The Entire Project Gutenberg Works of Mark Twain

M >> Mark Twain (Samuel Clemens) >> The Entire Project Gutenberg Works of Mark Twain


"But doctor! It is only one moment--one leetle moment. And ze time will
be save--entirely save! Because zere is nothing to see now--it is too
late. It want ten minute to four and ze Louvre close at four--only one
leetle moment, Doctor!"

The treacherous miscreant! After four breakfasts and a gallon of
champagne, to serve us such a scurvy trick. We got no sight of the
countless treasures of art in the Louvre galleries that day, and our only
poor little satisfaction was in the reflection that Ferguson sold not a
solitary silk dress pattern.

I am writing this chapter partly for the satisfaction of abusing that
accomplished knave Billfinger, and partly to show whosoever shall read
this how Americans fare at the hands of the Paris guides and what sort of
people Paris guides are. It need not be supposed that we were a stupider
or an easier prey than our countrymen generally are, for we were not.
The guides deceive and defraud every American who goes to Paris for the
first time and sees its sights alone or in company with others as little
experienced as himself. I shall visit Paris again someday, and then let
the guides beware! I shall go in my war paint--I shall carry my tomahawk
along.

I think we have lost but little time in Paris. We have gone to bed every
night tired out. Of course we visited the renowned International
Exposition. All the world did that. We went there on our third day in
Paris--and we stayed there nearly two hours. That was our first and last
visit. To tell the truth, we saw at a glance that one would have to
spend weeks--yea, even months--in that monstrous establishment to get an
intelligible idea of it. It was a wonderful show, but the moving masses
of people of all nations we saw there were a still more wonderful show.
I discovered that if I were to stay there a month, I should still find
myself looking at the people instead of the inanimate objects on
exhibition. I got a little interested in some curious old tapestries of
the thirteenth century, but a party of Arabs came by, and their dusky
faces and quaint costumes called my attention away at once. I watched a
silver swan, which had a living grace about his movements and a living
intelligence in his eyes--watched him swimming about as comfortably and
as unconcernedly as if he had been born in a morass instead of a
jeweler's shop--watched him seize a silver fish from under the water and
hold up his head and go through all the customary and elaborate motions
of swallowing it--but the moment it disappeared down his throat some
tattooed South Sea Islanders approached and I yielded to their
attractions.

Presently I found a revolving pistol several hundred years old which
looked strangely like a modern Colt, but just then I heard that the
Empress of the French was in another part of the building, and hastened
away to see what she might look like. We heard martial music--we saw an
unusual number of soldiers walking hurriedly about--there was a general
movement among the people. We inquired what it was all about and learned
that the Emperor of the French and the Sultan of Turkey were about to
review twenty-five thousand troops at the Arc de l'Etoile. We
immediately departed. I had a greater anxiety to see these men than I
could have had to see twenty expositions.

We drove away and took up a position in an open space opposite the
American minister's house. A speculator bridged a couple of barrels with
a board and we hired standing places on it. Presently there was a sound
of distant music; in another minute a pillar of dust came moving slowly
toward us; a moment more and then, with colors flying and a grand crash
of military music, a gallant array of cavalrymen emerged from the dust
and came down the street on a gentle trot. After them came a long line
of artillery; then more cavalry, in splendid uniforms; and then their
imperial majesties Napoleon III and Abdul Aziz. The vast concourse of
people swung their hats and shouted--the windows and housetops in the
wide vicinity burst into a snowstorm of waving handkerchiefs, and the
wavers of the same mingled their cheers with those of the masses below.
It was a stirring spectacle.

But the two central figures claimed all my attention. Was ever such a
contrast set up before a multitude till then? Napoleon in military
uniform--a long-bodied, short-legged man, fiercely moustached, old,
wrinkled, with eyes half closed, and such a deep, crafty, scheming
expression about them!--Napoleon, bowing ever so gently to the loud
plaudits, and watching everything and everybody with his cat eyes from
under his depressed hat brim, as if to discover any sign that those
cheers were not heartfelt and cordial.

Abdul Aziz, absolute lord of the Ottoman empire--clad in dark green
European clothes, almost without ornament or insignia of rank; a red
Turkish fez on his head; a short, stout, dark man, black-bearded,
black-eyed, stupid, unprepossessing--a man whose whole appearance
somehow suggested that if he only had a cleaver in his hand and a white
apron on, one would not be at all surprised to hear him say: "A mutton
roast today, or will you have a nice porterhouse steak?"

