A Bit O\' Love (Fourth Series Plays)

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PLAYS IN THE FOURTH SERIES

By John Galsworthy



A BIT O' LOVE



PERSONS OF THE PLAY

MICHAEL STRANGWAY
BEATRICE STRANGWAY
MRS. BRADMERE
JIM BERE
JACK CREMER
MRS. BURLACOMBE
BURLACOMBE
TRUSTAFORD
JARLAND
CLYST
FREMAN
GODLEIGH
SOL POTTER
MORSE, AND OTHERS
IVY BURLACOMBE
CONNIE TRUSTAFORD
GLADYS FREMAN
MERCY JARLAND
TIBBY JARLAND
BOBBIE JARLAND




SCENE: A VILLAGE OF THE WEST

The Action passes on Ascension Day.

ACT I. STRANGWAY'S rooms at BURLACOMBE'S. Morning.

ACT II. Evening

SCENE I. The Village Inn.
SCENE II. The same.
SCENE III. Outside the church.

ACT III. Evening

SCENE I. STRANGWAY'S rooms.
SCENE II. BURLACOMBE'S barn.



A BIT O' LOVE


ACT I

It is Ascension Day in a village of the West. In the low
panelled hall-sittingroom of the BURLACOMBE'S farmhouse on the
village green, MICHAEL STRANGWAY, a clerical collar round his
throat and a dark Norfolk jacket on his back, is playing the
flute before a very large framed photograph of a woman, which is
the only picture on the walls. His age is about thirty-five his
figure thin and very upright and his clean-shorn face thin,
upright, narrow, with long and rather pointed ears; his dark
hair is brushed in a coxcomb off his forehead. A faint smile
hovers about his lips that Nature has made rather full and he
has made thin, as though keeping a hard secret; but his bright
grey eyes, dark round the rim, look out and upwards almost as if
he were being crucified. There is something about the whole of
him that makes him seen not quite present. A gentle creature,
burnt within.

A low broad window above a window-seat forms the background to
his figure; and through its lattice panes are seen the outer
gate and yew-trees of a churchyard and the porch of a church,
bathed in May sunlight. The front door at right angles to the
window-seat, leads to the village green, and a door on the left
into the house.

It is the third movement of Veracini's violin sonata that
STRANGWAY plays. His back is turned to the door into the house,
and he does not hear when it is opened, and IVY BURLACOMBE, the
farmer's daughter, a girl of fourteen, small and quiet as a
mouse, comes in, a prayer-book in one hand, and in the other a
gloss of water, with wild orchis and a bit of deep pink
hawthorn. She sits down on the window-seat, and having opened
her book, sniffs at the flowers. Coming to the end of the
movement STRANGWAY stops, and looking up at the face on the
wall, heaves a long sigh.

IVY. [From the seat] I picked these for yu, Mr. Strangway.

STRANGWAY. [Turning with a start] Ah! Ivy. Thank you. [He puts
his flute down on a chair against the far wall] Where are the
others?

As he speaks, GLADYS FREMAN, a dark gipsyish girl, and CONNIE
TRUSTAFORD, a fair, stolid, blue-eyed Saxon, both about sixteen,
come in through the front door, behind which they have evidently
been listening. They too have prayer-books in their hands.
They sidle past Ivy, and also sit down under the window.

GLADYS. Mercy's comin', Mr. Strangway.

STRANGWAY. Good morning, Gladys; good morning, Connie.

He turns to a book-case on a table against the far wall, and
taking out a book, finds his place in it. While he stands thus
with his back to the girls, MERCY JARLAND comes in from the
green. She also is about sixteen, with fair hair and china-blue
eyes. She glides in quickly, hiding something behind her, and
sits down on the seat next the door. And at once there is a
whispering.

STRANGWAY. [Turning to them] Good morning, Mercy.

MERCY. Good morning, Mr. Strangway.

STRANGWAY. Now, yesterday I was telling you what our Lord's coming
meant to the world. I want you to understand that before He came
there wasn't really love, as we know it. I don't mean to say that
there weren't many good people; but there wasn't love for the sake of
loving. D'you think you understand what I mean?

MERCY fidgets. GLADYS'S eyes are following a fly.

IVY. Yes, Mr. Strangway.

STRANGWAY. It isn't enough to love people because they're good to
you, or because in some way or other you're going to get something by
it. We have to love because we love loving. That's the great thing
--without that we're nothing but Pagans.

GLADYS. Please, what is Pagans?

