Their Pilgrimage

C >> Charles Dudley Warner >> Their Pilgrimage


"It is such an unsympathetic, tasteless-looking thing!" said Miss Lamont.

"Do you think it is the worst in the country?"

"I wouldn't like to say that," replied the artist, "when the competition
in this direction is so lively. But just look at the drawing" (holding
up his pencil with which he had intended to sketch it). "If it were
quaint, now, or rude, or archaic, it might be in keeping, but bad drawing
is just vulgar. I should think it had been designed by a carpenter, and
executed by a stone-mason."

"Yes," said the little Lamont, who always fell in with the most
abominable opinions the artist expressed; "it ought to have been made of
wood, and painted and sanded."

"You will please remember," mildly suggested King, who had found the name
he was in search of, "that you are trampling on my ancestral
sensibilities, as might be expected of those who have no ancestors who
ever landed or ever were buried anywhere in particular. I look at the
commemorative spirit rather than the execution of the monument."

"So do I," retorted the girl; "and if the Pilgrims landed in such a
vulgar, ostentatious spirit as this, I'm glad my name is not on the
tablet."

The party were in a better mood when they had climbed up Burial Hill,
back of the meeting-house, and sat down on one of the convenient benches
amid the ancient gravestones, and looked upon the wide and magnificent
prospect. A soft summer wind waved a little the long gray grass of the
ancient resting-place, and seemed to whisper peace to the weary
generation that lay there. What struggles, what heroisms, the names on
the stones recalled! Here had stood the first fort of 1620, and here the
watchtower of 1642, from the top of which the warder espied the lurking
savage, or hailed the expected ship from England. How much of history
this view recalled, and what pathos of human life these graves made real.
Read the names of those buried a couple of centuries ago--captains,
elders, ministers, governors, wives well beloved, children a span long,
maidens in the blush of womanhood--half the tender inscriptions are
illegible; the stones are broken, sunk, slanting to fall. What a pitiful
attempt to keep the world mindful of the departed!




VI

MANCHESTER-BY-THE-SEA, ISLES OF SHOALS

Mr. Stanhope King was not in very good spirits. Even Boston did not make
him cheerful. He was half annoyed to see the artist and Miss Lamont
drifting along in such laughing good-humor with the world, as if a summer
holiday was just a holiday without any consequences or responsibilities.
It was to him a serious affair ever since that unsatisfactory note from
Miss Benson; somehow the summer had lost its sparkle. And yet was it not
preposterous that a girl, just a single girl, should have the power to
change for a man the aspect of a whole coast-by her presence to make it
iridescent with beauty, and by her absence to take all the life out of
it? And a simple girl from Ohio! She was not by any means the prettiest
girl in the Newport Casino that morning, but it was her figure that he
remembered, and it was the look of hurt sensibility in her eyes that
stayed with him. He resented the attitude of the Casino towards her, and
he hated himself for his share in it. He would write to her..... He
composed letter after letter in his mind, which he did not put on paper.
How many millions of letters are composed in this way! It is a favorite
occupation of imaginative people; and as they say that no thoughts or
mental impressions are ever lost, but are all registered--made, as it
were, on a "dry-plate," to be developed hereafter--what a vast
correspondence must be lying in the next world, in the Dead-letter Office
there, waiting for the persons to whom it is addressed, who will all
receive it and read it some day! How unpleasant and absurd it will be to
read, much of it! I intend to be careful, for my part, about composing
letters of this sort hereafter. Irene, I dare say, will find a great
many of them from Mr. King, thought out in those days. But he mailed
none of them to her. What should he say? Should he tell her that he
didn't mind if her parents were what Mrs. Bartlett Glow called
"impossible"? If he attempted any explanation, would it not involve the
offensive supposition that his social rank was different from hers? Even
if he convinced her that he recognized no caste in American society, what
could remove from her mind the somewhat morbid impression that her
education had put her in a false position? His love probably could not
shield her from mortification in a society which, though indefinable in
its limits and code, is an entity more vividly felt than the government
of the United States.