Napoleon III, the representative of the highest modern civilization,
progress, and refinement; Abdul-Aziz, the representative of a people by
nature and training filthy, brutish, ignorant, unprogressive,
superstitious--and a government whose Three Graces are Tyranny, Rapacity,
Blood. Here in brilliant Paris, under this majestic Arch of Triumph, the
First Century greets the Nineteenth!

NAPOLEON III., Emperor of France! Surrounded by shouting thousands, by
military pomp, by the splendors of his capital city, and companioned by
kings and princes--this is the man who was sneered at and reviled and
called Bastard--yet who was dreaming of a crown and an empire all the
while; who was driven into exile--but carried his dreams with him; who
associated with the common herd in America and ran foot races for a
wager--but still sat upon a throne in fancy; who braved every danger to
go to his dying mother--and grieved that she could not be spared to see
him cast aside his plebeian vestments for the purple of royalty; who kept
his faithful watch and walked his weary beat a common policeman of
London--but dreamed the while of a coming night when he should tread the
long-drawn corridors of the Tuileries; who made the miserable fiasco of
Strasbourg; saw his poor, shabby eagle, forgetful of its lesson, refuse
to perch upon his shoulder; delivered his carefully prepared, sententious
burst of eloquence upon unsympathetic ears; found himself a prisoner, the
butt of small wits, a mark for the pitiless ridicule of all the world
--yet went on dreaming of coronations and splendid pageants as before; who
lay a forgotten captive in the dungeons of Ham--and still schemed and
planned and pondered over future glory and future power; President of
France at last! a coup d'etat, and surrounded by applauding armies,
welcomed by the thunders of cannon, he mounts a throne and waves before
an astounded world the sceptre of a mighty empire! Who talks of the
marvels of fiction? Who speaks of the wonders of romance? Who prates of
the tame achievements of Aladdin and the Magii of Arabia?

ABDUL-AZIZ, Sultan of Turkey, Lord of the Ottoman Empire! Born to a
throne; weak, stupid, ignorant, almost, as his meanest slave; chief of a
vast royalty, yet the puppet of his Premier and the obedient child of a
tyrannical mother; a man who sits upon a throne--the beck of whose finger
moves navies and armies--who holds in his hands the power of life and
death over millions--yet who sleeps, sleeps, eats, eats, idles with his
eight hundred concubines, and when he is surfeited with eating and
sleeping and idling, and would rouse up and take the reins of government
and threaten to be a sultan, is charmed from his purpose by wary Fuad
Pacha with a pretty plan for a new palace or a new ship--charmed away
with a new toy, like any other restless child; a man who sees his people
robbed and oppressed by soulless tax-gatherers, but speaks no word to
save them; who believes in gnomes and genii and the wild fables of The
Arabian Nights, but has small regard for the mighty magicians of to-day,
and is nervous in the presence of their mysterious railroads and
steamboats and telegraphs; who would see undone in Egypt all that great
Mehemet Ali achieved, and would prefer rather to forget than emulate him;
a man who found his great empire a blot upon the earth--a degraded,
poverty-stricken, miserable, infamous agglomeration of ignorance, crime,
and brutality--and will idle away the allotted days of his trivial life
and then pass to the dust and the worms and leave it so!

Napoleon has augmented the commercial prosperity of France in ten years
to such a degree that figures can hardly compute it. He has rebuilt
Paris and has partly rebuilt every city in the state. He condemns a
whole street at a time, assesses the damages, pays them, and rebuilds
superbly. Then speculators buy up the ground and sell, but the original
owner is given the first choice by the government at a stated price
before the speculator is permitted to purchase. But above all things, he
has taken the sole control of the empire of France into his hands and
made it a tolerably free land--for people who will not attempt to go too
far in meddling with government affairs. No country offers greater
security to life and property than France, and one has all the freedom he
wants, but no license--no license to interfere with anybody or make
anyone uncomfortable.

As for the Sultan, one could set a trap any where and catch a dozen abler
men in a night.

The bands struck up, and the brilliant adventurer, Napoleon III., the
genius of Energy, Persistence, Enterprise; and the feeble Abdul-Aziz, the
genius of Ignorance, Bigotry, and Indolence, prepared for the Forward
--March!

