The Innocents Abroad

M >> Mark Twain (Samuel Clemens) >> The Innocents Abroad


Then we lounged through many and many a sumptuous private mansion which
we could not have entered without a formal invitation in incomprehensible
Latin, in the olden time, when the owners lived there--and we probably
wouldn't have got it. These people built their houses a good deal alike.
The floors were laid in fanciful figures wrought in mosaics of
many-colored marbles. At the threshold your eyes fall upon a Latin
sentence of welcome, sometimes, or a picture of a dog, with the legend
"Beware of the Dog," and sometimes a picture of a bear or a faun with no
inscription at all. Then you enter a sort of vestibule, where they used
to keep the hat-rack, I suppose; next a room with a large marble basin
in the midst and the pipes of a fountain; on either side are bedrooms;
beyond the fountain is a reception-room, then a little garden,
dining-room, and so forth and so on. The floors were all mosaic, the
walls were stuccoed, or frescoed, or ornamented with bas-reliefs, and
here and there were statues, large and small, and little fish-pools, and
cascades of sparkling water that sprang from secret places in the
colonnade of handsome pillars that surrounded the court, and kept the
flower-beds fresh and the air cool. Those Pompeiians were very
luxurious in their tastes and habits. The most exquisite bronzes we
have seen in Europe, came from the exhumed cities of Herculaneum and
Pompeii, and also the finest cameos and the most delicate engravings on
precious stones; their pictures, eighteen or nineteen centuries old, are
often much more pleasing than the celebrated rubbish of the old masters
of three centuries ago. They were well up in art. From the creation of
these works of the first, clear up to the eleventh century, art seems
hardly to have existed at all--at least no remnants of it are left--and
it was curious to see how far (in some things, at any rate,) these old
time pagans excelled the remote generations of masters that came after
them. The pride of the world in sculptures seem to be the Laocoon and
the Dying Gladiator, in Rome. They are as old as Pompeii, were dug from
the earth like Pompeii; but their exact age or who made them can only be
conjectured. But worn, and cracked, without a history, and with the
blemishing stains of numberless centuries upon them, they still mutely
mock at all efforts to rival their perfections.

It was a quaint and curious pastime, wandering through this old silent
city of the dead--lounging through utterly deserted streets where
thousands and thousands of human beings once bought and sold, and walked
and rode, and made the place resound with the noise and confusion of
traffic and pleasure. They were not lazy. They hurried in those days.
We had evidence of that. There was a temple on one corner, and it was a
shorter cut to go between the columns of that temple from one street to
the other than to go around--and behold that pathway had been worn deep
into the heavy flagstone floor of the building by generations of
time-saving feet! They would not go around when it was quicker to go
through. We do that way in our cities.

Every where, you see things that make you wonder how old these old houses
were before the night of destruction came--things, too, which bring back
those long dead inhabitants and place the living before your eyes. For
instance: The steps (two feet thick--lava blocks) that lead up out of the
school, and the same kind of steps that lead up into the dress circle of
the principal theatre, are almost worn through! For ages the boys
hurried out of that school, and for ages their parents hurried into that
theatre, and the nervous feet that have been dust and ashes for eighteen
centuries have left their record for us to read to-day. I imagined I
could see crowds of gentlemen and ladies thronging into the theatre, with
tickets for secured seats in their hands, and on the wall, I read the
imaginary placard, in infamous grammar, "POSITIVELY NO FREE LIST, EXCEPT
MEMBERS OF THE PRESS!" Hanging about the doorway (I fancied,) were
slouchy Pompeiian street-boys uttering slang and profanity, and keeping a
wary eye out for checks. I entered the theatre, and sat down in one of
the long rows of stone benches in the dress circle, and looked at the
place for the orchestra, and the ruined stage, and around at the wide
sweep of empty boxes, and thought to myself, "This house won't pay." I
tried to imagine the music in full blast, the leader of the orchestra
beating time, and the "versatile" So-and-So (who had "just returned from
a most successful tour in the provinces to play his last and farewell
engagement of positively six nights only, in Pompeii, previous to his
departure for Herculaneum,") charging around the stage and piling the
agony mountains high--but I could not do it with such a "house" as that;
those empty benches tied my fancy down to dull reality. I said, these
people that ought to be here have been dead, and still, and moldering to
dust for ages and ages, and will never care for the trifles and follies
of life any more for ever--"Owing to circumstances, etc., etc., there
will not be any performance to-night." Close down the curtain. Put out
the lights.