"Don't you think the whole social atmosphere has changed," Miss Lamont
suddenly asked, as they were running along in the train towards
Manchester-by-the-Sea, "since we got north of Boston? I seem to find it
so. Don't you think it's more refined, and, don't you know, sort of
cultivated, and subdued, and Boston? You notice the gentlemen who get
out at all these stations, to go to their country-houses, how highly
civilized they look, and ineffably respectable and intellectual, all of
them presidents of colleges, and substantial bank directors, and possible
ambassadors, and of a social cult (isn't that the word?) uniting brains
and gentle manners."

"You must have been reading the Boston newspapers; you have hit the idea
prevalent in these parts, at any rate. I was, however, reminded myself
of an afternoon train out of London, say into Surrey, on which you are
apt to encounter about as high a type of civilized men as anywhere."

"And you think this is different from a train out of New York?" asked the
artist.

"Yes. New York is more mixed. No one train has this kind of tone. You
see there more of the broker type and politician type, smarter apparel
and nervous manners, but, dear me, not this high moral and intellectual
respectability."

"Well," said the artist, "I'm changing my mind about this country. I
didn't expect so much variety. I thought that all the watering-places
would be pretty much alike, and that we should see the same people
everywhere. But the people are quite as varied as the scenery."

"There you touch a deep question--the refining or the vulgarizing
influence of man upon nature, and the opposite. Now, did the summer
Bostonians make this coast refined, or did this coast refine the
Bostonians who summer here?"

"Well, this is primarily an artistic coast; I feel the influence of it;
there is a refined beauty in all the lines, and residents have not
vulgarized it much. But I wonder what Boston could have done for the
Jersey coast?"

In the midst of this high and useless conversation they came to the
Masconomo House, a sort of concession, in this region of noble villas and
private parks, to the popular desire to get to the sea. It is a long,
low house, with very broad passages below and above, which give lightness
and cheerfulness to the interior, and each of the four corners of the
entrance hall has a fireplace. The pillars of the front and back piazzas
are pine stems stained, with the natural branches cut in unequal lengths,
and look like the stumps for the bears to climb in the pit at Berne. Set
up originally with the bark on, the worms worked underneath it in secret,
at a novel sort of decoration, until the bark came off and exposed the
stems most beautifully vermiculated, giving the effect of fine carving.
Back of the house a meadow slopes down to a little beach in a curved bay
that has rocky headlands, and is defended in part by islands of rock.
The whole aspect of the place is peaceful. The hotel does not assert
itself very loudly, and if occasionally transient guests appear with
flash manners, they do not affect the general tone of the region.

One finds, indeed, nature and social life happily blended, the
exclusiveness being rather protective than offensive. The special charm
of this piece of coast is that it is bold, much broken and indented,
precipices fronting the waves, promontories jutting out, high rocky
points commanding extensive views, wild and picturesque, and yet softened
by color and graceful shore lines, and the forest comes down to the edge
of the sea. And the occupants have heightened rather than lessened this
picturesqueness by adapting their villas to a certain extent to the rocks
and inequalities in color and form, and by means of roads, allies, and
vistas transforming the region into a lovely park.

Here, as at Newport, is cottage life, but the contrast of the two places
is immense. There is here no attempt at any assembly or congregated
gayety or display. One would hesitate to say that the drives here have
more beauty, but they have more variety. They seem endless, through
odorous pine woods and shady lanes, by private roads among beautiful
villas and exquisite grounds, with evidences everywhere of wealth to be
sure, but of individual taste and refinement. How sweet and cool are
these winding ways in the wonderful woods, overrun with vegetation, the
bayberry, the sweet-fern, the wild roses, wood-lilies, and ferns! and it
is ever a fresh surprise at a turn to find one's self so near the sea,
and to open out an entrancing coast view, to emerge upon a promontory and
a sight of summer isles, of lighthouses, cottages, villages--Marblehead,
Salem, Beverly. What a lovely coast! and how wealth and culture have set
their seal on it.

It possesses essentially the same character to the north, although the
shore is occasionally higher and bolder, as at the picturesque promontory
of Magnolia, and Cape Ann exhibits more of the hotel and popular life.
But to live in one's own cottage, to choose his calling and dining
acquaintances, to make the long season contribute something to
cultivation in literature, art, music--to live, in short, rather more for
one's self than for society--seems the increasing tendency of the men of
fortune who can afford to pay as much for an acre of rock and sand at
Manchester as would build a decent house elsewhere. The tourist does not
complain of this, and is grateful that individuality has expressed itself
in the great variety of lovely homes, in cottages very different from
those on the Jersey coast, showing more invention, and good in form and
color.

