The Wandering Jew, Complete

E >> Eugene Sue >> The Wandering Jew, Complete


"And this woman, the only one upon earth who, like me, sees the end of
every century, and exclaims: 'What another?' this woman responds to my
thought, from the furthest extremity of the world. She, who alone shares
my terrible destiny, has chosen to share also the only interest that has
consoled me for so many ages. Those descendants of my dear sister, she
too loves, she too protects them. For them she journeys likewise from
East to West and from North to South.

"But alas! the invisible hand impels her, the whirlwind carries her away,
and the voice speaks in her ear: 'Go on!'--'Oh that I might finish my
sentence!' repeats she also,--'Go on!'--'A single hour--only a single hour
of repose!'--Go on!'--'I leave those I love on the brink of the
abyss.'--'Go on! Go on!--'"

Whilst this man thus went over the hill absorbed in his thoughts, the
light evening breeze increased almost to a gale, a vivid flash streamed
across the sky, and long, deep whistlings announced the coming of a
tempest.

On a sudden this doomed man, who could no longer weep or smile, started
with a shudder. No physical pain could reach him, and yet he pressed his
hand hastily to his heart, as though he had experienced a cruel pang.
"Oh!" cried he; "I feel it. This hour, many of those whom I love--the
descendants of my dear sister--suffer, and are in great peril. Some in
the centre of India--some in America--some here in Germany. The struggle
recommences, the detestable passions are again awake. Oh, thou that
hearest me--thou, like myself wandering and accursed--Herodias! help me
to protect them! May my invocation reach thee, in those American
solitudes where thou now lingerest--and may we arrive in time!"

Thereon an extraordinary event happened. Night was come. The man made a
movement; precipitately, to retrace his steps--but an invisible force
prevented him, and carried him forward in the opposite direction.

At this moment, the storm burst forth in its murky majesty. One of those
whirlwinds, which tear up trees by the roots and shake the foundations of
the rocks, rushed over the hill rapid and loud as thunder.

In the midst of the roaring of the hurricane, by the glare of the fiery
flashes, the man with the black mark on his brow was seen descending the
hill, stalking with huge strides among the rocks, and between trees bent
beneath the efforts of the storm.

The tread of this man was no longer slow, firm, and steady--but painfully
irregular, like that of one impelled by an irresistible power, or carried
along by the whirl of a frightful wind. In vain he extended his
supplicating hands to heaven. Soon he disappeared in the shades of night,
and amid the roar of the tempest.

[2] It is known that, according to the legend, the Wandering Jew was a
shoemaker at Jerusalem. The Saviour, carrying his cross, passed before
the house of the artisan, and asked him to be allowed to rest an instant
on the stone bench at his door. "Go on! go on!" said the Jew harshly,
pushing him away. "Thou shalt go on till the end of time," answered the
Saviour, in a stern though sorrowful tone. For further details, see the
eloquent and learned notice by Charles Magnin, appended to the
magnificent poem "Ahasuerus," by Ed. Quinet.--E. S.

[3] According to a legend very little known, for we are indebted to the
kindness of M. Maury, the learned sub-librarian of the Institute,
Herodias was condemned to wander till the day of judgement, for having
asked for the death of John the Baptist--E. S.




CHAPTER XVII

THE AJOUPA.

While Rodin despatched his cosmopolite correspondence, from his retreat
in the Rue du Milieu des Ursins, in Paris--while the daughters of General
Simon, after quitting as fugitives the White Falcon, were detained
prisoners at Leipsic along with Dagobert--other scenes, deeply
interesting to these different personages, were passing, almost as it
were at the same moment, at the other extremity of the world, in the
furthermost parts of Asia--that is to say, in the island of Java, not far
from the city of Batavia, the residence of M. Joshua Van Dael, one of the
correspondents of Rodin.

