Mark Twain, A Biography, Vol. 2, Part 2

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MARK TWAIN, A BIOGRAPHY

By Albert Bigelow Paine



VOLUME II, Part 2: 1886-1900




CLXII


BROWNING, MEREDITH, AND MEISTERSCHAFT

The Browning readings must have begun about this time. Just what kindled
Mark Twain's interest in the poetry of Robert Browning is not remembered,
but very likely his earlier associations with the poet had something to
do with it. Whatever the beginning, we find him, during the winter of
1886 and 1887, studiously, even violently, interested in Browning's
verses, entertaining a sort of club or class who gathered to hear his
rich, sympathetic, and luminous reading of the Payleyings--"With Bernard
de Mandeville," "Daniel Bartoli," or "Christopher Smart." Members of the
Saturday Morning Club were among his listeners and others-friends of the
family. They were rather remarkable gatherings, and no one of that group
but always vividly remembered the marvelously clear insight which Mark
Twain's vocal personality gave to those somewhat obscure measures. They
did not all of them realize that before reading a poem he studied it line
by line, even word by word; dug out its last syllable of meaning, so far
as lay within human possibility, and indicated with pencil every shade of
emphasis which would help to reveal the poet's purpose. No student of
Browning ever more devoutly persisted in trying to compass a master's
intent--in such poems as "Sordello," for instance--than Mark Twain. Just
what permanent benefit he received from this particular passion it is
difficult to know. Once, at a class-meeting, after finishing "Easter
Day," he made a remark which the class requested him to "write down." It
is recorded on the fly-leaf of Dramatis Personae as follows:

One's glimpses & confusions, as one reads Browning, remind me of
looking through a telescope (the small sort which you must move with
your hand, not clock-work). You toil across dark spaces which are
(to your lens) empty; but every now & then a splendor of stars &
suns bursts upon you and fills the whole field with flame. Feb.
23, 1887.

In another note he speaks of the "vague dim flash of splendid
hamming-birds through a fog." Whatever mental treasures he may or may
not have laid up from Browning there was assuredly a deep gratification
in the discovery of those splendors of "stars and suns" and the flashing
"humming-birds," as there must also have been in pointing out those
wonders to the little circle of devout listeners. It all seemed so worth
while.

It was at a time when George Meredith was a reigning literary favorite.
There was a Meredith cult as distinct as that of Browning. Possibly it
exists to-day, but, if so, it is less militant. Mrs. Clemens and her
associates were caught in the Meredith movement and read Diana of the
Crossways and the Egoist with reverential appreciation.

The Meredith epidemic did not touch Mark Twain. He read but few novels
at most, and, skilful as was the artistry of the English favorite, he
found his characters artificialities--ingeniously contrived puppets
rather than human beings, and, on the whole, overrated by their creator.
Diana of the Crossways was read aloud, and, listening now and then, he
was likely to say:

"It doesn't seem to me that Diana lives up to her reputation. The author
keeps telling us how smart she is, how brilliant, but I never seem to
hear her say anything smart or brilliant. Read me some of Diana's smart
utterances."

He was relentless enough in his criticism of a literature he did not care
for, and he never learned to care for Meredith.

He read his favorite books over and over with an ever-changing point of
view. He re-read Carlyle's French Revolution during the summer at the
farm, and to Howells he wrote:

How stunning are the changes which age makes in man while he sleeps!
When I finished Carlyle's French Revolution in 1871 I was a
Girondin; every time I have read it since I have read it
differently--being influenced & changed, little by little, by life &
environment (& Taine & St. Simon); & now I lay the book down once
more, & recognize that I am a Sansculotte!--And not a pale,
characterless Sansculotte, but a Marat. Carlyle teaches no such
gospel, so the change is in me--in my vision of the evidences.

People pretend that the Bible means the same to them at 50 that it
did at all former milestones in their journey. I wonder how they
can lie so. It comes of practice, no doubt. They would not say
that of Dickens's or Scott's books. Nothing remains the same. When
a man goes back to look at the house of his childhood it has always
shrunk; there is no instance of such house being as big as the
picture in memory & imagination call for. Shrunk how? Why, to its
correct dimensions; the house hasn't altered; this is the first time
it has been in focus.

