Life On The Mississippi, Complete

M >> Mark Twain (Samuel Clemens) >> Life On The Mississippi, Complete


In the West and South they have a new institution--the Broom Brigade.
It is composed of young ladies who dress in a uniform costume, and go
through the infantry drill, with broom in place of musket. It is a
very pretty sight, on private view. When they perform on the stage of
a theater, in the blaze of colored fires, it must be a fine and
fascinating spectacle. I saw them go through their complex manual with
grace, spirit, and admirable precision. I saw them do everything which
a human being can possibly do with a broom, except sweep. I did not see
them sweep. But I know they could learn. What they have already learned
proves that. And if they ever should learn, and should go on the
war-path down Tchoupitoulas or some of those other streets around there,
those thoroughfares would bear a greatly improved aspect in a very few
minutes. But the girls themselves wouldn't; so nothing would be really
gained, after all.

The drill was in the Washington Artillery building. In this building
we saw many interesting relics of the war. Also a fine oil-painting
representing Stonewall Jackson's last interview with General Lee. Both
men are on horseback. Jackson has just ridden up, and is accosting Lee.
The picture is very valuable, on account of the portraits, which are
authentic. But, like many another historical picture, it means nothing
without its label. And one label will fit it as well as another--

First Interview between Lee and Jackson.

Last Interview between Lee and Jackson.

Jackson Introducing Himself to Lee.

Jackson Accepting Lee's Invitation to Dinner.

Jackson Declining Lee's Invitation to Dinner--with Thanks.

Jackson Apologizing for a Heavy Defeat.

Jackson Reporting a Great Victory.

Jackson Asking Lee for a Match.

It tells ONE story, and a sufficient one; for it says quite plainly and
satisfactorily, 'Here are Lee and Jackson together.' The artist would
have made it tell that this is Lee and Jackson's last interview if he
could have done it. But he couldn't, for there wasn't any way to do
it. A good legible label is usually worth, for information, a ton of
significant attitude and expression in a historical picture. In Rome,
people with fine sympathetic natures stand up and weep in front of the
celebrated 'Beatrice Cenci the Day before her Execution.' It shows what
a label can do. If they did not know the picture, they would inspect it
unmoved, and say, 'Young girl with hay fever; young girl with her head
in a bag.'

I found the half-forgotten Southern intonations and elisions as pleasing
to my ear as they had formerly been. A Southerner talks music. At
least it is music to me, but then I was born in the South. The educated
Southerner has no use for an r, except at the beginning of a word. He
says 'honah,' and 'dinnah,' and 'Gove'nuh,' and 'befo' the waw,' and so
on. The words may lack charm to the eye, in print, but they have it to
the ear. When did the r disappear from Southern speech, and how did it
come to disappear? The custom of dropping it was not borrowed from
the North, nor inherited from England. Many Southerners--most
Southerners--put a y into occasional words that begin with the k sound.
For instance, they say Mr. K'yahtah (Carter) and speak of playing
k'yahds or of riding in the k'yahs. And they have the pleasant
custom--long ago fallen into decay in the North--of frequently employing
the respectful 'Sir.' Instead of the curt Yes, and the abrupt No, they
say 'Yes, Suh', 'No, Suh.'

But there are some infelicities. Such as 'like' for 'as,' and the
addition of an 'at' where it isn't needed. I heard an educated gentleman
say, 'Like the flag-officer did.' His cook or his butler would have
said, 'Like the flag-officer done.' You hear gentlemen say, 'Where have
you been at?' And here is the aggravated form--heard a ragged street
Arab say it to a comrade: 'I was a-ask'n' Tom whah you was a-sett'n'
at.' The very elect carelessly say 'will' when they mean 'shall'; and
many of them say, 'I didn't go to do it,' meaning 'I didn't mean to do
it.' The Northern word 'guess'--imported from England, where it used
to be common, and now regarded by satirical Englishmen as a Yankee
original--is but little used among Southerners. They say 'reckon.' They
haven't any 'doesn't' in their language; they say 'don't' instead.
The unpolished often use 'went' for 'gone.' It is nearly as bad as
the Northern 'hadn't ought.' This reminds me that a remark of a very
peculiar nature was made here in my neighborhood (in the North) a few
days ago: 'He hadn't ought to have went.' How is that? Isn't that a good
deal of a triumph? One knows the orders combined in this half-breed's
architecture without inquiring: one parent Northern, the other Southern.
To-day I heard a schoolmistress ask, 'Where is John gone?' This form is
so common--so nearly universal, in fact--that if she had used 'whither'
instead of 'where,' I think it would have sounded like an affectation.