STRANGWAY. That's what the first Christians called the people who
lived in the villages and were not yet Christians, Gladys.

MERCY. We live in a village, but we're Christians.

STRANGWAY. [With a smile] Yes, Mercy; and what is a Christian?

MERCY kicks afoot, sideways against her neighbour, frowns over
her china-blare eyes, is silent; then, as his question passes
on, makes a quick little face, wriggles, and looks behind her.

STRANGWAY. Ivy?

IVY. 'Tis a man--whu--whu----

STRANGWAY. Yes?--Connie?

CONNIE. [Who speaks rather thickly, as if she had a permanent slight
cold] Please, Mr. Strangway, 'tis a man what goes to church.

GLADYS. He 'as to be baptised--and confirmed; and--and--buried.

IVY. 'Tis a man whu--whu's gude and----

GLADYS. He don't drink, an' he don't beat his horses, an' he don't
hit back.

MERCY. [Whispering] 'Tisn't your turn. [To STRANGWAY] 'Tis a man
like us.

IVY. I know what Mrs. Strangway said it was, 'cause I asked her
once, before she went away.

STRANGWAY. [Startled] Yes?

IVY. She said it was a man whu forgave everything.

STRANGWAY. Ah!

The note of a cuckoo comes travelling. The girls are gazing at
STRANGWAY, who seems to have gone of into a dream. They begin
to fidget and whisper.

CONNIE. Please, Mr. Strangway, father says if yu hit a man and he
don't hit yu back, he's no gude at all.

MERCY. When Tommy Morse wouldn't fight, us pinched him--he did
squeal! [She giggles] Made me laugh!

STRANGWAY. Did I ever tell you about St. Francis of Assisi?

IVY. [Clasping her hands] No.

STRANGWAY. Well, he was the best Christian, I think, that ever
lived--simply full of love and joy.

IVY. I expect he's dead.

STRANGWAY. About seven hundred years, Ivy.

IVY. [Softly] Oh!

STRANGWAY. Everything to him was brother or sister--the sun and the
moon, and all that was poor and weak and sad, and animals and birds,
so that they even used to follow him about.

MERCY. I know! He had crumbs in his pocket.

STRANGWAY. No; he had love in his eyes.

IVY. 'Tis like about Orpheus, that yu told us.

STRANGWAY. Ah! But St. Francis was a Christian, and Orpheus was a
Pagan.

IVY. Oh!

STRANGWAY. Orpheus drew everything after him with music; St.
Francis by love.

IVY. Perhaps it was the same, really.

STRANGWAY. [looking at his flute] Perhaps it was, Ivy.

GLADYS. Did 'e 'ave a flute like yu?

IVY. The flowers smell sweeter when they 'ear music; they du.

[She holds up the glass of flowers.]

STRANGWAY. [Touching one of the orchis] What's the name of this
one?

[The girls cluster; save MERCY, who is taking a stealthy
interest in what she has behind her.]

CONNIE. We call it a cuckoo, Mr. Strangway.

GLADYS. 'Tis awful common down by the streams. We've got one medder
where 'tis so thick almost as the goldie cups.

STRANGWAY. Odd! I've never noticed it.

IVY. Please, Mr. Strangway, yu don't notice when yu're walkin'; yu
go along like this.

[She holds up her face as one looking at the sky.]

STRANGWAY. Bad as that, Ivy?

IVY. Mrs. Strangway often used to pick it last spring.

STRANGWAY. Did she? Did she?

[He has gone off again into a kind of dream.]

MERCY. I like being confirmed.

STRANGWAY. Ah! Yes. Now----What's that behind you, Mercy?

MERCY. [Engagingly producing a cage a little bigger than a
mouse-trap, containing a skylark] My skylark.

STRANGWAY. What!

MERCY. It can fly; but we're goin' to clip its wings. Bobbie caught
it.

STRANGWAY. How long ago?

MERCY. [Conscious of impending disaster] Yesterday.

STRANGWAY. [White hot] Give me the cage!

MERCY. [Puckering] I want my skylark. [As he steps up to her and
takes the cage--thoroughly alarmed] I gave Bobbie thrippence for it!

STRANGWAY. [Producing a sixpence] There!

MERCY. [Throwing it down-passionately] I want my skylark!

STRANGWAY. God made this poor bird for the sky and the grass. And
you put it in that! Never cage any wild thing! Never!

MERCY. [Faint and sullen] I want my skylark.

STRANGWAY. [Taking the cage to the door] No! [He holds up the cage
and opens it] Off you go, poor thing!