Java! magnificent and fatal country, where the most admirable flowers
conceal hideous reptiles, where the brightest fruits contain subtle
poisons, where grow splendid trees, whose very shadow is death--where the
gigantic vampire bat sucks the blood of its victims whilst it prolongs
their sleep, by surrounding them with a fresh and balmy air, no fan
moving so rapidly as the great perfumed wings of this monster!

The month of October, 1831, draws near its close. It is noon--an hour
well nigh mortal to him who encounters the fiery heat of the sun, which
spreads a sheet of dazzling light over the deep blue enamel of the sky.

An ajoupa, or hut, made of cane mats, suspended from long bamboos, which
are driven far into the ground, rises in the midst of the bluish shadows
cast by a tuft of trees, whose glittering verdure resembles green
porcelain. These quaintly formed trees, rounded into arches, pointing
like spires, overspreading like parasols, are so thick in foliage, so
entangled one with the other, that their dome is impenetrable to the
rain.

The soil, ever marshy, notwithstanding the insupportable heat, disappears
beneath an inextricable mass of creepers, ferns, and tufted reeds, of a
freshness and vigor of vegetation almost incredible, reaching nearly to
the top of the ajoupa, which lies hid like a nest among the grass.

Nothing can be more suffocating than the atmosphere, heavily laden with
moist exhalations like the steam of hot water, and impregnated with the
strongest and sharpest scents; for the cinnamon-tree, ginger-plant,
stephanotis and Cape jasmine, mixed with these trees and creepers, spread
around in puffs their penetrating odors. A roof, formed of large Indian
fig-leaves, covers the cabin; at one end is a square opening, which
serves for a window, shut in with a fine lattice-work of vegetable
fibres, so as to prevent the reptiles and venomous insects from creeping
into the ajoupa. The huge trunk of a dead tree, still standing, but much
bent, and with its summit reaching to the roof of the ajoupa, rises from
the midst of the brushwood. From every crevice in its black, rugged,
mossy bark, springs a strange, almost fantastic flower; the wing of a
butterfly is not of a finer tissue, of a more brilliant purple, of a more
glossy black: those unknown birds we see in our dreams, have no more
grotesque forms than these specimens of the orchis--winged flowers, that
seem always ready to fly from their frail and leafless stalks. The long,
flexible stems of the cactus, which might be taken for reptiles, encircle
also this trunk, and clothe it with their bunches of silvery white,
shaded inside with bright orange. These flowers emit a strong scent of
vanilla.

A serpent, of a brick-red, about the thickness of a large quill, and five
or six inches long, half protrudes its flat head from one of those
enormous, perfumed calyces, in which it lies closely curled up.

Within the ajoupa, a young man is extended on a mat in a profound sleep.
His complexion of a clear golden yellow, gives him the appearance of a
statue of pale bronze, on which a ray of sun is playing. His attitude is
simple and graceful; his right arm sustains his head, a little raised and
turned on one side; his ample robe of white muslin, with hanging sleeves,
leaves uncovered his chest and arms worthy of the Antoinous. Marble is
not more firm, more polished than his skin, the golden hue of which
contracts strongly with the whiteness of his garments. Upon his broad
manly chest a deep scar is visible--the mark of the musket-ball he
received in defending the life of General Simon, the father of Rose and
Blanche.

Suspended from his neck, he wears a medal similar to that in the
possession of the two sisters. This Indian is Djalma.

His features are at once very noble and very beautiful. His hair of a
blue black, parted upon his forehead, falls waving, but not curled over
his shoulders; whilst his eyebrows, boldly and yet delicately defined,
are of as deep a jet as the long eyelashes, that cast their shadow upon
his beardless cheek. His bright, red lips are slightly apart, and he
breathes uneasily; his sleep is heavy and troubled, for the heat becomes
every moment more and more suffocating.