We saw the splendid review, we saw the white-moustached old Crimean
soldier, Canrobert, Marshal of France, we saw--well, we saw every thing,
and then we went home satisfied.




CHAPTER XIV.

We went to see the Cathedral of Notre Dame. We had heard of it before.
It surprises me sometimes to think how much we do know and how
intelligent we are. We recognized the brown old Gothic pile in a moment;
it was like the pictures. We stood at a little distance and changed from
one point of observation to another and gazed long at its lofty square
towers and its rich front, clustered thick with stony, mutilated saints
who had been looking calmly down from their perches for ages. The
Patriarch of Jerusalem stood under them in the old days of chivalry and
romance, and preached the third Crusade, more than six hundred years ago;
and since that day they have stood there and looked quietly down upon the
most thrilling scenes, the grandest pageants, the most extraordinary
spectacles that have grieved or delighted Paris. These battered and
broken-nosed old fellows saw many and many a cavalcade of mail-clad
knights come marching home from Holy Land; they heard the bells above
them toll the signal for the St. Bartholomew's Massacre, and they saw the
slaughter that followed; later they saw the Reign of Terror, the carnage
of the Revolution, the overthrow of a king, the coronation of two
Napoleons, the christening of the young prince that lords it over a
regiment of servants in the Tuileries to-day--and they may possibly
continue to stand there until they see the Napoleon dynasty swept away
and the banners of a great republic floating above its ruins. I wish
these old parties could speak. They could tell a tale worth the
listening to.

They say that a pagan temple stood where Notre Dame now stands, in the
old Roman days, eighteen or twenty centuries ago--remains of it are still
preserved in Paris; and that a Christian church took its place about A.D.
300; another took the place of that in A.D. 500; and that the foundations
of the present cathedral were laid about A.D. 1100. The ground ought to
be measurably sacred by this time, one would think. One portion of this
noble old edifice is suggestive of the quaint fashions of ancient times.
It was built by Jean Sans-Peur, Duke of Burgundy, to set his conscience
at rest--he had assassinated the Duke of Orleans. Alas! Those good old
times are gone when a murderer could wipe the stain from his name and
soothe his troubles to sleep simply by getting out his bricks and mortar
and building an addition to a church.

The portals of the great western front are bisected by square pillars.
They took the central one away in 1852, on the occasion of thanksgivings
for the reinstitution of the presidential power--but precious soon they
had occasion to reconsider that motion and put it back again! And they
did.

We loitered through the grand aisles for an hour or two, staring up at
the rich stained-glass windows embellished with blue and yellow and
crimson saints and martyrs, and trying to admire the numberless great
pictures in the chapels, and then we were admitted to the sacristy and
shown the magnificent robes which the Pope wore when he crowned Napoleon
I; a wagon-load of solid gold and silver utensils used in the great
public processions and ceremonies of the church; some nails of the true
cross, a fragment of the cross itself, a part of the crown of thorns.
We had already seen a large piece of the true cross in a church in the
Azores, but no nails. They showed us likewise the bloody robe which that
archbishop of Paris wore who exposed his sacred person and braved the
wrath of the insurgents of 1848, to mount the barricades and hold aloft
the olive branch of peace in the hope of stopping the slaughter. His
noble effort cost him his life. He was shot dead. They showed us a cast
of his face taken after death, the bullet that killed him, and the two
vertebrae in which it lodged. These people have a somewhat singular
taste in the matter of relics. Ferguson told us that the silver cross
which the good archbishop wore at his girdle was seized and thrown into
the Seine, where it lay embedded in the mud for fifteen years, and then
an angel appeared to a priest and told him where to dive for it; he did
dive for it and got it, and now it is there on exhibition at Notre Dame,
to be inspected by anybody who feels an interest in inanimate objects of
miraculous intervention.