And so I turned away and went through shop after shop and store after
store, far down the long street of the merchants, and called for the
wares of Rome and the East, but the tradesmen were gone, the marts were
silent, and nothing was left but the broken jars all set in cement of
cinders and ashes: the wine and the oil that once had filled them were
gone with their owners.

In a bake-shop was a mill for grinding the grain, and the furnaces for
baking the bread: and they say that here, in the same furnaces, the
exhumers of Pompeii found nice, well baked loaves which the baker had not
found time to remove from the ovens the last time he left his shop,
because circumstances compelled him to leave in such a hurry.

In one house (the only building in Pompeii which no woman is now allowed
to enter,) were the small rooms and short beds of solid masonry, just as
they were in the old times, and on the walls were pictures which looked
almost as fresh as if they were painted yesterday, but which no pen could
have the hardihood to describe; and here and there were Latin
inscriptions--obscene scintillations of wit, scratched by hands that
possibly were uplifted to Heaven for succor in the midst of a driving
storm of fire before the night was done.

In one of the principal streets was a ponderous stone tank, and a
water-spout that supplied it, and where the tired, heated toilers from the
Campagna used to rest their right hands when they bent over to put their
lips to the spout, the thick stone was worn down to a broad groove an
inch or two deep. Think of the countless thousands of hands that had
pressed that spot in the ages that are gone, to so reduce a stone that
is as hard as iron!

They had a great public bulletin board in Pompeii--a place where
announcements for gladiatorial combats, elections, and such things, were
posted--not on perishable paper, but carved in enduring stone. One lady,
who, I take it, was rich and well brought up, advertised a dwelling or so
to rent, with baths and all the modern improvements, and several hundred
shops, stipulating that the dwellings should not be put to immoral
purposes. You can find out who lived in many a house in Pompeii by the
carved stone door-plates affixed to them: and in the same way you can
tell who they were that occupy the tombs. Every where around are things
that reveal to you something of the customs and history of this forgotten
people. But what would a volcano leave of an American city, if it once
rained its cinders on it? Hardly a sign or a symbol to tell its story.

In one of these long Pompeiian halls the skeleton of a man was found,
with ten pieces of gold in one hand and a large key in the other. He had
seized his money and started toward the door, but the fiery tempest
caught him at the very threshold, and he sank down and died. One more
minute of precious time would have saved him. I saw the skeletons of a
man, a woman, and two young girls. The woman had her hands spread wide
apart, as if in mortal terror, and I imagined I could still trace upon
her shapeless face something of the expression of wild despair that
distorted it when the heavens rained fire in these streets, so many ages
ago. The girls and the man lay with their faces upon their arms, as if
they had tried to shield them from the enveloping cinders. In one
apartment eighteen skeletons were found, all in sitting postures, and
blackened places on the walls still mark their shapes and show their
attitudes, like shadows. One of them, a woman, still wore upon her
skeleton throat a necklace, with her name engraved upon it--JULIE DI
DIOMEDE.

But perhaps the most poetical thing Pompeii has yielded to modern
research, was that grand figure of a Roman soldier, clad in complete
armor; who, true to his duty, true to his proud name of a soldier of
Rome, and full of the stern courage which had given to that name its
glory, stood to his post by the city gate, erect and unflinching, till
the hell that raged around him burned out the dauntless spirit it could
not conquer.

We never read of Pompeii but we think of that soldier; we can not write
of Pompeii without the natural impulse to grant to him the mention he so
well deserves. Let us remember that he was a soldier--not a policeman
--and so, praise him. Being a soldier, he staid,--because the warrior
instinct forbade him to fly. Had he been a policeman he would have
staid, also--because he would have been asleep.

There are not half a dozen flights of stairs in Pompeii, and no other
evidences that the houses were more than one story high. The people did
not live in the clouds, as do the Venetians, the Genoese and Neapolitans
of to-day.