Without, the silence is profound. Not a breath of air is stirring. Yet
now the tall ferns, which cover the soil, begin to move almost
imperceptibly, as though their stems were shaken by the slow progress of
some crawling body. From time to time, this trifling oscillation suddenly
ceases, and all is again motionless. But, after several of these
alternations of rustling and deep silence, a human head appears in the
midst of the jungle, a little distance from the trunk of the dead tree.

The man to whom it belonged was possessed of a grim countenance, with a
complexion the color of greenish bronze, long black hair bound about his
temples, eyes brilliant with savage fire, and an expression remarkable
for its intelligence and ferocity. Holding his breath, he remained quite
still for a moment; then, advancing upon his hands and knees, pushing
aside the leaves so gently, that not the slightest noise could be heard,
he arrived cautiously and slowly at the trunk of the dead tree, the
summit of which nearly touched the roof of the ajoupa.

This man, of Malay origin, belonging to the sect of the Lughardars
(Stranglers), after having again listened, rose almost entirely from
amongst the brushwood. With the exception of white cotton drawers,
fastened around his middle by a parti-colored sash, he was completely
naked. His bronze, supple, and nervous limbs were overlaid with a thick
coat of oil. Stretching himself along the huge trunk on the side furthest
from the cabin, and thus sheltered by the whole breadth of the tree with
its surrounding creepers, he began to climb silently, with as much
patience as caution. In the undulations of his form, in the flexibility
of his movements, in the restrained vigor, which fully put forth would
have been alarming, there was some resemblance to the stealthy and
treacherous advance of the tiger upon its prey.

Having reached, completely unperceived, the inclined portion of the tree,
which almost touched the roof of the cabin, he was only separated from
the window by a distance of about a foot. Cautiously advancing his head,
he looked down into the interior, to see how he might best find an
entrance.

At sight of Djalma in his deep sleep, the Thug's bright eyes glittered
with increased brilliancy; a nervous contraction, or rather a mute,
ferocious laugh, curling the corners of his mouth, drew them up towards
the cheekbones, and exposed rows of teeth, filed sharp like the points of
a saw, and dyed of a shining black.

Djalma was lying in such a manner and so near the door of the ajoupa,
which opened inwards, that, were it moved in the least, he must be
instantly awakened. The Strangler, with his body still sheltered by the
tree, wishing to examine more attentively the interior of the cabin,
leaned very forward, and in order to maintain his balance, lightly rested
his hand on the ledge of the opening that served for a window. This
movement shook the large cactus-flowers, within which the little serpent
lay curled, and, darting forth it twisted itself rapidly round the wrist
of the Strangler. Whether from pain or surprise, the man uttered a low
cry; and as he drew back swiftly, still holding by the trunk of the tree,
he perceived that Djalma had moved.

The young Indian, though retaining his supine posture, had half opened
his eyes, and turned his head towards the window, whilst his breast
heaved with a deep-drawn sigh, for, beneath that thick dome of moist
verdure, the concentrated heat was intolerable.

Hardly had he moved, when, from behind the tree, was heard the shrill,
brief, sonorous note, which the bird of paradise titters when it takes
its flight--a cry which resembles that of the pheasant. This note was
soon repeated, but more faintly, as though the brilliant bird were
already at a distance. Djalma, thinking he had discovered the cause of
the noise which had aroused him for an instant, stretched out the arm
upon which his head had rested, and went to sleep again, with scarcely
any change of position.

For some minutes, the most profound silence once more reigned in this
solitude, and everything remained motionless.

The Strangler, by his skillful imitation of the bird, had repaired the
imprudence of that exclamation of surprise and pain, which the reptile
bite had forced from him. When he thought all was safe, he again advanced
his head, and saw the young Indian once more plunged in sleep. Then he
descended the tree with the same precautions, though his left hand was
somewhat swollen from the sting of the serpent, and disappeared in the
jungle.

At that instant a song of monotonous and melancholy cadence was heard in
the distance. The Strangler raised himself, and listened attentively, and
his face took an expression of surprise and deadly anger. The song came
nearer and nearer to the cabin, and, in a few seconds, an Indian, passing
through an open space in the jungle, approached the spot where the Thug
lay concealed.