We picked up one excellent word--a word worth traveling to New Orleans
to get; a nice limber, expressive, handy word--'lagniappe.' They
pronounce it lanny-yap. It is Spanish--so they said. We discovered it
at the head of a column of odds and ends in the Picayune, the first day;
heard twenty people use it the second; inquired what it meant the
third; adopted it and got facility in swinging it the fourth. It has a
restricted meaning, but I think the people spread it out a little when
they choose. It is the equivalent of the thirteenth roll in a 'baker's
dozen.' It is something thrown in, gratis, for good measure. The custom
originated in the Spanish quarter of the city. When a child or a servant
buys something in a shop--or even the mayor or the governor, for aught I
know--he finishes the operation by saying--

'Give me something for lagniappe.'

The shopman always responds; gives the child a bit of licorice-root,
gives the servant a cheap cigar or a spool of thread, gives the
governor--I don't know what he gives the governor; support, likely.

When you are invited to drink, and this does occur now and then in New
Orleans--and you say, 'What, again?--no, I've had enough;' the other
party says, 'But just this one time more--this is for lagniappe.' When
the beau perceives that he is stacking his compliments a trifle too
high, and sees by the young lady's countenance that the edifice would
have been better with the top compliment left off, he puts his 'I beg
pardon--no harm intended,' into the briefer form of 'Oh, that's for
lagniappe.' If the waiter in the restaurant stumbles and spills a gill
of coffee down the back of your neck, he says 'For lagniappe, sah,' and
gets you another cup without extra charge.




Chapter 45 Southern Sports

IN the North one hears the war mentioned, in social conversation, once a
month; sometimes as often as once a week; but as a distinct subject
for talk, it has long ago been relieved of duty. There are sufficient
reasons for this. Given a dinner company of six gentlemen to-day, it
can easily happen that four of them--and possibly five--were not in the
field at all. So the chances are four to two, or five to one, that the
war will at no time during the evening become the topic of conversation;
and the chances are still greater that if it become the topic it will
remain so but a little while. If you add six ladies to the company, you
have added six people who saw so little of the dread realities of the
war that they ran out of talk concerning them years ago, and now would
soon weary of the war topic if you brought it up.

The case is very different in the South. There, every man you meet was
in the war; and every lady you meet saw the war. The war is the great
chief topic of conversation. The interest in it is vivid and constant;
the interest in other topics is fleeting. Mention of the war will wake
up a dull company and set their tongues going, when nearly any other
topic would fail. In the South, the war is what A.D. is elsewhere: they
date from it. All day long you hear things 'placed' as having happened
since the waw; or du'in' the waw; or befo' the waw; or right aftah the
waw; or 'bout two yeahs or five yeahs or ten yeahs befo' the waw or
aftah the waw. It shows how intimately every individual was visited, in
his own person, by that tremendous episode. It gives the inexperienced
stranger a better idea of what a vast and comprehensive calamity
invasion is than he can ever get by reading books at the fireside.

At a club one evening, a gentleman turned to me and said, in an aside--

'You notice, of course, that we are nearly always talking about the war.
It isn't because we haven't anything else to talk about, but because
nothing else has so strong an interest for us. And there is another
reason: In the war, each of us, in his own person, seems to have sampled
all the different varieties of human experience; as a consequence, you
can't mention an outside matter of any sort but it will certainly remind
some listener of something that happened during the war--and out he
comes with it. Of course that brings the talk back to the war. You may
try all you want to, to keep other subjects before the house, and we may
all join in and help, but there can be but one result: the most random
topic would load every man up with war reminiscences, and shut him up,
too; and talk would be likely to stop presently, because you can't talk
pale inconsequentialities when you've got a crimson fact or fancy in
your head that you are burning to fetch out.'

The poet was sitting some little distance away; and presently he began
to speak--about the moon.

The gentleman who had been talking to me remarked in an 'aside:' 'There,
the moon is far enough from the seat of war, but you will see that it
will suggest something to somebody about the war; in ten minutes from
now the moon, as a topic, will be shelved.'

