The Wandering Jew, Complete

E >> Eugene Sue >> The Wandering Jew, Complete


Six pounds of bread, second quality . . . . . . . .0 8 1/2
Four pails of water . . . . . . . . . . . . . . . .0 2
Lard or dripping (butter being out of the question)0 5
Coarse salt . . . . . . . . . . . . . . . . . . . .0 0 3/4
A bushel of charcoal . . . . . . . . . . . . . . .0 4
A quart of dried vegetables . . . . . . . . . . . .0 3
Three quarts of potatoes. . . . . . . . . . . . . .0 2
Dips. . . . . . . . . . . . . . . . . . . . . . . .0 3 1/4
Thread and needles. . . . . . . . . . . . . . . . .0 2 1/2
______
2 7

To save charcoal, Mother Bunch prepared soup only two or three times a
week at most, on a stove that stood on the landing of the fourth story.
On other days she ate it cold. There remained nine or ten pence a week
for clothes and lodging. By rare good fortune, her situation was in one
respect an exception to the lot of many others. Agricola, that he might
not wound her delicacy, had come to a secret arrangement with the
housekeeper, and hired a garret for her, just large enough to hold a
small bed, a chair, and a table; for which the sempstress had to pay five
shillings a year. But Agricola, in fulfilment of his agreement with the
porter, paid the balance, to make up the actual rent of the garret, which
was twelve and sixpence. The poor girl had thus about eighteenpence a
month left for her other expenses. But many workwomen, whose position is
less fortunate than hers, since they have neither home nor family, buy a
piece of bread and some other food to keep them through the day; and at
night patronize the "twopenny rope," one with another, in a wretched room
containing five or six beds, some of which are always engaged by men, as
male lodgers are by far the most abundant. Yes; and in spite of the
disgust that a poor and virtuous girl must feel at this arrangement, she
must submit to it; for a lodging-house keeper cannot have separate rooms
for females. To furnish a room, however meanly, the poor workwoman must
possess three or four shillings in ready money. But how save this sum,
out of weekly earnings of a couple of florins, which are scarcely
sufficient to keep her from starving, and are still less sufficient to
clothe her? No! no! The poor wretch must resign herself to this repugnant
cohabitation; and so, gradually, the instinct of modesty becomes
weakened; the natural sentiment of chastity, that saved her from the "gay
life," becomes extinct; vice appears to be the only means of improving
her intolerable condition; she yields; and the first "man made of money,"
who can afford a governess for his children, cries out against the
depravity of the lower orders! And yet, painful as the condition of the
working woman is, it is relatively fortunate. Should work fail her for
one day, two days, what then? Should sickness come--sickness almost
always occasioned by unwholesome food, want of fresh air, necessary
attention, and good rest; sickness, often so enervating as to render work
impossible; though not so dangerous as to procure the sufferer a bed in
an hospital--what becomes of the hapless wretches then? The mind
hesitates, and shrinks from dwelling on such gloomy pictures.

This inadequacy of wages, one terrible source only of so many evils, and
often of so many vices, is general, especially among women; and, again
this is not private wretchedness, but the wretchedness which afflicts
whole classes, the type of which we endeavor to develop in Mother Bunch.
It exhibits the moral and physical condition of thousands of human
creatures in Paris, obliged to subsist on a scanty four shillings a week.
This poor workwoman, then, notwithstanding the advantages she unknowingly
enjoyed through Agricola's generosity, lived very miserably; and her
health, already shattered, was now wholly undermined by these constant
hardships. Yet, with extreme delicacy, though ignorant of the little
sacrifice already made for her by Agricola, Mother Bunch pretended she
earned more than she really did, in order to avoid offers of service
which it would have pained her to accept, because she knew the limited
means of Frances and her son, and because it would have wounded her
natural delicacy, rendered still more sensitive by so many sorrows and
humiliations.

But, singular as it may appear, this deformed body contained a loving and
generous soul--a mind cultivated even to poetry; and let us add, that
this was owing to the example of Agricola Baudoin, with whom she had been
brought up, and who had naturally the gift. This poor girl was the first
confidant to whom our young mechanic imparted his literary essays; and
when he told her of the charm and extreme relief he found in poetic
reverie, after a day of hard toil, the workwoman, gifted with strong
natural intelligence, felt, in her turn, how great a resource this would
be to her in her lonely and despised condition.