The latter unwound from his waist a long thin cord, to one of the ends of
which was attached a leaden ball, of the form and size of an egg; having
fastened the other end of this cord to his right wrist, the Strangler
again listened, and then disappeared, crawling through the tall grass in
the direction of the Indian, who still advanced slowly, without
interrupting his soft and plaintive song.

He was a young fellow scarcely twenty, with a bronzed complexion, the
slave of Djalma, his vest of blue cotton was confined at the waist by a
parti-colored sash; he wore a red turban, and silver rings in his ears
and about his wrists. He was bringing a message to his master, who,
during the great heat of the day was reposing in the ajoupa, which stood
at some distance from the house he inhabited.

Arriving at a place where two paths separated, the slave, without
hesitation took that which led to the cabin, from which he was now scarce
forty paces distant.

One of those enormous Java butterflies, whose wings extend six or eight
inches in length, and offer to the eye two streaks of gold on a ground of
ultramarine, fluttering from leaf to leaf, alighted on a bush of Cape
jasmine, within the reach of the young Indian. The slave stopped in his
song, stood still, advanced first a foot, then a hand, and seized the
butterfly.

Suddenly he sees a dark figure rise before him; he hears a whizzing noise
like that of a sling; he feels a cord, thrown with as much rapidity as
force, encircle his neck with a triple band; and, almost in the same
instant, the leaden ball strikes violently against the back of his head.

This attack was so abrupt and unforseen, that Djalma's servant could not
even utter a single cry, a single groan. He tottered--the Strangler gave
a vigorous pull at the cord--the bronzed countenance of the slave became
purple, and he fell upon his knees, convulsively moving his arms. Then
the Strangler threw him quite down, and pulled the cord so violently,
that the blood spurted from the skin. The victim struggled for a
moment--and all was over.

During his short but intense agony, the murderer, kneeling before his
victim, and watching with ardent eye his least convulsions, seemed
plunged into an ecstasy of ferocious joy. His nostrils dilated, the veins
of his neck and temples were swollen, and the same savage laugh, which
had curled his lips at the aspect of the sleeping Djalma, again displayed
his pointed black teeth, which a nervous trembling of the jaws made to
chatter. But soon he crossed his arms upon his heaving breast, bowed his
forehead, and murmured some mysterious words, which sounded like an
invocation or a prayer. Immediately after, he returned to the
contemplation of the dead body. The hyena and the tiger-cat, who, before
devouring, crouch beside the prey that they have surprised or hunted
down, have not a wilder or more sanguinary look than this man.

But, remembering that his task was not yet accomplished tearing himself
unwillingly from the hideous spectacle, he unbound the cord from the neck
of his victim, fastened it round his own body, dragged the corpse out of
the path, and, without attempting to rob it of its silver rings,
concealed it in a thick part of the jungle.

Then the Strangler again began to creep on his knees and belly, till he
arrived at the cabin of Djalma--that cabin constructed of mats suspended
from bamboos. After listening attentively, he drew from his girdle a
knife, the sharp-pointed blade of which was wrapped in a fig-leaf, and
made in the matting an incision of three feet in length. This was done
with such quickness, and with so fine a blade, that the light touch of
the diamond cutting glass would have made more noise. Seeing, by means of
this opening, which was to serve him for a passage, that Djalma was still
fast asleep, the Thug, with incredible temerity, glided into the cabin.




CHAPTER XVIII.

THE TATTOOING

The heavens, which had been till now of transparent blue, became
gradually of a greenish tint, and the sun was veiled in red, lurid vapor.
This strange light gave to every object a weird appearance, of which one
might form an idea, by looking at a landscape through a piece of copper
colored glass. In those climates, this phenomenon, when united with an
increase of burning heat, always announces the approach of a storm.