The poet was saying he had noticed something which was a surprise to
him; had had the impression that down here, toward the equator, the
moonlight was much stronger and brighter than up North; had had the
impression that when he visited New Orleans, many years ago, the moon--

Interruption from the other end of the room--

'Let me explain that. Reminds me of an anecdote. Everything is changed
since the war, for better or for worse; but you'll find people down here
born grumblers, who see no change except the change for the worse. There
was an old negro woman of this sort. A young New-Yorker said in her
presence, "What a wonderful moon you have down here!" She sighed and
said, "Ah, bless yo' heart, honey, you ought to seen dat moon befo' de
waw!"'

The new topic was dead already. But the poet resurrected it, and gave it
a new start.

A brief dispute followed, as to whether the difference between Northern
and Southern moonlight really existed or was only imagined. Moonlight
talk drifted easily into talk about artificial methods of dispelling
darkness. Then somebody remembered that when Farragut advanced upon
Port Hudson on a dark night--and did not wish to assist the aim of the
Confederate gunners--he carried no battle-lanterns, but painted the
decks of his ships white, and thus created a dim but valuable light,
which enabled his own men to grope their way around with considerable
facility. At this point the war got the floor again--the ten minutes not
quite up yet.

I was not sorry, for war talk by men who have been in a war is always
interesting; whereas moon talk by a poet who has not been in the moon is
likely to be dull.

We went to a cockpit in New Orleans on a Saturday afternoon. I had never
seen a cock-fight before. There were men and boys there of all ages and
all colors, and of many languages and nationalities. But I noticed one
quite conspicuous and surprising absence: the traditional brutal faces.
There were no brutal faces. With no cock-fighting going on, you could
have played the gathering on a stranger for a prayer-meeting; and after
it began, for a revival--provided you blindfolded your stranger--for the
shouting was something prodigious.

A negro and a white man were in the ring; everybody else outside. The
cocks were brought in in sacks; and when time was called, they were
taken out by the two bottle-holders, stroked, caressed, poked toward
each other, and finally liberated. The big black cock plunged instantly
at the little gray one and struck him on the head with his spur. The
gray responded with spirit. Then the Babel of many-tongued shoutings
broke out, and ceased not thenceforth. When the cocks had been fighting
some little time, I was expecting them momently to drop dead, for both
were blind, red with blood, and so exhausted that they frequently fell
down. Yet they would not give up, neither would they die. The negro and
the white man would pick them up every few seconds, wipe them off, blow
cold water on them in a fine spray, and take their heads in their mouths
and hold them there a moment--to warm back the perishing life perhaps;
I do not know. Then, being set down again, the dying creatures would
totter gropingly about, with dragging wings, find each other, strike a
guesswork blow or two, and fall exhausted once more.

I did not see the end of the battle. I forced myself to endure it
as long as I could, but it was too pitiful a sight; so I made frank
confession to that effect, and we retired. We heard afterward that the
black cock died in the ring, and fighting to the last.

Evidently there is abundant fascination about this 'sport' for such
as have had a degree of familiarity with it. I never saw people enjoy
anything more than this gathering enjoyed this fight. The case was the
same with old gray-heads and with boys of ten. They lost themselves
in frenzies of delight. The 'cocking-main' is an inhuman sort of
entertainment, there is no question about that; still, it seems a much
more respectable and far less cruel sport than fox-hunting--for the
cocks like it; they experience, as well as confer enjoyment; which is
not the fox's case.

We assisted--in the French sense--at a mule race, one day. I believe I
enjoyed this contest more than any other mule there. I enjoyed it more
than I remember having enjoyed any other animal race I ever saw. The
grand-stand was well filled with the beauty and the chivalry of New
Orleans. That phrase is not original with me. It is the Southern
reporter's. He has used it for two generations. He uses it twenty
times a day, or twenty thousand times a day; or a million times a
day--according to the exigencies. He is obliged to use it a million
times a day, if he have occasion to speak of respectable men and women
that often; for he has no other phrase for such service except that
single one. He never tires of it; it always has a fine sound to him.
There is a kind of swell medieval bulliness and tinsel about it that
pleases his gaudy barbaric soul. If he had been in Palestine in the
early times, we should have had no references to 'much people' out of
him. No, he would have said 'the beauty and the chivalry of Galilee'
assembled to hear the Sermon on the Mount. It is likely that the men
and women of the South are sick enough of that phrase by this time, and
would like a change, but there is no immediate prospect of their getting
it.