We came out from under the solemn mysteries of this city of the Venerable
Past--this city which perished, with all its old ways and its quaint old
fashions about it, remote centuries ago, when the Disciples were
preaching the new religion, which is as old as the hills to us now--and
went dreaming among the trees that grow over acres and acres of its still
buried streets and squares, till a shrill whistle and the cry of "All
aboard--last train for Naples!" woke me up and reminded me that I
belonged in the nineteenth century, and was not a dusty mummy, caked with
ashes and cinders, eighteen hundred years old. The transition was
startling. The idea of a railroad train actually running to old dead
Pompeii, and whistling irreverently, and calling for passengers in the
most bustling and business-like way, was as strange a thing as one could
imagine, and as unpoetical and disagreeable as it was strange.

Compare the cheerful life and the sunshine of this day with the horrors
the younger Pliny saw here, the 9th of November, A.D. 79, when he was so
bravely striving to remove his mother out of reach of harm, while she
begged him, with all a mother's unselfishness, to leave her to perish and
save himself.

'By this time the murky darkness had so increased that one might
have believed himself abroad in a black and moonless night, or in a
chamber where all the lights had been extinguished. On every hand
was heard the complaints of women, the wailing of children, and the
cries of men. One called his father, another his son, and another
his wife, and only by their voices could they know each other. Many
in their despair begged that death would come and end their
distress.

"Some implored the gods to succor them, and some believed that this
night was the last, the eternal night which should engulf the
universe!

"Even so it seemed to me--and I consoled myself for the coming death
with the reflection: BEHOLD, THE WORLD IS PASSING AWAY!"

* * * * * * * *

After browsing among the stately ruins of Rome, of Baiae, of Pompeii, and
after glancing down the long marble ranks of battered and nameless
imperial heads that stretch down the corridors of the Vatican, one thing
strikes me with a force it never had before: the unsubstantial, unlasting
character of fame. Men lived long lives, in the olden time, and
struggled feverishly through them, toiling like slaves, in oratory, in
generalship, or in literature, and then laid them down and died, happy in
the possession of an enduring history and a deathless name. Well, twenty
little centuries flutter away, and what is left of these things? A crazy
inscription on a block of stone, which snuffy antiquaries bother over and
tangle up and make nothing out of but a bare name (which they spell
wrong)--no history, no tradition, no poetry--nothing that can give it
even a passing interest. What may be left of General Grant's great name
forty centuries hence? This--in the Encyclopedia for A. D. 5868,
possibly:

"URIAH S. (or Z.) GRAUNT--popular poet of ancient times in the Aztec
provinces of the United States of British America. Some authors say
flourished about A. D. 742; but the learned Ah-ah Foo-foo states
that he was a cotemporary of Scharkspyre, the English poet, and
flourished about A. D. 1328, some three centuries after the Trojan
war instead of before it. He wrote 'Rock me to Sleep, Mother.'"

These thoughts sadden me. I will to bed.




CHAPTER XXXII.

Home, again! For the first time, in many weeks, the ship's entire family
met and shook hands on the quarter-deck. They had gathered from many
points of the compass and from many lands, but not one was missing; there
was no tale of sickness or death among the flock to dampen the pleasure
of the reunion. Once more there was a full audience on deck to listen to
the sailors' chorus as they got the anchor up, and to wave an adieu to
the land as we sped away from Naples. The seats were full at dinner
again, the domino parties were complete, and the life and bustle on the
upper deck in the fine moonlight at night was like old times--old times
that had been gone weeks only, but yet they were weeks so crowded with
incident, adventure and excitement, that they seemed almost like years.
There was no lack of cheerfulness on board the Quaker City. For once,
her title was a misnomer.

At seven in the evening, with the western horizon all golden from the
sunken sun, and specked with distant ships, the full moon sailing high
over head, the dark blue of the sea under foot, and a strange sort of
twilight affected by all these different lights and colors around us and
about us, we sighted superb Stromboli. With what majesty the monarch
held his lonely state above the level sea! Distance clothed him in a
purple gloom, and added a veil of shimmering mist that so softened his
rugged features that we seemed to see him through a web of silver gauze.
His torch was out; his fires were smoldering; a tall column of smoke that
rose up and lost itself in the growing moonlight was all the sign he gave
that he was a living Autocrat of the Sea and not the spectre of a dead
one.