One day, to Agricola's great surprise, who had just read some verses to
her, the sewing-girl, with smiles and blushes, timidly communicated to
him also a poetic composition. Her verses wanted rhythm and harmony,
perhaps; but they were simple and affecting, as a non-envenomed complaint
entrusted to a friendly hearer. From that day Agricola and she held
frequent consultations; they gave each other mutual encouragement: but
with this exception, no one else knew anything of the girl's poetical
essays, whose mild timidity made her often pass for a person of weak
intellect. This soul must have been great and beautiful, for in all her
unlettered strains there was not a word of murmuring respecting her hard
lot: her note was sad, but gentle--desponding, but resigned; it was
especially the language of deep tenderness--of mournful sympathy--of
angelic charity for all poor creatures consigned, like her, to bear the
double burden of poverty and deformity. Yet she often expressed a sincere
free-spoken admiration of beauty, free from all envy or bitterness; she
admired beauty as she admired the sun. But, alas! many were the verses of
hers that Agricola had never seen, and which he was never to see.

The young mechanic, though not strictly handsome, had an open masculine
face; was as courageous as kind; possessed a noble, glowing, generous
heart, a superior mind, and a frank, pleasing gayety of spirits. The
young girl, brought up with him, loved him as an unfortunate creature can
love, who, dreading cruel ridicule, is obliged to hide her affection in
the depths of her heart, and adopt reserve and deep dissimulation. She
did not seek to combat her love; to what purpose should she do so? No one
would ever know it. Her well known sisterly affection for Agricola
explained the interest she took in all that concerned him; so that no one
was surprised at the extreme grief of the young workwoman, when, in 1830,
Agricola, after fighting intrepidly for the people's flag, was brought
bleeding home to his mother. Dagobert's son, deceived, like others, on
this point, had never suspected, and was destined never to suspect, this
love for him.

Such was the poorly-clad girl who entered the room in which Frances was
preparing her son's supper.

"Is it you, my poor love," said she; "I have not seen you since morning:
have you been ill? Come and kiss me."

The young girl kissed Agricola's mother, and replied: "I was very busy
about some work, mother; I did not wish to lose a moment; I have only
just finished it. I am going down to fetch some charcoal--do you want
anything while I'm out?"

"No, no, my child, thank you. But I am very uneasy. It is half-past
eight, and Agricola is not come home." Then she added, after a sigh: "He
kills himself with work for me. Ah, I am very unhappy, my girl; my sight
is quite going. In a quarter of an hour after I begin working, I cannot
see at all--not even to sew sacks. The idea of being a burden to my son
drives me distracted."

"Oh, don't, ma'am, if Agricola heard you say that--"

"I know the poor boy thinks of nothing but me, and that augments my
vexation. Only I think that rather than leave me, he gives up the
advantages that his fellow-workmen enjoy at Hardy's, his good and worthy
master--instead of living in this dull garret, where it is scarcely light
at noon, he would enjoy, like the other workmen, at very little expense,
a good light room, warm in winter, airy in summer, with a view of the
garden. And he is so fond of trees! not to mention that this place is so
far from his work, that it is quite a toil to him to get to it."

"Oh, when he embraces you he forgets his fatigue, Mrs. Baudoin," said
Mother Bunch; "besides, he knows how you cling to the house in which he
was born. M. Hardy offered to settle you at Plessy with Agricola, in the
building put up for the workmen."

"Yes, my child; but then I must give up church. I can't do that."

"But--be easy, I hear him," said the hunchback, blushing.

A sonorous, joyous voice was heard singing on the stairs.

"At least, I'll not let him see that I have been crying," said the good
mother, drying her tears. "This is the only moment of rest and ease from
toil he has--I must not make it sad to him."




CHAPTER XXIX.

AGRICOLA BAUDOIN.

Our blacksmith poet, a tall young man, about four-and-twenty years of
age, was alert and robust, with ruddy complexion, dark hair and eyes, and
aquiline nose, and an open, expressive countenance. His resemblance to
Dagobert was rendered more striking by the thick brown moustache which he
wore according to the fashion; and a sharp-pointed imperial covered his
chin. His cheeks, however, were shaven, Olive color velveteen trousers, a
blue blouse, bronzed by the forge smoke, a black cravat, tied carelessly
round his muscular neck, a cloth cap with a narrow vizor, composed his
dress. The only thing which contrasted singularly with his working
habiliments was a handsome purple flower, with silvery pistils, which he
held in his hand.

"Good-evening, mother," said he, as he came to kiss Frances immediately.

Then, with a friendly nod, he added, "Good-evening, Mother Bunch."

"You are very late, my child," said Frances, approaching the little stove
on which her son's simple meal was simmering; "I was getting very
anxious."