[The bird flies out and away. The girls watch with round eyes
the fling up of his arm, and the freed bird flying away.]

IVY. I'm glad!

[MERCY kicks her viciously and sobs. STRANGWAY comes from the
door, looks at MERCY sobbing, and suddenly clasps his head. The
girls watch him with a queer mixture of wonder, alarm, and
disapproval.]

GLADYS. [Whispering] Don't cry, Mercy. Bobbie'll soon catch yu
another.

[STRANGWAY has dropped his hands, and is looking again at MERCY.
IVY sits with hands clasped, gazing at STRANGWAY. MERCY
continues her artificial sobbing.]

STRANGWAY. [Quietly] The class is over for to-day.

[He goes up to MERCY, and holds out his hand. She does not take
it, and runs out knuckling her eyes. STRANGWAY turns on his
heel and goes into the house.]

CONNIE. 'Twasn't his bird.

IVY. Skylarks belong to the sky. Mr. Strangway said so.

GLADYS. Not when they'm caught, they don't.

IVY. They du.

CONNIE. 'Twas her bird.

IVY. He gave her sixpence for it.

GLADYS. She didn't take it.

CONNIE. There it is on the ground.

IVY. She might have.

GLADYS. He'll p'raps take my squirrel, tu.

IVY. The bird sang--I 'eard it! Right up in the sky. It wouldn't
have sanged if it weren't glad.

GLADYS. Well, Mercy cried.

IVY. I don't care.

GLADYS. 'Tis a shame! And I know something. Mrs. Strangway's at
Durford.

CONNIE. She's--never!

GLADYS. I saw her yesterday. An' if she's there she ought to be
here. I told mother, an' she said: "Yu mind yer business." An' when
she goes in to market to-morrow she'm goin' to see. An' if she's
really there, mother says, 'tis a fine tu-du an' a praaper scandal.
So I know a lot more'n yu du.

[Ivy stares at her.]

CONNIE. Mrs. Strangway told mother she was goin' to France for the
winter because her mother was ill.

GLADYS. 'Tisn't, winter now--Ascension Day. I saw her cumin' out o'
Dr. Desert's house. I know 'twas her because she had on a blue dress
an' a proud luke. Mother says the doctor come over here tu often
before Mrs. Strangway went away, just afore Christmas. They was old
sweethearts before she married Mr. Strangway. [To Ivy] 'Twas yure
mother told mother that.

[Ivy gazes at them more and more wide-eyed.]

CONNIE. Father says if Mrs. Bradmere an' the old Rector knew about
the doctor, they wouldn't 'ave Mr. Strangway 'ere for curate any
longer; because mother says it takes more'n a year for a gude wife to
leave her 'usband, an' 'e so fond of her. But 'tisn't no business of
ours, father says.

GLADYS. Mother says so tu. She's praaper set against gossip.
She'll know all about it to-morrow after market.

IVY. [Stamping her foot] I don't want to 'ear nothin' at all; I
don't, an' I won't.

[A rather shame faced silence falls on the girls.]

GLADYS. [In a quick whisper] 'Ere's Mrs. Burlacombe.

[There enters fawn the house a stout motherly woman with a round
grey eye and very red cheeks.]

MRS. BURLACOMBE. Ivy, take Mr. Strangway his ink, or we'll never
'eve no sermon to-night. He'm in his thinkin' box, but 'tis not a
bit o' yuse 'im thinkin' without 'is ink. [She hands her daughter an
inkpot and blotting-pad. Ivy Takes them and goes out] What ever's
this? [She picks up the little bird-cage.]

GLADYS. 'Tis Mercy Jarland's. Mr. Strangway let her skylark go.

MRS. BURLACOMBE. Aw! Did 'e now? Serve 'er right, bringin' an
'eathen bird to confirmation class.

CONNIE. I'll take it to her.

MRS. BURLACOMBE. No. Yu leave it there, an' let Mr. Strangway du
what 'e likes with it. Bringin' a bird like that! Well 'I never!

[The girls, perceiving that they have lighted on stony soil,
look at each other and slide towards the door.]

MRS. BURLACOMBE. Yes, yu just be off, an' think on what yu've been
told in class, an' be'ave like Christians, that's gude maids. An'
don't yu come no more in the 'avenin's dancin' them 'eathen dances in
my barn, naighther, till after yu'm confirmed--'tisn't right. I've
told Ivy I won't 'ave it.