Next we went to visit the Morgue, that horrible receptacle for the dead
who die mysteriously and leave the manner of their taking off a dismal
secret. We stood before a grating and looked through into a room which
was hung all about with the clothing of dead men; coarse blouses,
water-soaked; the delicate garments of women and children; patrician
vestments, hacked and stabbed and stained with red; a hat that was
crushed and bloody. On a slanting stone lay a drowned man, naked,
swollen, purple; clasping the fragment of a broken bush with a grip
which death had so petrified that human strength could not unloose it
--mute witness of the last despairing effort to save the life that was
doomed beyond all help. A stream of water trickled ceaselessly over the
hideous face. We knew that the body and the clothing were there for
identification by friends, but still we wondered if anybody could love
that repulsive object or grieve for its loss. We grew meditative and
wondered if, some forty years ago, when the mother of that ghastly thing
was dandling it upon her knee, and kissing it and petting it and
displaying it with satisfied pride to the passers-by, a prophetic vision
of this dread ending ever flitted through her brain. I half feared that
the mother, or the wife or a brother of the dead man might come while we
stood there, but nothing of the kind occurred. Men and women came, and
some looked eagerly in and pressed their faces against the bars; others
glanced carelessly at the body and turned away with a disappointed look
--people, I thought, who live upon strong excitements and who attend the
exhibitions of the Morgue regularly, just as other people go to see
theatrical spectacles every night. When one of these looked in and
passed on, I could not help thinking--

"Now this don't afford you any satisfaction--a party with his head shot
off is what you need."

One night we went to the celebrated Jardin Mabille, but only staid a
little while. We wanted to see some of this kind of Paris life, however,
and therefore the next night we went to a similar place of entertainment
in a great garden in the suburb of Asnieres. We went to the railroad
depot, toward evening, and Ferguson got tickets for a second-class
carriage. Such a perfect jam of people I have not often seen--but there
was no noise, no disorder, no rowdyism. Some of the women and young
girls that entered the train we knew to be of the demi-monde, but others
we were not at all sure about.

The girls and women in our carriage behaved themselves modestly and
becomingly all the way out, except that they smoked. When we arrived at
the garden in Asnieres, we paid a franc or two admission and entered a
place which had flower beds in it, and grass plots, and long, curving
rows of ornamental shrubbery, with here and there a secluded bower
convenient for eating ice cream in. We moved along the sinuous gravel
walks, with the great concourse of girls and young men, and suddenly a
domed and filigreed white temple, starred over and over and over again
with brilliant gas jets, burst upon us like a fallen sun. Nearby was a
large, handsome house with its ample front illuminated in the same way,
and above its roof floated the Star-Spangled Banner of America.

"Well!" I said. "How is this?" It nearly took my breath away.

Ferguson said an American--a New Yorker--kept the place, and was carrying
on quite a stirring opposition to the Jardin Mabille.

Crowds composed of both sexes and nearly all ages were frisking about the
garden or sitting in the open air in front of the flagstaff and the
temple, drinking wine and coffee or smoking. The dancing had not begun
yet. Ferguson said there was to be an exhibition. The famous Blondin
was going to perform on a tightrope in another part of the garden. We
went thither. Here the light was dim, and the masses of people were
pretty closely packed together. And now I made a mistake which any
donkey might make, but a sensible man never. I committed an error which
I find myself repeating every day of my life. Standing right before a
young lady, I said:

"Dan, just look at this girl, how beautiful she is!"

"I thank you more for the evident sincerity of the compliment, sir, than
for the extraordinary publicity you have given to it!" This in good,
pure English.

We took a walk, but my spirits were very, very sadly dampened. I did not
feel right comfortable for some time afterward. Why will people be so
stupid as to suppose themselves the only foreigners among a crowd of ten
thousand persons?

But Blondin came out shortly. He appeared on a stretched cable, far away
above the sea of tossing hats and handkerchiefs, and in the glare of the
hundreds of rockets that whizzed heavenward by him he looked like a wee
insect. He balanced his pole and walked the length of his rope--two or
three hundred feet; he came back and got a man and carried him across; he
returned to the center and danced a jig; next he performed some gymnastic
and balancing feats too perilous to afford a pleasant spectacle; and he
finished by fastening to his person a thousand Roman candles, Catherine
wheels, serpents and rockets of all manner of brilliant colors, setting
them on fire all at once and walking and waltzing across his rope again
in a blinding blaze of glory that lit up the garden and the people's
faces like a great conflagration at midnight.

The dance had begun, and we adjourned to the temple. Within it was a
drinking saloon, and all around it was a broad circular platform for the
dancers. I backed up against the wall of the temple, and waited. Twenty
sets formed, the music struck up, and then--I placed my hands before my
face for very shame. But I looked through my fingers. They were dancing
the renowned "Can-can." A handsome girl in the set before me tripped
forward lightly to meet the opposite gentleman, tripped back again,
grasped her dresses vigorously on both sides with her hands, raised them
pretty high, danced an extraordinary jig that had more activity and
exposure about it than any jig I ever saw before, and then, drawing her
clothes still higher, she advanced gaily to the center and launched a
vicious kick full at her vis-a-vis that must infallibly have removed his
nose if he had been seven feet high. It was a mercy he was only six.