Well, that's loss. To have house & Bible shrink so, under the
disillusioning corrected angle, is loss--for a moment. But there
are compensations. You tilt the tube skyward & bring planets &
comets & corona flames a hundred & fifty thousand miles high into
the field. Which I see you have done, & found Tolstoi. I haven't
got him in focus yet, but I've got Browning.

In time the Browning passion would wane and pass, and the club was
succeeded by, or perhaps it blended with, a German class which met at
regular intervals at the Clemens home to study "der, die, and das" and
the "gehabt habens" out of Meisterschaft and such other text-books as
Professor Schleutter could provide. They had monthly conversation days,
when they discussed in German all sorts of things, real and imaginary.
Once Dr. Root, a prominent member, and Clemens had a long wrangle over
painting a house, in which they impersonated two German neighbors.

Clemens finally wrote for the class a three-act play "Meisterschaft"--a
literary achievement for which he was especially qualified, with its
picturesque mixture of German and English and its unfailing humor. It
seems unlike anything ever attempted before or since. No one but Mark
Twain could have written it. It was given twice by the class with
enormous success, and in modified form it was published in the Century
Magazine (January, 1888). It is included to-day in his "Complete Works,"
but one must have a fair knowledge of German to capture the full delight
of it.--[On the original manuscript Mark Twain wrote: "There is some
tolerably rancid German here and there in this piece. It is attributable
to the proof-reader." Perhaps the proof-reader resented this and cut it
out, for it does not appear as published.]

Mark Twain probably exaggerated his sentiments a good deal when in the
Carlyle letter he claimed to be the most rabid of Sansculottes. It is
unlikely that he was ever very bare-kneed and crimson in his anarchy. He
believed always that cruelty should be swiftly punished, whether in king
or commoner, and that tyrants should be destroyed. He was for the people
as against kings, and for the union of labor as opposed to the union of
capital, though he wrote of such matters judicially--not radically. The
Knights of Labor organization, then very powerful, seemed to Clemens the
salvation of oppressed humanity. He wrote a vehement and convincing
paper on the subject, which he sent to Howells, to whom it appealed very
strongly, for Howells was socialistic, in a sense, and Clemens made his
appeal in the best and largest sense, dramatizing his conception in a
picture that was to include, in one grand league, labor of whatever form,
and, in the end, all mankind in a final millennium. Howells wrote that
he had read the essay "with thrills amounting to yells of satisfaction,"
and declared it to be the best thing yet said on the subject. The essay
closed:

He [the unionized workman] is here and he will remain. He is the
greatest birth of the greatest age the nations of the world have
known. You cannot sneer at him--that time has gone by. He has
before him the most righteous work that was ever given into the hand
of man to do; and he will do it. Yes, he is here; and the question
is not--as it has been heretofore during a thousand ages--What shall
we do with him? For the first time in history we are relieved of
the necessity of managing his affairs for him. He is not a broken
dam this time--he is the Flood!

It must have been about this time that Clemens developed an intense, even
if a less permanent, interest in another matter which was to benefit the
species. He was one day walking up Fifth Avenue when he noticed the sign,

PROFESSOR LOISETTE
SCHOOL OF MEMORY
The Instantaneous Art of Never Forgetting

Clemens went inside. When he came out he had all of Professor Loisette's
literature on "predicating correlation," and for the next several days
was steeping himself in an infusion of meaningless words and figures and
sentences and forms, which he must learn backward and forward and
diagonally, so that he could repeat them awake and asleep in order to
predicate his correlation to a point where remembering the ordinary facts
of life, such as names, addresses, and telephone numbers, would be a mere
diversion.