At two in the morning we swept through the Straits of Messina, and so
bright was the moonlight that Italy on the one hand and Sicily on the
other seemed almost as distinctly visible as though we looked at them
from the middle of a street we were traversing. The city of Messina,
milk-white, and starred and spangled all over with gaslights, was a fairy
spectacle. A great party of us were on deck smoking and making a noise,
and waiting to see famous Scylla and Charybdis. And presently the Oracle
stepped out with his eternal spy-glass and squared himself on the deck
like another Colossus of Rhodes. It was a surprise to see him abroad at
such an hour. Nobody supposed he cared anything about an old fable like
that of Scylla and Charybdis. One of the boys said:

"Hello, doctor, what are you doing up here at this time of night?--What
do you want to see this place for?"

"What do I want to see this place for? Young man, little do you know me,
or you wouldn't ask such a question. I wish to see all the places that's
mentioned in the Bible."

"Stuff--this place isn't mentioned in the Bible."

"It ain't mentioned in the Bible!--this place ain't--well now, what place
is this, since you know so much about it?"

"Why it's Scylla and Charybdis."

"Scylla and Cha--confound it, I thought it was Sodom and Gomorrah!"

And he closed up his glass and went below. The above is the ship story.
Its plausibility is marred a little by the fact that the Oracle was not a
biblical student, and did not spend much of his time instructing himself
about Scriptural localities.--They say the Oracle complains, in this hot
weather, lately, that the only beverage in the ship that is passable, is
the butter. He did not mean butter, of course, but inasmuch as that
article remains in a melted state now since we are out of ice, it is fair
to give him the credit of getting one long word in the right place,
anyhow, for once in his life. He said, in Rome, that the Pope was a
noble-looking old man, but he never did think much of his Iliad.

We spent one pleasant day skirting along the Isles of Greece. They are
very mountainous. Their prevailing tints are gray and brown, approaching
to red. Little white villages surrounded by trees, nestle in the valleys
or roost upon the lofty perpendicular sea-walls.

We had one fine sunset--a rich carmine flush that suffused the western
sky and cast a ruddy glow far over the sea.--Fine sunsets seem to be
rare in this part of the world--or at least, striking ones. They are
soft, sensuous, lovely--they are exquisite refined, effeminate, but we
have seen no sunsets here yet like the gorgeous conflagrations that flame
in the track of the sinking sun in our high northern latitudes.

But what were sunsets to us, with the wild excitement upon us of
approaching the most renowned of cities! What cared we for outward
visions, when Agamemnon, Achilles, and a thousand other heroes of the
great Past were marching in ghostly procession through our fancies? What
were sunsets to us, who were about to live and breathe and walk in actual
Athens; yea, and go far down into the dead centuries and bid in person
for the slaves, Diogenes and Plato, in the public market-place, or gossip
with the neighbors about the siege of Troy or the splendid deeds of
Marathon? We scorned to consider sunsets.

We arrived, and entered the ancient harbor of the Piraeus at last. We
dropped anchor within half a mile of the village. Away off, across the
undulating Plain of Attica, could be seen a little square-topped hill
with a something on it, which our glasses soon discovered to be the
ruined edifices of the citadel of the Athenians, and most prominent among
them loomed the venerable Parthenon. So exquisitely clear and pure is
this wonderful atmosphere that every column of the noble structure was
discernible through the telescope, and even the smaller ruins about it
assumed some semblance of shape. This at a distance of five or six
miles. In the valley, near the Acropolis, (the square-topped hill before
spoken of,) Athens itself could be vaguely made out with an ordinary
lorgnette. Every body was anxious to get ashore and visit these classic
localities as quickly as possible. No land we had yet seen had aroused
such universal interest among the passengers.

But bad news came. The commandant of the Piraeus came in his boat, and
said we must either depart or else get outside the harbor and remain
imprisoned in our ship, under rigid quarantine, for eleven days! So we
took up the anchor and moved outside, to lie a dozen hours or so, taking
in supplies, and then sail for Constantinople. It was the bitterest
disappointment we had yet experienced. To lie a whole day in sight of
the Acropolis, and yet be obliged to go away without visiting Athens!
Disappointment was hardly a strong enough word to describe the
circumstances.