That is the can-can. The idea of it is to dance as wildly, as noisily,
as furiously as you can; expose yourself as much as possible if you are a
woman; and kick as high as you can, no matter which sex you belong to.
There is no word of exaggeration in this. Any of the staid, respectable,
aged people who were there that night can testify to the truth of that
statement. There were a good many such people present. I suppose French
morality is not of that straight-laced description which is shocked at
trifles.

I moved aside and took a general view of the can-can. Shouts, laughter,
furious music, a bewildering chaos of darting and intermingling forms,
stormy jerking and snatching of gay dresses, bobbing beads, flying arms,
lightning flashes of white-stockinged calves and dainty slippers in the
air, and then a grand final rush, riot, a terrific hubbub, and a wild
stampede! Heavens! Nothing like it has been seen on earth since
trembling Tam O'Shanter saw the devil and the witches at their orgies
that stormy night in "Alloway's auld haunted kirk."

We visited the Louvre, at a time when we had no silk purchases in view,
and looked at its miles of paintings by the old masters. Some of them
were beautiful, but at the same time they carried such evidences about
them of the cringing spirit of those great men that we found small
pleasure in examining them. Their nauseous adulation of princely patrons
was more prominent to me and chained my attention more surely than the
charms of color and expression which are claimed to be in the pictures.
Gratitude for kindnesses is well, but it seems to me that some of those
artists carried it so far that it ceased to be gratitude and became
worship. If there is a plausible excuse for the worship of men, then by
all means let us forgive Rubens and his brethren.

But I will drop the subject, lest I say something about the old masters
that might as well be left unsaid.

Of course we drove in the Bois de Boulogne, that limitless park, with its
forests, its lakes, its cascades, and its broad avenues. There were
thousands upon thousands of vehicles abroad, and the scene was full of
life and gaiety. There were very common hacks, with father and mother
and all the children in them; conspicuous little open carriages with
celebrated ladies of questionable reputation in them; there were Dukes
and Duchesses abroad, with gorgeous footmen perched behind, and equally
gorgeous outriders perched on each of the six horses; there were blue and
silver, and green and gold, and pink and black, and all sorts and
descriptions of stunning and startling liveries out, and I almost yearned
to be a flunkey myself, for the sake of the fine clothes.

But presently the Emperor came along and he outshone them all. He was
preceded by a bodyguard of gentlemen on horseback in showy uniforms, his
carriage-horses (there appeared to be somewhere in the remote
neighborhood of a thousand of them,) were bestridden by gallant-looking
fellows, also in stylish uniforms, and after the carriage followed
another detachment of bodyguards. Everybody got out of the way;
everybody bowed to the Emperor and his friend the Sultan; and they went
by on a swinging trot and disappeared.

I will not describe the Bois de Boulogne. I can not do it. It is simply
a beautiful, cultivated, endless, wonderful wilderness. It is an
enchanting place. It is in Paris now, one may say, but a crumbling old
cross in one portion of it reminds one that it was not always so. The
cross marks the spot where a celebrated troubadour was waylaid and
murdered in the fourteenth century. It was in this park that that fellow
with an unpronounceable name made the attempt upon the Russian Czar's
life last spring with a pistol. The bullet struck a tree. Ferguson
showed us the place. Now in America that interesting tree would be
chopped down or forgotten within the next five years, but it will be
treasured here. The guides will point it out to visitors for the next
eight hundred years, and when it decays and falls down they will put up
another there and go on with the same old story just the same.




CHAPTER XV.

One of our pleasantest visits was to Pere la Chaise, the national
burying-ground of France, the honored resting-place of some of her
greatest and best children, the last home of scores of illustrious men
and women who were born to no titles, but achieved fame by their own
energy and their own genius. It is a solemn city of winding streets and
of miniature marble temples and mansions of the dead gleaming white from
out a wilderness of foliage and fresh flowers. Not every city is so well
peopled as this, or has so ample an area within its walls. Few palaces
exist in any city that are so exquisite in design, so rich in art, so
costly in material, so graceful, so beautiful.