The New Orleans editor has a strong, compact, direct, unflowery
style; wastes no words, and does not gush. Not so with his average
correspondent. In the Appendix I have quoted a good letter, penned by a
trained hand; but the average correspondent hurls a style which differs
from that. For instance--

The 'Times-Democrat' sent a relief-steamer up one of the bayous, last
April. This steamer landed at a village, up there somewhere, and the
Captain invited some of the ladies of the village to make a short trip
with him. They accepted and came aboard, and the steamboat shoved out
up the creek. That was all there was 'to it.' And that is all that
the editor of the 'Times-Democrat' would have got out of it. There was
nothing in the thing but statistics, and he would have got nothing else
out of it. He would probably have even tabulated them, partly to secure
perfect clearness of statement, and partly to save space. But his
special correspondent knows other methods of handling statistics. He
just throws off all restraint and wallows in them--

'On Saturday, early in the morning, the beauty of the place graced our
cabin, and proud of her fair freight the gallant little boat glided up
the bayou.'

Twenty-two words to say the ladies came aboard and the boat shoved
out up the creek, is a clean waste of ten good words, and is also
destructive of compactness of statement.

The trouble with the Southern reporter is--Women. They unsettle
him; they throw him off his balance. He is plain, and sensible, and
satisfactory, until a woman heaves in sight. Then he goes all to pieces;
his mind totters, he becomes flowery and idiotic. From reading the above
extract, you would imagine that this student of Sir Walter Scott is
an apprentice, and knows next to nothing about handling a pen. On the
contrary, he furnishes plenty of proofs, in his long letter, that he
knows well enough how to handle it when the women are not around to give
him the artificial-flower complaint. For instance--

'At 4 o'clock ominous clouds began to gather in the south-east, and
presently from the Gulf there came a blow which increased in severity
every moment. It was not safe to leave the landing then, and there was
a delay. The oaks shook off long tresses of their mossy beards to the
tugging of the wind, and the bayou in its ambition put on miniature
waves in mocking of much larger bodies of water. A lull permitted a
start, and homewards we steamed, an inky sky overhead and a heavy wind
blowing. As darkness crept on, there were few on board who did not wish
themselves nearer home.'

There is nothing the matter with that. It is good description, compactly
put. Yet there was great temptation, there, to drop into lurid writing.

But let us return to the mule. Since I left him, I have rummaged around
and found a full report of the race. In it I find confirmation of the
theory which I broached just now--namely, that the trouble with the
Southern reporter is Women: Women, supplemented by Walter Scott and his
knights and beauty and chivalry, and so on. This is an excellent report,
as long as the women stay out of it. But when they intrude, we have this
frantic result--

'It will be probably a long time before the ladies' stand presents such
a sea of foam-like loveliness as it did yesterday. The New Orleans women
are always charming, but never so much so as at this time of the year,
when in their dainty spring costumes they bring with them a breath of
balmy freshness and an odor of sanctity unspeakable. The stand was so
crowded with them that, walking at their feet and seeing no possibility
of approach, many a man appreciated as he never did before the Peri's
feeling at the Gates of Paradise, and wondered what was the priceless
boon that would admit him to their sacred presence. Sparkling on their
white-robed breasts or shoulders were the colors of their favorite
knights, and were it not for the fact that the doughty heroes appeared
on unromantic mules, it would have been easy to imagine one of King
Arthur's gala-days.'

There were thirteen mules in the first heat; all sorts of mules, they
were; all sorts of complexions, gaits, dispositions, aspects. Some were
handsome creatures, some were not; some were sleek, some hadn't had
their fur brushed lately; some were innocently gay and frisky; some were
full of malice and all unrighteousness; guessing from looks, some of
them thought the matter on hand was war, some thought it was a lark, the
rest took it for a religious occasion. And each mule acted according to
his convictions. The result was an absence of harmony well compensated
by a conspicuous presence of variety--variety of a picturesque and
entertaining sort.

All the riders were young gentlemen in fashionable society. If the
reader has been wondering why it is that the ladies of New Orleans
attend so humble an orgy as a mule-race, the thing is explained now. It
is a fashion-freak; all connected with it are people of fashion.

It is great fun, and cordially liked. The mule-race is one of the marked
occasions of the year. It has brought some pretty fast mules to the
front. One of these had to be ruled out, because he was so fast that he
turned the thing into a one-mule contest, and robbed it of one of its
best features--variety. But every now and then somebody disguises him
with a new name and a new complexion, and rings him in again.

