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Another Study of Woman


H >> Honore de Balzac >> Another Study of Woman

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"As you may suppose the conversation was not very sparkling when I
went in. My weary comrades ate in silence; of course, they asked me
some questions, and we related our misadventures, mingled with
reflections on the campaign, the generals, their mistakes, the
Russians, and the cold. A minute after my arrival the colonel, having
finished his meagre meal, wiped his moustache, bid us good-night, shot
a black look at the Italian woman, saying, 'Rosina?' and then, without
waiting for a reply, went into the little barn full of hay, to bed.
The meaning of the Colonel's utterance was self-evident. The young
wife replied by an indescribable gesture, expressing all the annoyance
she could not feel at seeing her thralldom thus flaunted without human
decency, and the offence to her dignity as a woman, and to her
husband. But there was, too, in the rigid setting of her features and
the tight knitting of her brows a sort of presentiment; perhaps she
foresaw her fate. Rosina remained quietly in her place.

"A minute later, and apparently when the Colonel was snug in his couch
of straw or hay, he repeated, 'Rosina?'

"The tone of this second call was even more brutally questioning than
the first. The Colonel's strong burr, and the length which the Italian
language allows to be given to vowels and the final syllable,
concentrated all the man's despotism, impatience, and strength of
will. Rosina turned pale, but she rose, passed behind us, and went to
the Colonel.

"All the party sat in utter silence; I, unluckily, after looking at
them all, began to laugh, and then they all laughed too.--'_Tu ridi?_
--you laugh?' said the husband.

"'On my honor, old comrade,' said I, becoming serious again, 'I
confess that I was wrong; I ask your pardon a thousand times, and if
you are not satisfied by my apologies I am ready to give you
satisfaction.'

"'Oh! it is not you who are wrong, it is I!' he replied coldly.

"Thereupon we all lay down in the room, and before long all were sound
asleep.

"Next morning each one, without rousing his neighbor or seeking
companionship, set out again on his way, with that selfishness which
made our rout one of the most horrible dramas of self-seeking,
melancholy, and horror which ever was enacted under heaven.
Nevertheless, at about seven or eight hundred paces from our shelter
we, most of us, met again and walked on together, like geese led in
flocks by a child's wilful tyranny. The same necessity urged us all.

"Having reached a knoll where we could still see the farmhouse where
we had spent the night, we heard sounds resembling the roar of lions
in the desert, the bellowing of bulls--no, it was a noise which can be
compared to no known cry. And yet, mingling with this horrible and
ominous roar, we could hear a woman's feeble scream. We all looked
round, seized by I know not what impulse of terror; we no longer saw
the house, but a huge bonfire. The farmhouse had been barricaded, and
was in flames. Swirls of smoke borne on the wind brought us hoarse
cries and an indescribable pungent smell. A few yards behind, the
captain was quietly approaching to join our caravan; we gazed at him
in silence, for no one dared question him; but he, understanding our
curiosity, pointed to his breast with the forefinger of his right
hand, and, waving the left in the direction of the fire, he said,
'_Son'io_.'

"We all walked on without saying a word to him."

"There is nothing more terrible than the revolt of a sheep," said de
Marsay.

"It would be frightful to let us leave with this horrible picture in
our memory," said Madame de Montcornet. "I shall dream of it----"

"And what was the punishment of Monsieur de Marsay's 'First'?" said
Lord Dudley, smiling.

"When the English are in jest, their foils have the buttons on," said
Blondet.

"Monsieur Bianchon can tell us, for he saw her dying," replied de
Marsay, turning to me.

"Yes," said I; "and her end was one of the most beautiful I ever saw.
The Duke and I had spent the night by the dying woman's pillow;
pulmonary consumption, in the last stage, left no hope; she had taken
the sacrament the day before. The Duke had fallen asleep. The Duchess,
waking at about four in the morning, signed to me in the most touching
way, with a friendly smile, to bid me leave him to rest, and she
meanwhile was about to die. She had become incredibly thin, but her
face had preserved its really sublime outline and features. Her pallor
made her skin look like porcelain with a light within. Her bright eyes
and color contrasted with this languidly elegant complexion, and her
countenance was full of expressive calm. She seemed to pity the Duke,
and the feeling had its origin in a lofty tenderness which, as death
approached, seemed to know no bounds. The silence was absolute. The
room, softly lighted by a lamp, looked like every sickroom at the hour
of death.

"At this moment the clock struck. The Duke awoke, and was in despair
at having fallen asleep. I did not see the gesture of impatience by
which he manifested the regret he felt at having lost sight of his
wife for a few of the last minutes vouchsafed to him; but it is quite
certain that any one but the dying woman might have misunderstood it.
A busy statesman, always thinking of the interests of France, the Duke
had a thousand odd ways on the surface, such as often lead to a man of
genius being mistaken for a madman, and of which the explanation lies
in the exquisiteness and exacting needs of their intellect. He came to
seat himself in an armchair by his wife's side, and looked fixedly at
her. The dying woman put her hand out a little way, took her husband's
and clasped it feebly; and in a low but agitated voice she said, 'My
poor dear, who is left to understand you now?' Then she died, looking
at him."