It was another case of learning the multitudinous details of the
Mississippi River in order to do the apparently simple thing of steering
a boat from New Orleans to St. Louis, and it is fair to say that, for the
time he gave it, he achieved a like success. He was so enthusiastic over
this new remedy for human distress that within a very brief time he was
sending out a printed letter recommending Loisette to the public at
large. Here is an extract:

. . . I had no SYSTEM--and some sort of rational order of
procedure is, of course, necessary to success in any study. Well,
Loisette furnished me a system. I cannot undertake to say it is the
best, or the worst, because I don't know what the other systems are.
Loisette, among other cruelties, requires you to memorize a great
long string of words that, haven't any apparent connection or
meaning--there are perhaps 500 of these words, arranged in maniacal
lines of 6 to 8 or 9 words in each line--71 lines in all. Of course
your first impulse is to resign, but at the end of three or four
hours you find to your surprise that you've GOT them and can deliver
them backward or forward without mistake or hesitation. Now, don't
you see what a world of confidence that must necessarily breed?
--confidence in a memory which before you wouldn't even venture to
trust with the Latin motto of the U. S. lest it mislay it and the
country suffer.

Loisette doesn't make memories, he furnishes confidence in memories
that already exist. Isn't that valuable? Indeed it is to me.
Whenever hereafter I shall choose to pack away a thing properly in
that refrigerator I sha'n't be bothered with the aforetime doubts; I
shall know I'm going to find it sound and sweet when I go for it
again.

Loisette naturally made the most of this advertising and flooded the
public with Mark Twain testimonials. But presently Clemens decided that
after all the system was not sufficiently simple to benefit the race at
large. He recalled his printed letters and prevailed upon Loisette to
suppress his circulars. Later he decided that the whole system was a
humbug.




CLXIII

LETTER TO THE QUEEN OF ENGLAND

It was one day in 1887 that Clemens received evidence that his reputation
as a successful author and publisher--a man of wealth and revenues--had
penetrated even the dimness of the British Tax Offices. A formidable
envelope came, inclosing a letter from his London publishers and a very
large printed document all about the income tax which the Queen's
officers had levied upon his English royalties as the result of a report
that he had taken Buckenham Hall, Norwich, for a year, and was to become
an English resident. The matter amused and interested him. To Chatto &
Windus he wrote:

I will explain that all that about Buckenham Hall was an English
newspaper's mistake. I was not in England, and if I had been I
wouldn't have been at Buckenham Hall anyway, but Buckingham Palace,
or I would have endeavored to have found out the reason why . . .

But we won't resist. We'll pay as if I were really a resident. The
country that allows me copyright has a right to tax me.

Reflecting on the matter, Clemens decided to make literature of it. He
conceived the notion of writing an open letter to the Queen in the
character of a rambling, garrulous, but well-disposed countryman whose
idea was that her Majesty conducted all the business of the empire
herself. He began:

HARTFORD, November 6, 2887.

MADAM, You will remember that last May Mr. Edward Bright, the clerk
of the Inland Revenue Office, wrote me about a tax which he said was
due from me to the Government on books of mine published in London
--that is to say, an income tax on the royalties. I do not know Mr.
Bright, and it is embarrassing to me to correspond with strangers,
for I was raised in the country and have always lived there, the
early part in Marion County, Missouri, before the war, and this part
in Hartford County, Connecticut, near Bloomfield and about 8 miles
this side of Farmington, though some call it 9, which it is
impossible to be, for I have walked it many and many a time in
considerably under three hours, and General Hawley says he has done
it in two and a quarter, which is not likely; so it has seemed best
that I write your Majesty.

The letter proceeded to explain that he had never met her Majesty
personally, but that he once met her son, the Prince of Wales, in Oxford
Street, at the head of a procession, while he himself was on the top of
an omnibus. He thought the Prince would probably remember him on account
of a gray coat with flap pockets which he wore, he being the only person
on the omnibus who had on that kind of a coat.

"I remember him," he said, "as easily as I would a comet."

He explained the difficulty he had in understanding under what heading he
was taxed. There was a foot-note on the list which stated that he was
taxed under "Schedule D, section 14." He had turned to that place and
found these three things: "Trades, Offices, Gas Works." He did not
regard authorship as a trade, and he had no office, so he did not
consider that he was taxable under "Schedule D, section 14." The letter
concludes:

Having thus shown your Majesty that I am not taxable, but am the
victim of the error of a clerk who mistakes the nature of my
commerce, it only remains for me to beg that you will, of your
justice, annul my letter that I spoke of, so that my publisher can
keep back that tax money which, in the confusion and aberration
caused by the Document, I ordered him to pay. You will not miss the
sum, but this is a hard year for authors, and as for lectures I do
not suppose your Majesty ever saw such a dull season.