"Anxious about me, or about my supper, dear mother?" said Agricola,
gayly. "The deuce! you won't excuse me for keeping the nice little supper
waiting that you get ready for me, for fear it should be spoilt, eh?"

So saying, the blacksmith tried to kiss his mother again.

"Have done, you naughty boy; you'll make me upset the pan."

"That would be a pity, mother; for it smells delightfully. Let's see what
it is."

"Wait half a moment."

"I'll swear, now, you have some of the fried potatoes and bacon I'm so
fond of."

"Being Saturday, of course!" said Frances, in a tone of mild reproach.

"True," rejoined Agricola, exchanging a smile of innocent cunning with
Mother Bunch; "but, talking of Saturday, mother, here are my wages."

"Thank ye, child; put the money in the cupboard."

"Yes, mother!"

"Oh, dear!" cried the young sempstress, just as Agricola was about to put
away the money, "what a handsome flower you have in your hand, Agricola.
I never saw a finer. In winter, too! Do look at it, Mrs. Baudoin."

"See there, mother," said Agricola, taking the flower to her; "look at
it, admire it, and especially smell it. You can't have a sweeter perfume;
a blending of vanilla and orange blossom."

"Indeed, it does smell nice, child. Goodness! how handsome!" said
Frances, admiringly; "where did you find it?"

"Find it, my good mother!" repeated Agricola, smilingly: "do you think
folks pick up such things between the Barriere du Maine and the Rue
Brise-Miche?"

"How did you get it then?" inquired the sewing girl, sharing in Frances's
curiosity.

"Oh! you would like to know? Well, I'll satisfy you, and explain why I
came home so late; for something else detained me. It has been an evening
of adventures, I promise you. I was hurrying home, when I heard a low,
gentle barking at the corner of the Rue de Babylone; it was just about
dusk, and I could see a very pretty little dog, scarce bigger than my
fist, black and tan, with long, silky hair, and ears that covered its
paws."

"Lost, poor thing, I warrant," said Frances.

"You've hit it. I took up the poor thing, and it began to lick my hands.
Round its neck was a red satin ribbon, tied in a large bow; but as that
did not bear the master's name, I looked beneath it, and saw a small
collar, made of a gold plate and small gold chains. So I took a Lucifer
match from my 'bacco-box, and striking a light, I read, 'FRISKY belongs
to Hon. Miss Adrienne de Cardoville, No. 7, Rue de Babylone.'"

"Why, you were just in the street," said Mother Bunch.

"Just so. Taking the little animal under my arm, I looked about me till I
came to a long garden wall, which seemed to have no end, and found a
small door of a summer-house, belonging no doubt to the large mansion at
the other end of the park; for this garden looked just like a park. So,
looking up I saw 'No. 7,' newly painted over a little door with a grated
slide. I rang; and in a few minutes, spent, no doubt, in observing me
through the bars (for I am sure I saw a pair of eyes peeping through),
the gate opened. And now, you'll not believe a word I have to say."

"Why not, my child?"

"Because it seems like a fairy tale."

"A fairy tale?" said Mother Bunch, as if she was really her namesake of
elfish history.

"For, all the world it does. I am quite astounded, even now, at my
adventure; it is like the remembrance of a dream."

"Well, let us have it," said the worthy mother, so deeply interested that
she did not perceive her son's supper was beginning to burn.

"First," said the blacksmith, smiling at the curiosity he had excited, "a
young lady opened the door to me, but so lovely, so beautifully and
gracefully dressed, that you would have taken her for a beautiful
portrait of past times. Before I could say a word, she exclaimed, 'Ah!
dear me, sir, you have brought back Frisky; how happy Miss Adrienne will
be! Come, pray come in instantly; she would so regret not having an
opportunity to thank you in person!' And without giving me time to reply,
she beckoned me to follow her. Oh, dear mother, it is quite out of my
power to tell you, the magnificence I saw, as I passed through a small
saloon, partially lighted, and full of perfume! It would be impossible.
The young woman walked too quickly. A door opened,--Oh, such a sight! I
was so dazzled I can remember nothing but a great glare of gold and
light, crystal and flowers; and, amidst all this brilliancy, a young lady
of extreme beauty--ideal beauty; but she had red hair, or rather hair
shining like gold! Oh! it was charming to look at! I never saw such hair
before. She had black eyes, ruddy lips, and her skin seemed white as
snow. This is all I can recollect: for, as I said before, I was so
dazzled, I seemed to be looking through a veil. 'Madame,' said the young
woman, whom I never should have taken for a lady's-maid, she was dressed
so elegantly, 'here is Frisky. This gentleman found him, and brought him
back.' 'Oh, sir,' said the young lady with the golden hair, in a sweet
silvery voice, 'what thanks I owe you! I am foolishly attached to
Frisky.' Then, no doubt, concluding from my dress that she ought to thank
me in some other way than by words, she took up a silk purse, and said to
me, though I must confess with some hesitation--'No doubt, sir, it gave
you some trouble to bring my pet back. You have, perhaps, lost some
valuable time--allow me--' She held forth her purse."