"The stories the doctor tells us," said the Comte de Vandenesse,
"always leave a deep impression."

"But a sweet one," said Mademoiselle des Touches, rising.



PARIS, June 1839-42.



ADDENDUM

The following personages appear in other stories of the Human Comedy.

Bianchon, Horace
Father Goriot
The Atheist's Mass
Cesar Birotteau
The Commission in Lunacy
Lost Illusions
A Distinguished Provincial at Paris
A Bachelor's Establishment
The Secrets of a Princess
The Government Clerks
Pierrette
A Study of Woman
Scenes from a Courtesan's Life
Honorine
The Seamy Side of History
The Magic Skin
A Second Home
A Prince of Bohemia
Letters of Two Brides
The Muse of the Department
The Imaginary Mistress
The Middle Classes
Cousin Betty
The Country Parson
In addition, M. Bianchon narrated the following:
La Grande Breteche

Blondet, Emile
Jealousies of a Country Town
A Distinguished Provincial at Paris
Scenes from a Courtesan's Life
Modeste Mignon
The Secrets of a Princess
A Daughter of Eve
The Firm of Nucingen
The Peasantry

Blondet, Virginie (Madame Montcornet)
Jealousies of a Country Town
The Secrets of a Princess
The Peasantry
A Distinguished Provincial at Paris
The Member for Arcis
A Daughter of Eve

Bridau, Joseph
The Purse
A Bachelor's Establishment
A Distinguished Provincial at Paris
A Start in Life
Modeste Mignon
Pierre Grassou
Letters of Two Brides
Cousin Betty
The Member for Arcis

Canalis, Constant-Cyr-Melchior, Baron de
Letters of Two Brides
A Distinguished Provincial at Paris
Modeste Mignon
The Magic Skin
A Start in Life
Beatrix
The Unconscious Humorists
The Member for Arcis

Dudley, Lord
The Lily of the Valley
The Thirteen
A Man of Business
A Daughter of Eve

Espard, Jeanne-Clementine-Athenais de Blamont-Chauvry, Marquise d'
The Commission in Lunacy
A Distinguished Provincial at Paris
Scenes from a Courtesan's Life
Letters of Two Brides
The Gondreville Mystery
The Secrets of a Princess
A Daughter of Eve
Beatrix

Laginski, Comte Adam Mitgislas
The Imaginary Mistress
Cousin Betty

Marsay, Henri de
The Thirteen
The Unconscious Humorists
The Lily of the Valley
Father Goriot
Jealousies of a Country Town
Ursule Mirouet
A Marriage Settlement
Lost Illusions
A Distinguished Provincial at Paris
Letters of Two Brides
The Ball at Sceaux
Modeste Mignon
The Secrets of a Princess
The Gondreville Mystery
A Daughter of Eve

Maufrigneuse, Duchesse de
The Secrets of a Princess
Modeste Mignon
Jealousies of a Country Town
The Muse of the Department
Scenes from a Courtesan's Life
Letters of Two Brides
The Gondreville Mystery
The Member for Arcis

Montriveau, General Marquis Armand de
The Thirteen
Father Goriot
Lost Illusions
A Distinguished Provincial at Paris
Pierrette
The Member for Arcis

Nucingen, Baron Frederic de
The Firm of Nucingen
Father Goriot
Pierrette
Cesar Birotteau
Lost Illusions
A Distinguished Provincial at Paris
Scenes from a Courtesan's Life
The Secrets of a Princess
A Man of Business
Cousin Betty
The Muse of the Department
The Unconscious Humorists

Nucingen, Baronne Delphine de
Father Goriot
The Thirteen
Eugenie Grandet
Cesar Birotteau
Melmoth Reconciled
Lost Illusions
A Distinguished Provincial at Paris
The Commission in Lunacy
Scenes from a Courtesan's Life
Modeste Mignon
The Firm of Nucingen
A Daughter of Eve
The Member for Arcis

Portenduere, Vicomtesse Savinien de
Ursule Mirouet
Beatrix

Rastignac, Eugene de
Father Goriot
A Distinguished Provincial at Paris
Scenes from a Courtesan's Life
The Ball at Sceaux
The Commission in Lunacy
A Study of Woman
The Magic Skin
The Secrets of a Princess
A Daughter of Eve
The Gondreville Mystery
The Firm of Nucingen
Cousin Betty
The Member for Arcis
The Unconscious Humorists

Ronquerolles, Marquis de
The Imaginary Mistress
The Peasantry
Ursule Mirouet
A Woman of Thirty
The Thirteen
The Member for Arcis

Serizy, Comtesse de
A Start in Life
The Thirteen
Ursule Mirouet
A Woman of Thirty
Scenes from a Courtesan's Life

The Imaginary Mistress

Touches, Mademoiselle Felicite des
Beatrix
Lost Illusions
A Distinguished Provincial at Paris
A Bachelor's Establishment
A Daughter of Eve
Honorine
Beatrix
The Muse of the Department

Vandenesse, Comte Felix de
The Lily of the Valley
Lost Illusions
A Distinguished Provincial at Paris
Cesar Birotteau
Letters of Two Brides
A Start in Life
The Marriage Settlement
The Secrets of a Princess
The Gondreville Mystery
A Daughter of Eve







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