CONNIE. Mr. Strangway don't mind--he likes us to; 'twas Mrs.
Strangway began teachin' us. He's goin' to give a prize.

MRS. BURLACOMBE. Yu just du what I tell yu an' never mind Mr.
Strangway--he'm tu kind to everyone. D'yu think I don't know how
gells oughter be'ave before confirmation? Yu be'ave like I did!
Now, goo ahn! Shoo!

[She hustles them out, rather as she might hustle her chickens,
and begins tidying the room. There comes a wandering figure to
the open window. It is that of a man of about thirty-five, of
feeble gait, leaning the weight of all one side of him on a
stick. His dark face, with black hair, one lock of which has
gone white, was evidently once that of an ardent man. Now it is
slack, weakly smiling, and the brown eyes are lost, and seem
always to be asking something to which there is no answer.]

MRS. BURLACOMBE. [With that forced cheerfulness always assumed in
the face of too great misfortune] Well, Jim! better? [At the faint
brightening of the smile] That's right! Yu'm gettin' on bravely.
Want Parson?

JIM. [Nodding and smiling, and speaking slowly] I want to tell 'un
about my cat.

[His face loses its smile.]

MRS. BURLACOMBE. Why! what's she been duin' then? Mr. Strangway's
busy. Won't I du?

JIM. [Shaking his head] No. I want to tell him.

MRS. BURLACOMBE. Whatever she been duin'? Havin' kittens?

JIM. No. She'm lost.

MRS. BURLACOMBE. Dearie me! Aw! she'm not lost. Cats be like
maids; they must get out a bit.

JIM. She'm lost. Maybe he'll know where she'll be.

MRS. BURLACOMBE. Well, well. I'll go an' find 'im.

JIM. He's a gude man. He's very gude.

MRS. BURLACOMBE. That's certain zure.

STRANGWAY. [Entering from the house] Mrs. Burlacombe, I can't think
where I've put my book on St. Francis--the large, squarish pale-blue
one?

MRS. BURLACOMBE. Aw! there now! I knu there was somethin' on me
mind. Miss Willis she came in yesterday afternune when yu was out,
to borrow it. Oh! yes--I said--I'm zure Mr. Strangway'll lend it
'ee. Now think o' that!

STRANGWAY. Of course, Mrs. Burlacombe; very glad she's got it.

MRS. BURLACOMBE. Aw! but that's not all. When I tuk it up there
come out a whole flutter o' little bits o' paper wi' little rhymes on
'em, same as I see yu writin'. Aw! my gudeness! I says to meself,
Mr. Strangway widn' want no one seein' them.

STRANGWAY. Dear me! No; certainly not!

MRS. BURLACOMBE. An' so I putt 'em in your secretary.

STRANGWAY. My-ah! Yes. Thank you; yes.

MRS. BURLACOMBE. But I'll goo over an' get the buke for yu.
'T won't take me 'alf a minit.

[She goes out on to the green. JIM BERE has come in.]

STRANGWAY. [Gently] Well, Jim?

JIM. My cat's lost.

STRANGWAY. Lost?

JIM. Day before yesterday. She'm not come back. They've shot 'er,
I think; or she'm caught in one o' they rabbit-traps.

STRANGWAY. Oh! no; my dear fellow, she'll come back. I'll speak to
Sir Herbert's keepers.

JIM. Yes, zurr. I feel lonesome without 'er.

STRANGWAY. [With a faint smile--more to himself than to Jim]
Lonesome! Yes! That's bad, Jim! That's bad!

JIM. I miss 'er when I sits than in the avenin'.

STRANGWAY. The evenings----They're the worst----and when the
blackbirds sing in the morning.

JIM. She used to lie on my bed, ye know, zurr.

[STRANGWAY turns his face away, contracted with pain]

She'm like a Christian.

STRANGWAY. The beasts are.

JIM. There's plenty folk ain't 'alf as Christian as 'er be.

STRANGWAY. Well, dear Jim, I'll do my very best. And any time
you're lonely, come up, and I'll play the flute to you.

JIM. [Wriggling slightly] No, zurr. Thank 'ee, zurr.

STRANGWAY. What--don't you like music?

JIM. Ye-es, zurr. [A figure passes the window. Seeing it he says
with his slow smile] "'Ere's Mrs. Bradmere, comin' from the Rectory."
[With queer malice] She don't like cats. But she'm a cat 'erself, I
think.

STRANGWAY. [With his smile] Jim!

JIM. She'm always tellin' me I'm lukin' better. I'm not better,
zurr.