There are New-Yorkers at Manchester, and Bostonians at Newport; but who
was it that said New York expresses itself at Newport, and Boston at
Manchester and kindred coast settlements? This may be only fancy. Where
intellectual life keeps pace with the accumulation of wealth, society is
likely to be more natural, simpler, less tied to artificial rules, than
where wealth runs ahead. It happens that the quiet social life of
Beverly, Manchester, and that region is delightful, although it is a home
rather than a public life. Nowhere else at dinner and at the chance
evening musicale is the foreigner more likely to meet sensible men who
are good talkers, brilliant and witty women who have the gift of being
entertaining, and to have the events of the day and the social and
political problems more cleverly discussed. What is the good of wealth
if it does not bring one back to freedom, and the ability to live
naturally and to indulge the finer tastes in vacation-time?

After all, King reflected, as the party were on their way to the Isles of
Shoals, what was it that had most impressed him at Manchester? Was it
not an evening spent in a cottage amid the rocks, close by the water, in
the company of charming people? To be sure, there were the magical
reflection of the moonlight and the bay, the points of light from the
cottages on the rocky shore, the hum and swell of the sea, and all the
mystery of the shadowy headlands; but this was only a congenial setting
for the music, the witty talk, the free play of intellectual badinage,
and seriousness, and the simple human cordiality that were worth all the
rest.

What a kaleidoscope it is, this summer travel, and what an entertainment,
if the tourist can only keep his "impression plates" fresh to take the
new scenes, and not sink into the state of chronic grumbling at hotels
and minor discomforts! An interview at a ticket-office, a whirl of an
hour on the rails, and to Portsmouth, anchored yet to the colonial times
by a few old houses, and resisting with its respectable provincialism the
encroachments of modern smartness, and the sleepy wharf in the sleepy
harbor, where the little steamer is obligingly waiting for the last
passenger, for the very last woman, running with a bandbox in one hand,
and dragging a jerked, fretting child by the other hand, to make the
hour's voyage to the Isles of Shoals.

(The shrewd reader objects to the bandbox as an anachronism: it is no
longer used. If I were writing a novel, instead of a veracious
chronicle, I should not have introduced it, for it is an anachronism. But
I was powerless, as a mere narrator, to prevent the woman coming aboard
with her bandbox. No one but a trained novelist can make a
long-striding, resolute, down-East woman conform to his notions of
conduct and fashion.)

If a young gentleman were in love, and the object of his adoration were
beside him, he could not have chosen a lovelier day nor a prettier scene
than this in which to indulge his happiness; and if he were in love, and
the object absent, he could scarcely find a situation fitter to nurse his
tender sentiment. Doubtless there is a stage in love when scenery of the
very best quality becomes inoperative. There was a couple on board
seated in front of the pilot-house, who let the steamer float along the
pretty, long, landlocked harbor, past the Kittery Navy-yard, and out upon
the blue sea, without taking the least notice of anything but each other.
They were on a voyage of their own, Heaven help them! probably without
any chart, a voyage of discovery, just as fresh and surprising as if they
were the first who ever took it. It made no difference to them that
there was a personally conducted excursion party on board, going, they
said, to the Oceanic House on Star Island, who had out their maps and
guide-books and opera-glasses, and wrung the last drop of the cost of
their tickets out of every foot of the scenery. Perhaps it was to King a
more sentimental journey than to anybody else, because he invoked his
memory and his imagination, and as the lovely shores opened or fell away
behind the steamer in ever-shifting forms of beauty, the scene was in
harmony with both his hope and his longing. As to Marion and the artist,
they freely appropriated and enjoyed it. So that mediaeval structure,
all tower, growing out of the rock, is Stedman's Castle--just like him,
to let his art spring out of nature in that way. And that is the famous
Kittery Navy-yard!

"What do they do there, uncle?" asked the girl, after scanning the place
in search of dry-docks and vessels and the usual accompaniments of a
navy-yard.

"Oh, they make 'repairs,' principally just before an election. It is
very busy then."

"What sort of repairs?"

"Why, political repairs; they call them naval in the department. They
are always getting appropriations for them. I suppose that this country
is better off for naval repairs than any other country in the world."