All hands were on deck, all the afternoon, with books and maps and
glasses, trying to determine which "narrow rocky ridge" was the
Areopagus, which sloping hill the Pnyx, which elevation the Museum Hill,
and so on. And we got things confused. Discussion became heated, and
party spirit ran high. Church members were gazing with emotion upon a
hill which they said was the one St. Paul preached from, and another
faction claimed that that hill was Hymettus, and another that it was
Pentelicon! After all the trouble, we could be certain of only one
thing--the square-topped hill was the Acropolis, and the grand ruin that
crowned it was the Parthenon, whose picture we knew in infancy in the
school books.

We inquired of every body who came near the ship, whether there were
guards in the Piraeus, whether they were strict, what the chances were of
capture should any of us slip ashore, and in case any of us made the
venture and were caught, what would be probably done to us? The answers
were discouraging: There was a strong guard or police force; the Piraeus
was a small town, and any stranger seen in it would surely attract
attention--capture would be certain. The commandant said the punishment
would be "heavy;" when asked "how heavy?" he said it would be "very
severe"--that was all we could get out of him.

At eleven o'clock at night, when most of the ship's company were abed,
four of us stole softly ashore in a small boat, a clouded moon favoring
the enterprise, and started two and two, and far apart, over a low hill,
intending to go clear around the Piraeus, out of the range of its police.
Picking our way so stealthily over that rocky, nettle-grown eminence,
made me feel a good deal as if I were on my way somewhere to steal
something. My immediate comrade and I talked in an undertone about
quarantine laws and their penalties, but we found nothing cheering in the
subject. I was posted. Only a few days before, I was talking with our
captain, and he mentioned the case of a man who swam ashore from a
quarantined ship somewhere, and got imprisoned six months for it; and
when he was in Genoa a few years ago, a captain of a quarantined ship
went in his boat to a departing ship, which was already outside of the
harbor, and put a letter on board to be taken to his family, and the
authorities imprisoned him three months for it, and then conducted him
and his ship fairly to sea, and warned him never to show himself in that
port again while he lived. This kind of conversation did no good,
further than to give a sort of dismal interest to our quarantine-breaking
expedition, and so we dropped it. We made the entire circuit of the town
without seeing any body but one man, who stared at us curiously, but said
nothing, and a dozen persons asleep on the ground before their doors,
whom we walked among and never woke--but we woke up dogs enough, in all
conscience--we always had one or two barking at our heels, and several
times we had as many as ten and twelve at once. They made such a
preposterous din that persons aboard our ship said they could tell how we
were progressing for a long time, and where we were, by the barking of
the dogs. The clouded moon still favored us. When we had made the whole
circuit, and were passing among the houses on the further side of the
town, the moon came out splendidly, but we no longer feared the light.
As we approached a well, near a house, to get a drink, the owner merely
glanced at us and went within. He left the quiet, slumbering town at our
mercy. I record it here proudly, that we didn't do any thing to it.

Seeing no road, we took a tall hill to the left of the distant Acropolis
for a mark, and steered straight for it over all obstructions, and over a
little rougher piece of country than exists any where else outside of the
State of Nevada, perhaps. Part of the way it was covered with small,
loose stones--we trod on six at a time, and they all rolled. Another
part of it was dry, loose, newly-ploughed ground. Still another part of
it was a long stretch of low grape-vines, which were tanglesome and
troublesome, and which we took to be brambles. The Attic Plain, barring
the grape-vines, was a barren, desolate, unpoetical waste--I wonder what
it was in Greece's Age of Glory, five hundred years before Christ?

In the neighborhood of one o'clock in the morning, when we were heated
with fast walking and parched with thirst, Denny exclaimed, "Why, these
weeds are grape-vines!" and in five minutes we had a score of bunches of
large, white, delicious grapes, and were reaching down for more when a
dark shape rose mysteriously up out of the shadows beside us and said
"Ho!" And so we left.

In ten minutes more we struck into a beautiful road, and unlike some
others we had stumbled upon at intervals, it led in the right direction.
We followed it. It was broad, and smooth, and white--handsome and in
perfect repair, and shaded on both sides for a mile or so with single
ranks of trees, and also with luxuriant vineyards. Twice we entered and
stole grapes, and the second time somebody shouted at us from some
invisible place. Whereupon we left again. We speculated in grapes no
more on that side of Athens.