STRANGWAY. That's her kindness.

JIM. I don't think it is. 'Tis laziness, an' 'avin' 'er own way.
She'm very fond of 'er own way.

[A knock on the door cuts off his speech. Following closely on
the knock, as though no doors were licensed to be closed against
her, a grey-haired lady enters; a capable, broad-faced woman of
seventy, whose every tone and movement exhales authority. With
a nod and a "good morning" to STRANGWAY she turns at face to JIM
BERE.]

MRS. BRADMERE Ah! Jim; you're looking better.

[JIM BERE shakes his head. MRS. BRADMERE. Oh! yes, you are.
Getting on splendidly. And now, I just want to speak to Mr.
Strangway.]

[JIM BERE touches his forelock, and slowly, leaning on his
stick, goes out.]

MRS. BRADMERE. [Waiting for the door to close] You know how that
came on him? Caught the girl he was engaged to, one night, with
another man, the rage broke something here. [She touches her
forehead] Four years ago.

STRANGWAY. Poor fellow!

MRS. BRADMERE. [Looking at him sharply] Is your wife back?

STRANGWAY. [Starting] No.

MRS. BRADMERE. By the way, poor Mrs. Cremer--is she any better?

STRANGWAY. No; going fast: Wonderful--so patient.

MRS. BRADMERE. [With gruff sympathy] Um! Yes. They know how to
die! [Wide another sharp look at him] D'you expect your wife soon?

STRANGWAY. I I--hope so.

MRS. BRADMERE: So do I. The sooner the better.

STRANGWAY. [Shrinking] I trust the Rector's not suffering so much
this morning?

MRS. BRADMERE. Thank you! His foot's very bad.

[As she speaks Mrs. BURLACOMBE returns with a large pale-blue
book in her bared.]

MRS. BURLACOMBE. Good day, M'm! [Taking the book across to
STRANGWAY] Miss Willie, she says she'm very sorry, zurr.

STRANGWAY. She was very welcome, Mrs. Burlacombe. [To MRS.
BURLACOMBE] Forgive me--my sermon.

[He goes into the house. The two women graze after him. Then,
at once, as it were, draw into themselves, as if preparing for
an encounter, and yet seem to expand as if losing the need for
restraint.]

MRS. BRADMERE. [Abruptly] He misses his wife very much, I'm afraid.

MRS. BURLACOMBE. Ah! Don't he? Poor dear man; he keeps a terrible
tight 'and over 'imself, but 'tis suthin' cruel the way he walks
about at night. He'm just like a cow when its calf's weaned. 'T'as
gone to me 'eart truly to see 'im these months past. T'other day
when I went up to du his rume, I yeard a noise like this [she
sniffs]; an' ther' 'e was at the wardrobe, snuffin' at 'er things. I
did never think a man cud care for a woman so much as that.

MRS. BRADMERE. H'm!

MRS. BURLACOMBE. 'Tis funny rest an' 'e comin' 'ere for quiet after
that tearin' great London parish! 'E'm terrible absent-minded tu
--don't take no interest in 'is fude. Yesterday, goin' on for one
o'clock, 'e says to me, "I expect 'tis nearly breakfast-time, Mrs.
Burlacombe!" 'E'd 'ad it twice already!

MRS. BRADMERE. Twice! Nonsense!

MRS. BURLACOMBE. Zurely! I give 'im a nummit afore 'e gets up; an'
'e 'as 'is brekjus reg'lar at nine. Must feed un up. He'm on 'is
feet all day, gain' to zee folk that widden want to zee an angel,
they're that busy; an' when 'e comes in 'e'll play 'is flute there.
Hem wastin' away for want of 'is wife. That's what 'tis. An' 'im so
sweet-spoken, tu, 'tes a pleasure to year 'im--Never says a word!

MRS. BRADMERE. Yes, that's the kind of man who gets treated badly.
I'm afraid she's not worthy of him, Mrs. Burlacombe.

MRS. BURLACOMBE. [Plaiting her apron] 'Tesn't for me to zay that.
She'm a very pleasant lady.

MRS. BRADMERE Too pleasant. What's this story about her being seen
in Durford?

MRS. BURLACOMBE. Aw! I du never year no gossip, m'm.

MRS. BRADMERE. [Drily] Of course not! But you see the Rector
wishes to know.

MRS. BURLACOMBE. [Flustered] Well--folk will talk! But, as I says
to Burlacombe--"'Tes paltry," I says; and they only married eighteen
months, and Mr. Strangway so devoted-like. 'Tes nothing but love,
with 'im.