The riders dress in full jockey costumes of bright-colored silks,
satins, and velvets.

The thirteen mules got away in a body, after a couple of false starts,
and scampered off with prodigious spirit. As each mule and each rider
had a distinct opinion of his own as to how the race ought to be run,
and which side of the track was best in certain circumstances, and how
often the track ought to be crossed, and when a collision ought to
be accomplished, and when it ought to be avoided, these twenty-six
conflicting opinions created a most fantastic and picturesque confusion,
and the resulting spectacle was killingly comical.

Mile heat; time 2:22. Eight of the thirteen mules distanced. I had a bet
on a mule which would have won if the procession had been reversed. The
second heat was good fun; and so was the 'consolation race for beaten
mules,' which followed later; but the first heat was the best in that
respect.

I think that much the most enjoyable of all races is a steamboat race;
but, next to that, I prefer the gay and joyous mule-rush. Two red-hot
steamboats raging along, neck-and-neck, straining every nerve--that is
to say, every rivet in the boilers--quaking and shaking and groaning
from stem to stern, spouting white steam from the pipes, pouring black
smoke from the chimneys, raining down sparks, parting the river into
long breaks of hissing foam--this is sport that makes a body's very
liver curl with enjoyment. A horse-race is pretty tame and colorless
in comparison. Still, a horse-race might be well enough, in its way,
perhaps, if it were not for the tiresome false starts. But then,
nobody is ever killed. At least, nobody was ever killed when I was at a
horse-race. They have been crippled, it is true; but this is little to
the purpose.




Chapter 46 Enchantments and Enchanters

THE largest annual event in New Orleans is a something which we arrived
too late to sample--the Mardi-Gras festivities. I saw the procession of
the Mystic Crew of Comus there, twenty-four years ago--with knights
and nobles and so on, clothed in silken and golden Paris-made
gorgeousnesses, planned and bought for that single night's use; and
in their train all manner of giants, dwarfs, monstrosities, and other
diverting grotesquerie--a startling and wonderful sort of show, as it
filed solemnly and silently down the street in the light of its smoking
and flickering torches; but it is said that in these latter days the
spectacle is mightily augmented, as to cost, splendor, and variety.
There is a chief personage--'Rex;' and if I remember rightly, neither
this king nor any of his great following of subordinates is known to any
outsider. All these people are gentlemen of position and consequence;
and it is a proud thing to belong to the organization; so the mystery in
which they hide their personality is merely for romance's sake, and not
on account of the police.

Mardi-Gras is of course a relic of the French and Spanish occupation;
but I judge that the religious feature has been pretty well knocked out
of it now. Sir Walter has got the advantage of the gentlemen of the cowl
and rosary, and he will stay. His medieval business, supplemented by the
monsters and the oddities, and the pleasant creatures from fairy-land,
is finer to look at than the poor fantastic inventions and performances
of the reveling rabble of the priest's day, and serves quite as well,
perhaps, to emphasize the day and admonish men that the grace-line
between the worldly season and the holy one is reached.

This Mardi-Gras pageant was the exclusive possession of New Orleans
until recently. But now it has spread to Memphis and St. Louis and
Baltimore. It has probably reached its limit. It is a thing which could
hardly exist in the practical North; would certainly last but a very
brief time; as brief a time as it would last in London. For the soul
of it is the romantic, not the funny and the grotesque. Take away the
romantic mysteries, the kings and knights and big-sounding titles, and
Mardi-Gras would die, down there in the South. The very feature that
keeps it alive in the South--girly-girly romance--would kill it in the
North or in London. Puck and Punch, and the press universal, would fall
upon it and make merciless fun of it, and its first exhibition would be
also its last.

Against the crimes of the French Revolution and of Bonaparte may be set
two compensating benefactions: the Revolution broke the chains of the
ANCIEN REGIME and of the Church, and made of a nation of abject slaves
a nation of freemen; and Bonaparte instituted the setting of merit above
birth, and also so completely stripped the divinity from royalty, that
whereas crowned heads in Europe were gods before, they are only men,
since, and can never be gods again, but only figureheads, and answerable
for their acts like common clay. Such benefactions as these compensate
the temporary harm which Bonaparte and the Revolution did, and leave the
world in debt to them for these great and permanent services to liberty,
humanity, and progress.