"And they are done here?"

"No; they are done in the department. Here is where the voters are. You
see, we have a political navy. It costs about as much as those navies
that have ships and guns, but it is more in accord with the peaceful
spirit of the age. Did you never hear of the leading case of 'repairs'
of a government vessel here at Kittery? The 'repairs' were all done
here, at Portsmouth, New Hampshire; the vessel lay all the time at
Portsmouth, Virginia. How should the department know that there were two
places of the same name? It usually intends to have 'repairs' and the
vessel in the same navy-yard."

The steamer was gliding along over smooth water towards the seven blessed
isles, which lay there in the sun, masses of rock set in a sea sparkling
with diamond points. There were two pretty girls in the pilot-house, and
the artist thought their presence there accounted for the serene voyage,
for the masts of a wrecked schooner rising out of the shallows to the
north reminded him that this is a dangerous coast. But he said the
passengers would have a greater sense of security if the usual placard
(for the benefit of the captain) was put up: "No flirting with the girl
at the wheel."

At a distance nothing could be more barren than these islands, which
Captain John Smith and their native poet have enveloped in a halo of
romance, and it was not until the steamer was close to it that any
landing-place was visible on Appledore, the largest of the group.

The boat turned into a pretty little harbor among the rocks, and the
settlement was discovered: a long, low, old-fashioned hotel with piazzas,
and a few cottages, perched on the ledges, the door-yards of which were
perfectly ablaze with patches of flowers, masses of red, yellow,
purple-poppies, marigolds, nasturtiums, bachelor's-buttons, lovely
splashes of color against the gray lichen-covered rock. At the landing
is an interior miniature harbor, walled in, and safe for children to
paddle about and sail on in tiny boats. The islands offer scarcely any
other opportunity for bathing, unless one dare take a plunge off the
rocks.

Talk of the kaleidoscope! At a turn of the wrist, as it were, the
elements of society had taken a perfectly novel shape here. Was it only
a matter of grouping and setting, or were these people different from all
others the tourists had seen? There was a lively scene in the hotel
corridor, the spacious office with its long counters and post-office,
when the noon mail was opened and the letters called out. So many pretty
girls, with pet dogs of all degrees of ugliness (dear little objects of
affection overflowing and otherwise running to waste--one of the most
pathetic sights in this sad world), jaunty suits with a nautical cut, for
boating and rock-climbing, family groups, so much animation and
excitement over the receipt of letters, so much well-bred chaffing and
friendliness, such an air of refinement and "style," but withal so
homelike. These people were "guests" of the proprietors, who
nevertheless felt a sort of proprietorship themselves in the little
island, and were very much like a company together at sea. For living on
this island is not unlike being on shipboard at sea, except that this
rock does not heave about in a nauseous way.

Mr. King discovered by the register that the Bensons had been here (of
all places in the world, he thought this would be the ideal one for a few
days with her), and Miss Lamont had a letter from Irene, which she did
not offer to read.

"They didn't stay long," she said, as Mr. King seemed to expect some
information out of the letter, "and they have gone on to Bar Harbor. I
should like to stop here a week; wouldn't you?"

"Ye-e-s," trying to recall the mood he was in before he looked at the
register; "but--but" (thinking of the words "gone on to Bar Harbor") "it
is a place, after all, that you can see in a short time--go all over it
in half a day."

"But you want to sit about on the rocks, and look at the sea, and dream."

"I can't dream on an island-not on a small island. It's too cooped up;
you get a feeling of being a prisoner."

"I suppose you wish 'that little isle had wings, and you and I within its
shady--'"

"There's one thing I will not stand, Miss Lamont, and that's Moore."

"Come, let's go to Star Island."

The party went in the tug Pinafore, which led a restless, fussy life,
puffing about among these islands, making the circuit of Appledore at
fixed hours, and acting commonly as a ferry. Star Island is smaller than
Appledore and more barren, but it has the big hotel (and a different
class of guests from those on Appledore), and several monuments of
romantic interest. There is the ancient stone church, rebuilt some time
in this century; there are some gravestones; there is a monument to
Captain John Smith, the only one existing anywhere to that interesting
adventurer--a triangular shaft, with a long inscription that could not
have been more eulogistic if he had composed it himself. There is
something pathetic in this lonely monument when we recall Smith's own
touching allusion to this naked rock, on which he probably landed when he
once coasted along this part of New England, as being his sole possession
in the world at the end of his adventurous career:

"No lot for me but Smith's Isles, which are an array of barren
rocks, the most overgrown with shrubs and sharpe whins you can
hardly pass them; without either grasse or wood, but three or foure
short shrubby old cedars."