With always great and ever-increasing respect, I beg to sign myself
your Majesty's servant to command,
MARK TWAIN.
Her Majesty the Queen, London.

The letter, or "petition," as it was called, was published in the
Harper's Magazine "Drawer" (December, 1889), and is now included in the
"Complete Works." Taken as a whole it is one of the most exquisite of
Mark Twain's minor humors. What other humorist could have refrained from
hinting, at least, the inference suggested by the obvious "Gas Works"?
Yet it was a subtler art to let his old, simple-minded countryman ignore
that detail. The little skit was widely copied and reached the Queen
herself in due time, and her son, Prince Edward, who never forgot its
humor.

Clemens read a notable paper that year before the Monday Evening Club.
Its subject was "Consistency"--political consistency--and in it he took
occasion to express himself pretty vigorously regarding the virtue of
loyalty to party before principle, as exemplified in the Blaine-Cleveland
campaign. It was in effect a scathing reply to those who, three years,
before, had denounced Twichell and himself for standing by their
convictions.--[ Characteristic paragraphs from this paper will be found
under Appendix R, at the end of last volume.]




CLXIV

SOME FURTHER ACCOUNT OF CHARLES L. WEBSTER & CO.

Flood-tide is a temporary condition, and the ebb in the business of
Charles L. Webster & Co., though very deliberate, was not delayed in its
beginning. Most of the books published--the early ones at least-were
profitable. McClellan's memoirs paid, as did others of the war series.

Even The Life of Pope Leo XIII. paid. What a statement to make, after
all their magnificent dreams and preparations! It was published
simultaneously in six languages. It was exploited in every conceivable
fashion, and its aggregate sales fell far short of the number which the
general agents had promised for their first orders. It was amazing, it
was incredible, but, alas! it was true. The prospective Catholic
purchaser had decided that the Pope's Life was not necessary to his
salvation or even to his entertainment. Howells explains it, to his own
satisfaction at least, when he says:

We did not consider how often Catholics could not read, how often,
when they could, they might not wish to read. The event proved
that, whether they could read or not, the immeasurable majority did
not wish to read The Life of the Pope, though it was written by a
dignitary of the Church and issued to the world with sanction from
the Vatican.

Howells, of course, is referring to the laboring Catholic of that day.
There are no Catholics of this day--no American Catholics, at least--who
do not read, and money among them has become plentiful. Perhaps had the
Pope's Life been issued in this new hour of enlightenment the tale of its
success might have been less sadly told.

A variety of books followed. Henry Ward Beecher agreed to write an
autobiography, but he died just when he was beginning the work, and the
biography, which his family put together, brought only a moderate return.
A book of Sandwich Islands tales and legends, by his Hawaiian Majesty
King Kalakaua, edited by Clemens's old friend, Rollin M. Daggett, who had
become United States minister to the islands, barely paid for the cost of
manufacture, while a volume of reminiscences by General Hancock was still
less fortunate. The running expenses of the business were heavy. On the
strength of the Grant success Webster had moved into still larger
quarters at No. 3 East Fifteenth Street, and had a ground floor for a
salesroom. The force had become numerous and costly. It was necessary
that a book should pay largely to maintain this pretentious
establishment. A number of books were published at a heavy loss. Never
mind their titles; we may forget them, with the name of the bookkeeper
who presently embezzled thirty thousand dollars of the firm's money and
returned but a trifling sum.

By the end of 1887 there were three works in prospect on which great
hopes were founded--'The Library of Humor', which Howells and Clark had
edited; a personal memoir of General Sheridan's, and a Library of
American Literature in ten volumes, compiled by Edmund Clarence Stedman
and Ellen Mackay Hutchinson. It was believed these would restore the
fortunes and the prestige of the firm. They were all excellent,
attractive features. The Library of Humor was ably selected and
contained two hundred choice drawings by Kemble. The Sheridan Memoir was
finely written, and the public interest in it was bound to be general.
The Library of American Literature was a collection of the best American
writing, and seemed bound to appeal to every American reading-home. It
was necessary to borrow most of the money required to build these books,
for the profit made from the Grant Life and less fortunate ventures was
pretty well exhausted. Clemens presently found a little drift of his
notes accumulating at this bank and that--a disturbing condition, when he
remembered it, for he was financing the typesetting machine by this time,
and it was costing a pretty sum.

