the
tracks of bears and catamounts may yet sometimes be seen upon the
winter snow; facing the twin summits which rise in the far North,
the highest waves of the great land-storm in all this billowy
region,--suggestive to mad fancies of the breasts of a half-buried
Titaness, stretched out by a stray thunderbolt, and hastily hidden
away beneath the leaves of the forest,--in that home where seven
blessed summers were passed, which stand in memory like the seven
golden candlesticks in the beatific vision of the holy dreamer,--
--in that modest dwelling we were just looking at, not glorious,
yet not unlovely in the youth of its drab and mahogany,--full of
great and little boys' playthings from top to bottom,--in all these
summer or winter nests he was always at home and always welcome.
This long articulated sigh of reminiscences,--this calenture which
shows me the maple-shadowed plains of Berkshire and the mountain-
circled green of Grafton beneath the salt waves which come feeling
their way along the wall at my feet, restless and soft-touching as
blind men's busy fingers,--is for that friend of mine who looks
into the waters of the Patapsco and sees beneath them the same
visions which paint themselves for me in the green depths of the
Charles.
--Did I talk all this off to the schoolmistress?--Why, no,--of
course not. I have been talking with you, the reader, for the last
ten minutes. You don't think I should expect any woman to listen
to such a sentence as that long one, without giving her a chance to
put in a word?
--What did I say to the schoolmistress?--Permit me one moment. I
don't doubt your delicacy and good-breeding; but in this particular
case, as I was allowed the privilege of walking alone with a very
interesting young woman, you must allow me to remark, in the
classic version of a familiar phrase, used by our Master Benjamin
Franklin, it is nullum tui negotii.
When the schoolmistress and I reached the school-room door, the
damask roses I spoke of were so much heightened in color by
exercise that I felt sure it would be useful to her to take a
stroll like this every morning, and made up my mind I would ask her
to let me join her again.
EXTRACT FROM MY PRIVATE JOURNAL.
(To be burned unread.)
I am afraid I have been a fool; for I have told as much of myself
to this young person as if she were of that ripe and discreet age
which invites confidence and expansive utterance. I have been
low-spirited and listless, lately,--it is coffee, I think,
--(I observe that which is bought READY-GROUND never affects the
head,)--and I notice that I tell my secrets too easily when I am
downhearted.
There are inscriptions on our hearts, which, like that on Dighton
Rock, are never to be seen except at dead-low tide.
There is a woman's footstep on the sand at the side of my deepest
ocean-buried inscription!
--Oh, no, no, no! a thousand times, no!--Yet what is this which has
been shaping itself in my soul?--Is it a thought?--is it a dream?
--is it a PASSION?--Then I know what comes next.
--The Asylum stands on a bright and breezy hill; those glazed
corridors are pleasant to walk in, in bad weather. But there are
iron bars to all the windows. When it is fair, some of us can
stroll outside that very high fence. But I never see much life in
those groups I sometimes meet;--and then the careful man watches
them so closely! How I remember that sad company I used to pass on
fine mornings, when I was a schoolboy!--B., with his arms full of
yellow weeds,--ore from the gold mines which he discovered long
before we heard of California,--Y., born to millions, crazed by too
much plum-cake, (the boys said,) dogged, explosive,--made a
Polyphemus of my weak-eyed schoolmaster, by a vicious flirt with a
stick,--(the multi-millonnaires sent him a trifle, it was said, to
buy another eye with; but boys are jealous of rich folks, and I
don't doubt the good people made him easy for life,)--how I
remember them all!
I recollect, as all do, the story of the Hall of Eblis, in
"Vathek," and how each shape, as it lifted its hand from its
breast, showed its heart,--a burning coal. The real Hall of Eblis
stands on yonder summit. Go there on the next visiting-day, and
ask that figure crouched in the corner, huddled up like those
Indian mummies and skeletons found buried in the sitting posture,
to lift its hand,--look upon its heart, and behold, not fire, but
ashes.--No, I must not think of such an ending! Dying would be a
much more gentlemanly way of meeting the difficulty. Make a will
and leave her a house or two and some stocks, and other little
financial conveniences, to take away her necessity for keeping
school.--I wonder what nice young man's feet would be in my French
slippers before six months were over! Well, what then? If a man
really loves a woman, of course he wouldn't marry her for the
world, if he were not quite sure that he was the best person she
could by any possibility marry.
--It is odd enough to read over what I have just been writing.--It
is the merest fancy that ever was in the world. I shall never be
married. She will; and if she is as pleasant as she has been so
far, I will give her a silver tea-set, and go and take tea with her
and her husband, sometimes. No coffee, I hope, though,--it
depresses me sadly. I feel very miserably;--they must have been
grinding it at home.--Another morning walk will be good for me, and
I don't doubt the schoolmistress will be glad of a little fresh air
before school.