"Oh, Agricola," said Mother Bunch, sadly; "how people may be deceived!"

"Hear the end, and you will perhaps forgive the young lady. Seeing by my
looks that the offer of the purse hurt me, she took a magnificent
porcelain vase that contained this flower, and, addressing me in a tone
full of grace and kindness, that left me room to guess that she was vexed
at having wounded me, she said--'At least, sir, you will accept this
flower.'"

"You are right, Agricola," said the girl, smiling sadly; "an involuntary
error could not be repaired in a nicer way.

"Worthy young lady," said Frances, wiping her eyes; "how well she
understood my Agricola!"

"Did she not, mother? But just as I was taking the flower, without daring
to raise my eyes (for, notwithstanding the young lady's kind manner,
there was something very imposing about her) another handsome girl, tall
and dark, and dressed to the top of fashion, came in and said to the
red-haired young lady, 'He is here, Madame.' She immediately rose and
said to me, 'A thousand pardons, sir. I shall never forget that I am
indebted to you for a moment of much pleasure. Pray remember, on all
occasions, my address and name--Adrienne de Cardoville.' Thereupon she
disappeared. I could not find a word to say in reply. The same young
woman showed me to the door, and curtseyed to me very politely. And there
I stood in the Rue de Babylone, as dazzled and astonished as if I had
come out of an enchanted palace."

"Indeed, my child, it is like a fairy tale. Is it not, my poor girl?"

"Yes, ma'am," said Mother Bunch, in an absent manner that Agricola did
not observe.

"What affected me most," rejoined Agricola, "was, that the young lady, on
seeing her little dog, did not forget me for it, as many would have done
in her place, and took no notice of it before me. That shows delicacy and
feeling, does it not? Indeed, I believe this young lady to be so kind and
generous, that I should not hesitate to have recourse to her in any
important case."

"Yes, you are right," replied the sempstress, more and more absent.

The poor girl suffered extremely. She felt no jealousy, no hatred,
towards this young stranger, who, from her beauty, wealth, and delicacy,
seemed to belong to a sphere too splendid and elevated to be even within
the reach of a work, girl's vision; but, making an involuntary comparison
of this fortunate condition with her own, the poor thing had never felt
more cruelly her deformity and poverty. Yet such were the humility and
gentle resignation of this noble creature, that the only thing which made
her feel ill-disposed towards Adrienne de Cardoville was the offer of the
purse to Agricola; but then the charming way in which the young lady had
atoned for her error, affected the sempstress deeply. Yet her heart was
ready to break. She could not restrain her tears as she contemplated the
magnificent flower--so rich in color and perfume, which, given by a
charming hand, was doubtless very precious to Agricola.

"Now, mother," resumed the young man smilingly, and unaware of the
painful emotion of the other bystander, "you have had the cream of my
adventures first. I have told you one of the causes of my delay; and now
for the other. Just now, as I was coming in, I met the dyer at the foot
of the stairs, his arms a beautiful pea-green. Stopping me he said, with
an air full of importance, that he thought he had seen a chap sneaking
about the house like a spy, 'Well, what is that to you, Daddy Loriot?'
said I: 'are you afraid he will nose out the way to make the beautiful
green, with which you are dyed up to the very elbows?'"

"But who could that man be, Agricola?" said Frances.

"On my word, mother, I don't know and scarcely care; I tried to persuade
Daddy Loriot, who chatters like a magpie, to return to his cellar, since
it could signify as little to him as to me, whether a spy watched him or
not." So saying, Agricola went and placed the little leathern sack,
containing his wages, on a shelf, in the cupboard.

As Frances put down the saucepan on the end of the table, Mother Bunch,
recovering from her reverie, filled a basin with water, and, taking it to
the blacksmith, said to him in a gentle tone-"Agricola--for your hands."

"Thank you, little sister. How kind you are!" Then with a most unaffected
gesture and tone, he added, "There is my fine flower for your trouble."