From time to time there was a passing odor of sulphur; then the leaves,
slightly shaken by electric currents, would tremble upon their stalks;
till again all would return to the former motionless silence. The weight
of the burning atmosphere, saturated with sharp perfumes, became almost
intolerable. Large drops of sweat stood in pearls on the forehead of
Djalma, still plunged in enervating sleep--for it no longer resembled
rest, but a painful stupor.

The Strangler glided like a reptile along the sides of the ajoupa, and,
crawling on his belly, arrived at the sleeping-mat of Djalma, beside
which he squatted himself, so as to occupy as little space as possible.
Then began a fearful scene, by reason of the mystery and silence which
surrounded it.

Djalma's life was at the mercy of the Strangler. The latter, resting upon
his hands and knees, with his neck stretched forward, his eye fixed and
dilated, continued motionless as a wild beast about to spring. Only a
slight nervous trembling of the jaws agitated that mask of bronze.

But soon his hideous features revealed a violent struggle that was
passing within him--a struggle between the thirst, the craving for the
enjoyment of murder, which the recent assassination of the slave had made
still more active, and the orders he had received not to attempt the life
of Djalma, though the design, which brought him to the ajoupa, might
perhaps be as fatal to the young Indian as death itself. Twice did the
Strangler, with look of flame, resting only on his left hand, seize with
his right the rope's end; and twice his hand fell--the instinct of murder
yielding to a powerful will, of which the Malay acknowledged the
irresistible empire.

In him, the homicidal craving must have amounted to madness, for, in
these hesitations, he lost much precious time: at any moment, Djalma,
whose vigor, skill, and courage were known and feared, might awake from
his sleep, and, though unarmed, he would prove a terrible adversary. At
length the Thug made up his mind; with a suppressed sigh of regret, he
set about accomplishing his task.

This task would have appeared impossible to any one else. The reader may
judge.

Djalma, with his face turned towards the left, leaned his head upon his
curved arm. It was first necessary, without waking him, to oblige him to
turn his face towards the right (that is, towards the door), so that, in
case of his being half-roused, his first glance might not fall upon the
Strangler. The latter, to accomplish his projects, would have to remain
many minutes in the cabin.

The heavens became darker; the heat arrived at its last degree of
intensity; everything combined to increase the torpor of the sleeper, and
so favor the Strangler's designs. Kneeling down close to Djalma, he
began, with the tips of his supple, well-oiled fingers, to stroke the
brow, temples, and eyelids of the young Indian, but with such extreme
lightness, that the contact of the two skins was hardly sensible. When
this kind of magnetic incantation had lasted for some seconds, the sweat,
which bathed the forehead of Djalma, became more abundant: he heaved a
smothered sigh, and the muscles of his face gave several twitches, for
the strokings, although too light to rouse him, yet caused in him a
feeling of indefinable uneasiness.

Watching him with his restless and burning eye, the Strangler continued
his maneuvers with so much patience, that Djalma, still sleeping, but no
longer able to bear this vague, annoying sensation, raised his right hand
mechanically to his face, as if he would have brushed away an importunate
insect. But he had not strength to do it; almost immediately after, his
hand, inert and heavy, fell back upon his chest. The Strangler saw, by
this symptom, that he was attaining his object, and continued to stroke,
with the same address, the eyelids, brow, and temples.

Whereupon Djalma, more and more oppressed by heavy sleep, and having
neither strength nor will to raise his hand to his face, mechanically
turned round his head, which fell languidly upon his right shoulder,
seeking by this change of attitude, to escape from the disagreeable
sensation which pursued him. The first point gained, the Strangler could
act more freely.

To render as profound as possible the sleep he had half interrupted, he
now strove to imitate the vampire, and, feigning the action of a fan, he
rapidly moved his extended hands about the burning face of the young
Indian. Alive to a feeling of such sudden and delicious coolness, in the
height of suffocating heat, the countenance of Djalma brightened, his
bosom heaved, his half-opened lips drank in the grateful air, and he fell
into a sleep only the more invincible, because it had been at first
disturbed, and was now yielded to under the influence of a pleasing
sensation.