--The throbbing flushes of the poetical intermittent have been
coming over me from time to time of late. Did you ever see that
electrical experiment which consists in passing a flash through
letters of gold-leaf in a darkened room, whereupon some name or
legend springs out of the darkness in characters of fire?
There are songs all written out in my soul, which I could read, if
the flash might pass through them,--but the fire must come down
from heaven. Ah! but what if the stormy nimbus of youthful passion
has blown by, and one asks for lightning from the ragged cirrus of
dissolving aspirations, or the silvered cumulus of sluggish
satiety? I will call on her whom the dead poets believed in, whom
living ones no longer worship,--the immortal maid, who, name her
what you will,--Goddess, Muse, Spirit of Beauty,--sits by the
pillow of every youthful poet, and bends over his pale forehead
until her tresses lie upon his cheek and rain their gold into his
dreams.
MUSA.
O my lost Beauty!--hast thou folded quite
Thy wings of morning light
Beyond those iron gates
Where Life crowds hurrying to the haggard Fates,
And Age upon his mound of ashes waits
To chill our fiery dreams,
Hot from the heart of youth plunged in his icy streams?
Leave me not fading in these weeds of care,
Whose flowers are silvered hair!--
Have I not loved thee long,
Though my young lips have often done thee wrong
And vexed thy heaven-tuned ear with careless song?
Ah, wilt thou yet return,
Bearing thy rose-hued torch, and bid thine altar burn?
Come to me!--I will flood thy silent shine
With my soul's sacred wine,
And heap thy marble floors
As the wild spice-trees waste their fragrant stores
In leafy islands walled with madrepores
And lapped in Orient seas,
When all their feathery palm toss, plume-like, in the breeze.
Come to me!--thou shalt feed on honied words,
Sweeter than song of birds;--
No wailing bulbul's throat,
No melting dulcimer's melodious note,
When o'er the midnight wave its murmurs float,
Thy ravished sense might soothe
With flow so liquid-soft, with strain so velvet-smooth.
Thou shalt be decked with jewels, like a queen,
Sought in those bowers of green
Where loop the clustered vines
And the close-clinging dulcamara twines,--
Pure pearls of Maydew where the moonlight shines,
And Summer's fruited gems,
And coral pendants shorn from Autumn's berried stems.
Sit by me drifting on the sleepy waves,--
Or stretched by grass-grown graves,
Whose gray, high-shouldered stones,
Carved with old names Life's time-worn roll disowns,
Lean, lichen-spotted, o'er the crumbled bones
Still slumbering where they lay
While the sad Pilgrim watched to scare the wolf away.
Spread o'er my couch thy visionary wing!
Still let me dream and sing,--
Dream of that winding shore
Where scarlet cardinals bloom,--for me no more,--
The stream with heaven beneath its liquid floor,
And clustering nenuphars
Sprinkling its mirrored blue like golden-chaliced stars!
Come while their balms the linden-blossoms shed!--
Come while the rose is red,--
While blue-eyed Summer smiles
On the green ripples round you sunken piles
Washed by the moon-wave warm from Indian isles,
And on the sultry air
The chestnuts spread their palms like holy men in prayer!
Oh, for thy burning lips to fire my brain
With thrills of wild sweet pain!--
On life's autumnal blast,
Like shrivelled leaves, youth's, passion-flowers are cast,--
Once loving thee, we love thee to the last!--
Behold thy new-decked shrine,
And hear once more the voice that breathed "Forever thine!"
CHAPTER XI
[The company looked a little flustered one morning when I came in,
--so much so, that I inquired of my neighbor, the divinity-student,)
what had been going on. It appears that the young fellow whom they
call John had taken advantage of my being a little late (I having
been rather longer than usual dressing that morning) to circulate
several questions involving a quibble or play upon words,--in
short, containing that indignity to the human understanding,
condemned in the passages from the distinguished moralist of the
last century and the illustrious historian of the present, which I
cited on a former occasion, and known as a PUN. After breakfast,
one of the boarders handed me a small roll of paper containing some
of the questions and their answers. I subjoin two or three of
them, to show what a tendency there is to frivolity and meaningless
talk in young persons of a certain sort, when not restrained by the
presence of more reflective natures.--It was asked, "Why tertian
and quartan fevers were like certain short-lived insects." Some
interesting physiological relation would be naturally suggested.
The inquirer blushes to find that the answer is in the paltry
equivocation, that they SKIP a day or two.--"Why an Englishman must
go to the Continent to weaken his grog or punch." The answer
proves to have no relation whatever to the temperance-movement, as
no better reason is given than that island--(or, as it is absurdly
written, ILE AND) water won't mix.--But when I came to the next
question and its answer, I felt that patience ceased to be a
virtue. "Why an onion is like a piano" is a query that a person of
sensibility would be slow to propose; but that in an educated
community an individual could be found to answer it in these
words,--"Because it smell odious," quasi, it's melodious,--is not
credible, but too true. I can show you the paper.
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