MRS. BRADMERE. Come!

MRS. BURLACOMBE. There's puzzivantin' folk as'll set an' gossip the
feathers off an angel. But I du never listen.

MRS. BRADMERE Now then, Mrs. Burlacombe?

MRS. BURLACOMBE. Well, they du say as how Dr. Desart over to Durford
and Mrs. Strangway was sweethearts afore she wer' married.

MRS. BRADMERE. I knew that. Who was it saw her coming out of Dr.
Desart's house yesterday?

MRS. BURLACOMBE. In a manner of spakin' 'tes Mrs. Freman that says
'er Gladys seen her.

MRS. BRADMERE. That child's got an eye like a hawk.

MRS. BURLACOMBE. 'Tes wonderful how things du spread. 'Tesn't as if
us gossiped. Du seem to grow-like in the naight.

MRS. BRADMERE [To herself] I never lied her. That Riviera excuse,
Mrs. Burlacombe--Very convenient things, sick mothers. Mr.
Strangway doesn't know?

MRS. BURLACOMBE. The Lord forbid! 'Twid send un crazy, I think.
For all he'm so moony an' gentlelike, I think he'm a terrible
passionate man inside. He've a-got a saint in 'im, for zure; but
'tes only 'alf-baked, in a manner of spakin'.

MRS. BRADMERE. I shall go and see Mrs. Freman. There's been too
much of this gossip all the winter.

MRS. BURLACOMBE. 'Tes unfortunate-like 'tes the Fremans. Freman
he'm a gipsy sort of a feller; and he've never forgiven Mr. Strangway
for spakin' to 'im about the way he trates 'is 'orses.

MRS. BRADMERE. Ah! I'm afraid Mr. Strangway's not too discreet when
his feelings are touched.

MRS. BURLACOMBE. 'E've a-got an 'eart so big as the full mune. But
'tes no yuse espectin' tu much o' this world. 'Tes a funny place,
after that.

MRS. BRADMERE. Yes, Mrs. Burlacombe; and I shall give some of these
good people a rare rap over the knuckles for their want of charity.
For all they look as if butter wouldn't melt in their mouths, they're
an un-Christian lot. [Looking very directly at Mrs. BURLACOMBE]
It's lucky we've some hold over the village. I'm not going to have
scandal. I shall speak to Sir Herbert, and he and the Rector will
take steps.

MRS. BURLACOMBE. [With covert malice] Aw! I du hope 'twon't upset
the Rector, an' 'is fute so poptious!

MRS. BRADMERE. [Grimly] His foot'll be sound enough to come down
sharp. By the way, will you send me a duck up to the Rectory?

MRS. BURLACOMBE. [Glad to get away] Zurely, m'm; at once. I've
some luv'ly fat birds.

[She goes into the house.]

MRS. BRADMERE. Old puss-cat!

[She turns to go, and in the doorway encounters a very little,
red-cheeked girl in a peacock-blue cap, and pink frock, who
curtsies stolidly.]

MRS. BRADMERE. Well, Tibby Jarland, what do you want here? Always
sucking something, aren't you?

[Getting no reply from Tibby JARLAND, she passes out. Tibby
comes in, looks round, takes a large sweet out of her mouth,
contemplates it, and puts it back again. Then, in a perfunctory
and very stolid fashion, she looks about the floor, as if she
had been told to find something. While she is finding nothing
and sucking her sweet, her sister MERCY comes in furtively,
still frowning and vindictive.]

MERCY. What! Haven't you found it, Tibby? Get along with 'ee,
then!

[She accelerates the stolid Tissy's departure with a smack,
searches under the seat, finds and picks up the deserted
sixpence. Then very quickly she goes to the door: But it is
opened before she reaches it, and, finding herself caught, she
slips behind the chintz window-curtain. A woman has entered,
who is clearly the original of the large photograph. She is not
strictly pretty, but there is charm in her pale, resolute face,
with its mocking lips, flexible brows, and greenish eyes, whose
lids, square above them, have short, dark lashes. She is
dressed in blue, and her fair hair is coiled up under a cap and
motor-veil. She comes in swiftly, and closes the door behind
her; becomes irresolute; then, suddenly deciding, moves towards
the door into the house. MERCY slips from behind her curtain to
make off, but at that moment the door into the house is opened,
and she has at once to slip back again into covert. It is Ivy
who has appeared.]