Every tourist goes to the south end of Star Island, and climbs down on
the face of the precipice to the "Chair," a niche where a school-teacher
used to sit as long ago as 1848. She was sitting there one day when a
wave came up and washed her away into the ocean. She disappeared. But
she who loses her life shall save it. That one thoughtless act of hers
did more for her reputation than years of faithful teaching, than all her
beauty, grace, and attractions. Her "Chair" is a point of pilgrimage.
The tourist looks at it, guesses at its height above the water, regards
the hungry sea with aversion, re-enacts the drama in his imagination,
sits in the chair, has his wife sit in it, has his boy and girl sit in it
together, wonders what the teacher's name was, stops at the hotel and
asks the photograph girl, who does not know, and the proprietor, who says
it's in a book somewhere, and finally learns that it was Underhill, and
straightway forgets it when he leaves the island.

What a delicious place it is, this Appledore, when the elements favor!
The party were lodged in a little cottage, whence they overlooked the
hotel and the little harbor, and could see all the life of the place,
looking over the bank of flowers that draped the rocks of the door-yard.
How charming was the miniature pond, with the children sailing round and
round, and the girls in pretty costumes bathing, and sunlight lying so
warm upon the greenish-gray rocks! But the night, following the glorious
after-glow, the red sky, all the level sea, and the little harbor
burnished gold, the rocks purple--oh! the night, when the moon came! Oh,
Irene! Great heavens! why will this world fall into such a sentimental
fit, when all the sweetness and the light of it are away at Bar Harbor!

Love and moonlight, and the soft lapse of the waves and singing? Yes,
there are girls down by the landing with a banjo, and young men singing
the songs of love, the modern songs of love dashed with college slang.
The banjo suggests a little fastness; and this new generation carries off
its sentiment with some bravado and a mocking tone. Presently the tug
Pinafore glides up to the landing, the engineer flings open the furnace
door, and the glowing fire illumines the interior, brings out forms and
faces, and deepens the heavy shadows outside. It is like a cavern scene
in the opera. A party of ladies in white come down to cross to Star.
Some of these insist upon climbing up to the narrow deck, to sit on the
roof and enjoy the moonlight and the cinders. Girls like to do these
things, which are more unconventional than hazardous, at watering-places.

What a wonderful effect it is, the masses of rock, water, sky, the night,
all details lost in simple lines and forms! On the piazza of the cottage
is a group of ladies and gentlemen in poses more or less graceful; one
lady is in a hammock; on one side is the moonlight, on the other come
gleams from the curtained windows touching here and there a white
shoulder, or lighting a lovely head; the vines running up on strings and
half enclosing the piazza make an exquisite tracery against the sky, and
cast delicate shadow patterns on the floor; all the time music within,
the piano, the violin, and the sweet waves of a woman's voice singing the
songs of Schubert, floating out upon the night. A soft wind blows out of
the west.

The northern part of Appledore Island is an interesting place to wander.
There are no trees, but the plateau is far from barren. The gray rocks
crop out among bayberry and huckleberry bushes, and the wild rose, very
large and brilliant in color, fairly illuminates the landscape, massing
its great bushes. Amid the chaotic desert of broken rocks farther south
are little valleys of deep green grass, gay with roses. On the savage
precipices at the end one may sit in view of an extensive sweep of coast
with a few hills, and of other rocky islands, sails, and ocean-going
steamers. Here are many nooks and hidden corners to dream in and make
love in, the soft sea air being favorable to that soft-hearted
occupation.

One could easily get attached to the place, if duty and Irene did not
call elsewhere. Those who dwell here the year round find most
satisfaction when the summer guests have gone and they are alone with
freaky nature. "Yes," said the woman in charge of one of the cottages,
"I've lived here the year round for sixteen years, and I like it. After
we get fixed up comfortable for winter, kill a critter, have pigs, and
make my own sassengers, then there ain't any neighbors comin' in, and
that's what I like."