"Do you give it me?" cried the sempstress, with emotion, while a vivid
blush colored her pale and interesting face. "Do you give me this
handsome flower, which a lovely rich young lady so kindly and graciously
gave you?" And the poor thing repeated, with growing astonishment, "Do
you give it to me?"

"What the deuce should I do with it? Wear it on my heart, have it set as
a pin?" said Agricola, smiling. "It is true I was very much impressed by
the charming way in which the young lady thanked me. I am delighted to
think I found her little dog, and very happy to be able to give you this
flower, since it pleases you. You see the day has been a happy one."

While Mother Bunch, trembling with pleasure, emotion, and surprise, took
the flower, the young blacksmith washed his hands, so black with smoke
and steel filings that the water became dark in an instant. Agricola,
pointing out this change to the sempstress, said to her in a whisper,
laughing,-"Here's cheap ink for us paper-stainers! I finished some verses
yesterday, which I am rather satisfied with. I will read them to you."

With this, Agricola wiped his hands naturally on the front of his blouse,
while Mother Bunch replaced the basin on the chest of drawers, and laid
the flower against the side of it.

"Can't you ask for a towel," said Frances, shrugging her shoulders,
"instead of wiping your hands on your blouse?"

"After being scorched all day long at the forge, it will be all the
better for a little cooling to-night, won't it? Am I disobedient, mother?
Scold me, then, if you dare! Come, let us see you."

Frances made no reply; but, placing her hands on either side of her son's
head, so beautiful in its candor, resolution and intelligence, she
surveyed him for a moment with maternal pride, and kissed him repeatedly
on the forehead.

"Come," said she, "sit down: you stand all day at your forge, and it is
late."

"So,--your arm-chair again!" said Agricola.--"Our usual quarrel every
evening--take it away, I shall be quite as much at ease on another."

"No, no! You ought at least to rest after your hard toil."

"What tyranny!" said Agricola gayly, sitting down. "Well, I preach like a
good apostle; but I am quite at ease in your arm-chair, after all. Since
I sat down on the throne in the Tuileries, I have never had a better
seat."

Frances Baudoin, standing on one side of the table, cut a slice of bread
for her son, while Mother Bunch, on the other, filled his silver mug.
There was something affecting in the attentive eagerness of the two
excellent creatures, for him whom they loved so tenderly.

"Won't you sup with me?" said Agricola to the girl.

"Thank you, Agricola," replied the sempstress, looking down, "I have only
just dined."

"Oh, I only ask you for form's sake--you have your whims--we can never
prevail on you to eat with us--just like mother; she prefers dining all
alone; and in that way she deprives herself without my knowing it."

"Goodness, child! It is better for my health to dine early. Well, do you
find it nice?"

"Nice!--call it excellent! Stockfish and parsnips. Oh, I am very fond of
stockfish; I should have been born a Newfoundland fisherman."

This worthy lad, on the contrary, was but poorly refreshed, after a hard
day's toil, with this paltry stew,--a little burnt as it had been, too,
during his story; but he knew he pleased his mother by observing the fast
without complaining. He affected to enjoy his meal; and the good woman
accordingly observed with satisfaction:

"Oh, I see you like it, my dear boy; Friday and Saturday next we'll have
some more."

"Thank you, mother,--only not two days together. One gets tired of
luxuries, you know! And now, let us talk of what we shall do
to-morrow--Sunday. We must be very merry, for the last few days you seem
very sad, dear mother, and I can't make it out--I fancy you are not
satisfied with me."

"Oh, my dear child!--you--the pattern of--"

"Well, well! Prove to me that you are happy, then, by taking a little
amusement. Perhaps you will do us the honor of accompanying us, as you
did last time," added Agricola, bowing to Mother Bunch.

The latter blushed and looked down; her face assumed an expression of
bitter grief, and she made no reply.

"I have the prayers to attend all day, you know, my dear child," said
Frances to her son.

"Well, in the evening, then? I don't propose the theatre; but they say
there is a conjurer to be seen whose tricks are very amusing.

"I am obliged to you, my son; but that is a kind of theatre."

"Dear mother, this is unreasonable!"

"My dear child, do I ever hinder others from doing what they like?"

"True, dear mother; forgive me. Well, then, if it should be fine, we will
simply take a walk with Mother Bunch on the Boulevards. It is nearly
three months since she went out with us; and she never goes out without
us."

"No, no; go alone, my child. Enjoy your Sunday, 'tis little enough."

"You know very well, Agricola," said the sempstress, blushing up to the
eyes, "that I ought not to go out with you and your mother again."