Meantime, Webster was no longer active in the management. In two years
he had broken down from overwork, and was now desperately ill with an
acute neuralgia that kept him away from the business most of the time.
Its burdens had fallen upon his assistant, Fred J. Hall, a willing,
capable young man, persevering and hopeful, lacking only years and
experience. Hall worked like a beaver, and continually looked forward to
success. He explained, with each month's report of affairs, just why the
business had not prospered more during that particular month, and just
why its profits would be greater during the next. Webster finally
retired from the business altogether, and Hall was given a small
partnership in the firm. He reduced expenses, worked desperately,
pumping out the debts, and managed to keep the craft afloat.

The Library of Humor, the Life of Sheridan, and The Library of American
Literature all sold very well; not so well as had been hoped, but the
sales yielded a fair profit. It was thought that if Clemens himself
would furnish a new book now and then the business might regain something
of its original standing.

We may believe that Clemens had not been always patient, not always
gentle, during this process of decline. He had differed with Webster,
and occasionally had gone down and reconstructed things after his own
notions. Once he wrote to Orion that he had suddenly awakened to find
that there was no more system in the office than in a nursery without a
nurse.

"But," he added, "I have spent a good deal of time there since, and
reduced everything to exact order and system."

Just what were the new features of order instituted it would be
interesting to know. That the financial pressure was beginning to be
felt even in the Clemens home is shown by a Christmas letter to Mrs.
Moffett.

HARTFORD, December 18, 1887.

DEAR PAMELA,--Will you take this $15 & buy some candy or other trifle for
yourself & Sam & his wife to remind you that we remember you?

If we weren't a little crowded this year by the type-setter I'd send a
check large enough to buy a family Bible or some other useful thing like
that. However, we go on & on, but the type-setter goes on forever--at
$3,000 a month; which is much more satisfactory than was the case the
first 17 months, when the bill only averaged $2,000, & promised to take a
thousand years. We'll be through now in 3 or 4 months, I reckon, & then
the strain will let up and we can breathe freely once more, whether
success ensues or failure.

Even with a type-setter on hand we ought not to be in the least
scrimped-but it would take a long letter to explain why & who is to
blame.

All the family send love to all of you, & best Christmas wishes for your
prosperity.

Affectionately,
SAM.




CLXV

LETTERS, VISITS, AND VISITORS

There were many pleasanter things, to be sure. The farm life never
failed with each returning summer; the winters brought gay company and
fair occasions. Sir Henry and Lady Stanley, visiting. America, were
entertained in the Clemens home, and Clemens went on to Boston to
introduce Stanley to his lecture audience. Charles Dickens's son, with
his wife and daughter, followed a little later. An incident of their
visit seems rather amusing now. There is a custom in England which
requires the host to give the guest notice of bedtime by handing him a
lighted candle. Mrs. Clemens knew of this custom, but did not have the
courage to follow it in her own home, and the guests knew of no other way
to relieve the situation; as a result, all sat up much later than usual.
Eventually Clemens himself suggested that possibly the guests would like
to retire.

Robert Louis Stevenson came down from Saranac, and Clemens went in to
visit him at his New York hotel, the St. Stevens, on East Eleventh
Street. Stevenson had orders to sit in the sunshine as much as possible,
and during the few days of their association he and Clemens would walk
down to Washington Square and sit on one of the benches and talk. They
discussed many things--philosophies, people, books; it seems a pity their
talk could not have been preserved.

Stevenson was a great admirer of Mark Twain's work. He said that during
a recent painting of his portrait he had insisted on reading Huck Finn
aloud to the artist, a Frenchman, who had at first protested, and finally
had fallen a complete victim to Huck's yarn. In one of Stevenson's
letters to Clemens he wrote:

My father, an old man, has been prevailed upon to read Roughing It
(his usual amusement being found in theology), and after one evening
spent with the book he declared: "I am frightened. It cannot be
safe for a man at my time of life to laugh so much."