A sudden flash of lightning illumined the shady dome that sheltered the
ajoupa: fearing that the first clap of thunder might rouse the young
Indian, the Strangler hastened to complete his Task. Djalma lay on his
back, with his head resting on his right shoulder, and his left arm
extended; the Thug, crouching at his left side, ceased by degrees the
process of fanning; then, with incredible dexterity, he succeeded in
rolling up, above the elbow, the long wide sleeve of white muslin that
covered the left arm of the sleeper.

He next drew from the pocket of his drawers a copper box, from which he
took a very fine, sharp-pointed needle, and a piece of a black-looking
root. He pricked this root several times with the needle, and on each
occasion there issued from it a white, glutinous liquid.

When the Strangler thought the needle sufficiently impregnated with this
juice, he bent down, and began to blow gently over the inner surface of
Djalma's arm, so as to cause a fresh sensation of coolness; then, with
the point of his needle, he traced almost imperceptibly on the skin of
the sleeping youth some mysterious and symbolical signs. All this was
performed so cleverly and the point of the needle was so fine and keen,
that Djalma did not feel the action of the acid upon the skin.

The signs, which the Strangler had traced, soon appeared on the surface,
at first in characters of a pale rose-color, as fine as a hair; but such
was the slowly corrosive power of the juice, that, as it worked and
spread beneath the skin, they would become in a few hours of a violet
red, and as apparent as they were now almost invisible.

The Strangler, having so perfectly succeeded in his project, threw a last
look of ferocious longing on the slumbering Indian, and creeping away
from the mat, regained the opening by which he had entered the cabin;
next, closely uniting the edges of the incision, so as to obviate all
suspicion, he disappeared just as the thunder began to rumble hoarsely in
the distance.[4]

[4] We read in the letters of the late Victor Jacquemont upon India, with
regard to the incredible dexterity of these men: "They crawl on the
ground, ditches, in the furrows of fields, imitate a hundred different
voices, and dissipate the effect of any accidental noise by raising the
yelp of the jackal or note of some bird--then are silent, and another
imitates the call of the same animal in the distance. They can molest a
sleeper by all sorts of noises and slight touches, and make his body and
limbs take any position which suits their purpose." Count Edward de
Warren, in his excellent work on English India, which we shall have again
occasion to quote, expresses himself in the same manner as to the
inconceivable address of the Indians: "They have the art," says he, "to
rob you, without interrupting your sleep, of the very sheet in which you
are enveloped. This is not 'a traveller's tale.' but a fact. The
movements of the bheel are those of the serpent. If you sleep in your
tent, with a servant lying across each entrance, the bheel will come and
crouch on the outside, in some shady corner, where he can hear the
breathing of those within. As soon as the European sleeps, he feels sure
of success, for the Asiatic will not long resist the attraction of
repose. At the proper moment, he makes a vertical incision in the cloth
of the tent, on the spot where he happens to be, and just large enough to
admit him. He glides through like a phantom, without making the least
grain of sand creak beneath his tread. He is perfectly naked, and all his
body is rubbed over with oil; a two-edged knife is suspended from his
neck. He will squat down close to your couch, and, with incredible
coolness and dexterity, will gather up the sheet in very little folds, so
as to occupy the least surface possible; then, passing to the other side,
he will lightly tickle the sleeper, whom he seems to magnetize, till the
latter shrinks back involuntarily, and ends by turning round, and leaving
the sheet folded behind him. Should he awake, and strive to seize the
robber, he catches at a slippery form, which slides through his hands
like an eel; should he even succeed in seizing him, it would be
fatal--the dagger strikes him to the heart, he falls bathed in his blood,
and the assassin disappears."--E. S.